How to evaluate the third issue of I Am an Actor .

Yang Rong has been mixed up in her mother's ancient puppet dramas for a long time, and most of the actors' acting skills are not up to par, and many times they are just finished with two casual strokes. Yang Rong is tall among the short ones, with the best appearance, and she is willing to work hard to study, not fooling, and naturally looks very good at acting. But in this variety show, the PK who is on the same stage with her is an actor who is mixed in various film and television dramas and dramas, and the references are different, and Yang Rong's acting shortcomings are reflected.

Just like the person who often takes the first test in the class, he may not be ranked in the top ten in the grade. It's a pity that Yang Rong has acted in so many popular TV series, but people have never become popular. Coupled with the fact that the program team made a mistake in her name and the TV series was robbed of the role, everyone generally has a sympathetic attitude towards her, which affects the judgment very much.

In the final improvisational part, I don't know if it was cut out by the editing, Yang Rong actually only said "what" twice, and the tutor's request was to say it three times, which is already very unqualified. Her demeanor at the beginning was not so much like hearing that her sister was pregnant, but like a girl in love. There are still many people in the barrage who say that she is too nervous, and it can be seen that Yang Rong is self-motivated and wants to perform the drama well, but she is too nervous.

Jin Shijia was also nervous, seeing that the camera was speaking unnaturally, his legs were still shaking when he went on stage, but he found his state as soon as he entered the role, and the final work was also very complete. So don't use nervousness as an excuse, who isn't nervous? If it's because of the nervousness that affects the character, it means that you don't even have the basic ability to get into the character quickly.

If you really have acting skills and enjoy the performance, you should enter the role as soon as you enter the game, completely immersed in the performance, and you don't care about the tension at all, how can you have time to think that you are competing?

I think everyone has their own method of acting, and no one's method is more advanced, and as long as the performance can make the audience believe, it will be successful. And I especially don't like them to tell how difficult it is for them to tell how difficult they are, and those who can get on this stage are more or less well-known actors, and their lives are already better than many people.

The most eye-catching scene in the audience, of course, should be the doctor being pushed into the water by the patient, one side asks loudly, the other side collapses in the heart "I don't dare", the strong bow their heads and give in, and the weak fight bravely. The effect of this scene is not only in the moment of performance, but also in the previous characters and narrative advancement. There is no point in breaking that trust without the trust that has been built up to the audience.

Judging by the results, the show was terrible. ‍‍

Kim Se-ja's lines are the most problematic part. First of all, his aura is so weak that it almost seems that he has no professional training in the acting department. In the lines of the rival play, it is almost impossible to see the real process of receiving and processing information; There is only one way to "force" the explosive passage......Song Yi also has his own problems.

If Jin Shijia provided a performance with poor technique, Song Yi gave an old-fashioned technique. I don't know if it's the relationship between Beijing Renyi, Song Yi's performance is a little too strong. Song Yi's performance always maintains a uniform rhythm of words and circles, and has the style of an announcer.

Also for example, Song Yi said twice about the moment of his deceased fiancé, which should be an important clue that echoes before and after. Is there a PTSD other than sadness? Do you have any hatred for Jin Shijia?

Is there any gloss of tension in the process? Song Yi's "sadness" is too superficial, like a kind of "deliberate pain", and lacks truth. ‍‍

After graduating from Chinese opera in 2005, Li Yajing has been teaching acting in Chinese opera ever since. In his opinion, the essence of performance is giving, and all creation is also giving, and if you don't give, you can't accept it, but most people think about getting on stage. Especially on the stage of "I Am an Actor".

It's competitive throughout, and everybody comes here wanting to win, and everyone wants to get more attention. Adding lines is one of the contestants' favorite things to do. In Liu Yiliang's view, this is the sequelae left by actors filming film and television dramas, and he always thinks that there are only shots when there are words.

Objectively speaking, harem drama is not very suitable for the form of the stage. There are not a few court dramas that depict political situations on the drama stage, and I have not seen a harem drama that depicts the competition for favor. Harem battles are often below the surface of the water, with a long cycle and low intensity.

The contradiction and information gap between the calm on the surface and the turbulent undercurrent in fact are important factors that bring aesthetic pleasure to the audience. The form of the TV series is obviously more suitable for this theme. This time, the script of "Harem" is original, but it has actually worked harder.

The lines are exquisite, the characters are distinct, but it is inevitable to arrange a high-intensity conflict under such a short foreshadowing. ‍‍

I know that Jin Shijia focuses on his acting career, is not a hype person, and does not follow the traffic, and retreats bravely at the peak. However, I just think his performance is not as good as Song Yi. He pays too much attention to the performance method, and I don't think he can express his emotions enough, and I prefer some performances that show real feelings.

I watched his drama Hurricane before, and I didn't recognize it as Jin Shijia at first, he has been performing Tian Han with an excited roar, which really makes me very dramatic. I didn't feel immersed in the whole performance, and I didn't have much impression of the plot, maybe the script had to be blamed, but I really didn't like the way he acted. In yesterday's performance, I still felt that he was acting in this way.

In fact, sometimes it is not necessary to shout wildly to express a fierce collision, and actors sometimes have to know how to "receive". Personal opinion, don't spray if you don't like it.

The beautiful are all beauties with high appearance.

I've been watching this show and I feel like I've seen a lot of people who are working very hard.

Many people may think that Wang Yuan is a pity, but isn't acting a matter of opinion. Isn't it normal to analyze from different angles and get different results? Is the hot search in the afternoon willing to be on it by themselves?

Rubbing to the first hot search, who benefits in the end? Don't you know that you didn't act well this time, who will stir up trouble on the cusp, but someone with a heart has done too much. In the end, she became the object of verbal criticism, and the spectators frantically picked up the keyboard in their hands, from the praise in the afternoon to the depreciation in the evening, and in the end they were just puppets of people with hearts.

Yang Rong is self-motivated and wants to perform the drama well, but she is too nervous. Jin Shijia was also nervous, and it was unnatural to see the camera talking

The third issue of "I Am an Actor" feels less funny, and it doesn't feel like the first two issues.

The judges are professional and dedicated, the contestants are hard-working, as an audience there should not be too many complaints, everything is the best arrangement.

The discussion of "true" and "false" by several mentors finally fell on the "methodological school", which is really puzzling. Like the experiential school, the goal of the method school is to achieve the "real" of the characters, but it is a different thing to not use the psychological experience process of the experiential school. I won't go into detail about the specific theory here, but I just hope it won't be misinterpreted by the public.

The evaluation is as follows:"I Am an Actor" has been broadcast for three seasons, more good actors have been discovered and recognized by the market, and more young actors have faced up to the importance of strength and started self-improvement, which is the most intuitive impact on the actor level. With the increasing aesthetic improvement of the audience, the audience needs good actors and good works, and the leading value of the show in the past three seasons has long gone beyond the acting level and extended to the level of work creation.

Taking the third season finals as an example, "Skyscraper" advocates rational judgment of good and evil, "Shaxian Snack" reflects the ordinary life of migrant workers, and "Long Night" highlights the respect for life.

Program background: After three seasons of hard work, "I Am an Actor" has not only polished the stage clips of "acting textbooks", but also excavated batches of good actors with excellent quality and character. The horn has no size, and it is refined into gold.

I Am an Actor Season 3 continues to temper the shining performance stage with the same attitude of the original intention and the determination to return to zero, and continues to throw out the industry problems that the audience is curious about and need to be solved with the upgraded competition system and elevated ideas, helping actors of different ages and acting skills to grow up in the competition.