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In the final analysis, the most important thing in anime works is the story and fun. The pursuit of content is what really contributes to the development of Chinese animation, and it is just a matter of being entangled in whether it is like Japanese animation or not, whether it is Chinese animation or not.
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For example, in the selection of materials for the content of works, it should be a very good way to select materials according to social reality. Nowadays, many people are influenced by fantasy literature and alternate history, but they have limited their creative thinking.
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If an industry wants to develop and be original, the industry must survive first. Instead of chasing the so-called "Chinese characteristics", it is better to focus on how to make the work live first and make money. After that, it's "originality".
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To put it bluntly, the collapse of domestic animation in the 90s stemmed from the weakness of marketization and commercialization, but this weakness is related to the domestic environment and has nothing to do with animators. This pot is not suitable for you to deduct to the animators, and it is not appropriate to deduct it to the system.
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There has to be something that is closer to the person himself, rather than chasing profit. It's called art. I think that domestic animation lacks this feeling, there must always be elites in this industry, and they may not be rich because of this, so they are not as likable as pure business, but they have to chase more valuable things.
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Ideological consciousness and official support,In addition, I want to say,There are still a lot of excellent animations and even excellent animations in China.,The main thing is that it doesn't get official support.,It's just that it can't be on the market.。
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If we want to use cartoons to describe the real life of Chinese, we can, but it can't just life, but there is no depth. Even if the audience sees the real life with Chinese characteristics described in the film, but they can't get a little nutrition, and they can't make people reminisce and think about it repeatedly, such a film can only give us Chinese ourselves to entertain ourselves and foreigners to hunt for curiosity.
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China's animation industry cannot be done, and the system problem is only a part, and it is not a decisive factor. The most important thing is that there is no mature profit model. This is the most important obstacle to the development of Chinese animation.
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First of all, it needs to be suitable for all ages, and the second is the combination of internal and external combination and rationality, which plays an auxiliary intellectual development version of the animation.
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Do a good job as a screenwriter and recognize what age you are reading.
Interpersonal relationships, one's own expertise, technology, predictable financial budget, start-up capital.
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