How do you evaluate Yang Dechang? How did Yang Dechang die

Regarding Yang Dechang, in fact, I have not been in contact with him, and there may be no way to evaluate him, so I recommend a set of documentaries "Ten Years Goodbye Yang Dechang". In the planning of this year's Taoyuan Film Festival, director Wu Yifeng ("We Make Movies Like This") interviewed Director Yang's former collaborators, including Ono, Yu Weiyan, Ke Yizheng, Du Duzhi, Zhang Zhen, Chen Xiangqi, etc., a total of 15. The first part of Wei Desheng to watch.

He said that he went to Yang Dechang's company as an assistant, drove for Director Yang, did desk work, participated in the script, and then went from assistant director to assistant director.

In the documentary, you can learn what people who know Yang Dechang say about him, and I have watched this set of documentaries with a total length of more than 6 hours one after another. In addition to the theme of remembrance, the interviewees will mention Yang Dechang's temper problems, how difficult it is, how he loves to scold people, how he is unsympathetic, childish, does not give face and never compromises. Everyone has a history of blood and tears that they want to die with him, and when summed together, it has become the "Yang Dechang Tucao Conference".

Among those who know Yang Dechang, everyone may think that he has a great temper and may not be so easy to get along with, and some people also say that the best distance from Yang Dechang is true. is to be his audience, he puts the most human, sincere, and tolerant parts of himself in the movie. Yang Dechang is definitely the most important creator in the history of Chinese films, leaving behind such great works as "Guling Street Juvenile Murder Incident" and "Yiyi", which are beyond doubt.

Like many great filmmakers, Yang Dechang also has a "dark side of genius" in his character, at least in a way that is difficult for ordinary people to understand.

It is undeniable that the work he brings to us is deeply rooted in the hearts of the people. It is well-known in the world film industry.

In fact, when we evaluate a person, we should judge from many aspects, such as the person's knowledge, his vision, his pattern, his logic, what he has done in his life, and so on. The evaluation of a person should be objective, and should be measured from three aspects: common sense ability, character and sentiment, and contribution to the country and mankind. First of all, from the perspective of intellectual ability, *** is a great calligrapher, poet, and writer.

His calligraphy is superb; When we were students, we all read his articles, which are easy to understand; The Chongqing negotiations caused a sensation in Qinyuanchun. Snow, so far no one can compare; He is a great military strategist, and the divine power of crossing the Chishui is powerful enough, <>

As a film and television worker, we evaluate him more from the works. Yang Dechang has many works in his life, some good and some vulgar, so it is very important to examine him and evaluate him in a neutral manner. We should look at problems from a dialectical and historical point of view.

All people are limited by history, that is, they have personal limitations and the limitations of the background of the times. Speaking of openness, apart from political reasons such as faith, an impoverished China and the imperial powers are like laid-off workers and multimillionaires talking about economic cooperation. Can we sit together as equals?

Not to mention the hostility of the Western powers to communism at that time.

In fact, no matter what, as long as a person has made his own contribution in the long river of history and contributed his own strength to the development of Chinese film and television, then he should be recognized and praised by the public.

As a viewer, we should praise and identify with them, only in this way can we promote the development of the film industry.

In 2007, he died of colorectal cancer at his residence in Beverly Hills, Los Angeles, on June 29, local time, at the age of 59.

Yang Dechang. It is a well-deserved master of cinema, which has long been recognized. He is a world-class figure, and his artistic achievements make everyone proud (Jiao Xiong Ping Review). The death of Yang Dechang in 2007 seemed to be another wake-up call, knocking on the hearts of all those who still care about Taiwanese films.

Yang Dechang is good at combining Western film theory with traditional Chinese film aesthetics, and his works focus on rational analysis of human nature, full of speculative color and philosophical edge, and the subject matter is biased towards interpersonal relationships.

and descriptions of social and family life. The narrative adopts a scattered structure and an open-ended ending, breaking through the traditional aesthetic psychology of the happy ending of the Oriental, but without pursuing the peculiar techniques of the new wave film, showing a documentary, timeless and simple artistic style.

His films are always topical and controversial, with a sharpness and sharpness rarely seen in Chinese-language films. and the masterpiece "Guling Street Juvenile Homicide Incident".

It is also an epic work that cannot be ignored in the history of Chinese films. It was a big revolution in Chinese films, and he not only gave the film the power of criticism with his realistic style, but also moved the world with his profound human power. The story of "Guling Street" has spread to the mainland, and it has also had an enduring impact among the youth class.

To this day, "Guling Street Juvenile Homicide" is still used as a topic for fans to trace, which is a special evidence of an era of Chinese films.

It is even considered to be "the never-extinguishing light that illuminates our dark youth" (Lu Chuan.

Comment). He was the standard-bearer who opened the prelude to the new wave in Taiwan, using the power of images to capture the breath of "era" and "people and cities" colliding with each other in the spiritual core. He is a clever "painter", who uses the materialistic technique of the code school to imitate the anxiety and entanglement of the soul hidden under the mask and the diaphragm; He is known as the Antonioni of the East.

and Truffaut, stream of consciousness.

and realism's deconstruction techniques are skillful, cold, precise, and silent, but the critical voice is full of compassion, revealing strong humanistic feelings. He stood in the corner, acting as a cold-eyed observer.

Entertainment Review) He is Yang Dechang, a film master who has passed away but has never traveled far.

Yang Dechang is a real literati.

November 6.

2.Profile: Hakka from Meizhou, Guangdong, born in Shanghai, grew up in Taipei, graduated from Taipei Jianguo High School in 1965, and graduated from the Department of Control Engineering of Hsinchu National Chiao Tung University in 1969.

He went to the United States and received a master's degree in electrical engineering from the University of Florida in 1974. After studying film at the University of Southern California for a year, Yang Dechang later went to the University of Washington in Seattle as a computer engineer to work on computer microprocessor and software design, and worked there for 7 years. In Seattle, Yang Dechang took a lot of inspiration from the new German film.

On the afternoon of June 29, 2007 (PST), Yang Dechang died of colon cancer in Beverly Hills, Los Angeles, USA, at the age of 59.

3.List of works:

1982 "The Story of Time" Part II - Hope.

1983 "A Day at the Beach".

1985 "Childhood Sweetheart".

1986 "Terrorists".

1991 "Guling Street Juvenile Homicide Incident".

1994 "Independence Era".

1996 "Mahjong".

2000 "One by One".

In 2007, he won the Lifetime Achievement Award at the Golden Horse Awards in Taiwan. His works are profound, rational, and have a strong sense of society, and are known as the "scalpel of Taiwanese society", and enjoy a high reputation in the world film industry.

I want to say that there are many ways to interpret movies, such as story theme, picture scheduling, lens language, shadow lighting, sound effects, editing techniques, and so on.