Why is Mr. Qian Zhongshu such an accomplished master, but his fame does not seem to be as big as tha

Lu Guo Mao Balaocao was a writer whose life of six people created countless works usually prose, ** and poetry, plays and other popular literary works. "Qian" is a literary criticism work of "Guan" and other scholars and masterpieces.

1.In general, the former are masters of creation, the latter are masters of studying genres, and there is no comparison at all. For people outside the circle, it is quite normal for people who do not have a high degree of education to be popular.

Like Chen Yinke, Qian Muwei, Chen Yuan, Lu Si, academic performance is unprecedented, not so cold? In the current time, I'm afraid we will never know more than Han Han. I don't understand why all this upstairs is blind, only one point, and the result is not a compliment.

2 .The "Siege" works that the rich are most familiar with, because the reading threshold of "Siege" is not high, unlike the "Guan" or "Huai" Poly poems that have certain skills.

But before the 80s of the last century, the popularity of the siege was not high. Because the "siege of the city" does not belong to the literary layout of Chinese socialist realism! Since the Yan'an Symposium on Literature and Art, Chinese literary creation has shifted from humanistic care to grand narratives.

Zhao Shuli's "Xiao Erhei's Marriage", Ding Ling, "The Sun Shines on the Sanggan River", and Zhou Libo (who is not the comic "Stormy") constitute the mainstream literary revolution in China. There are also writers who want to resist this trend and want to revive the spirit of 54, like Hu Feng, but the next game is bad.

After socialism, he didn't say anything, like "Sanhong Chuangbaolin Castle", and Haoran became a popular writer. "Siege" ** is not only political, but also does not meet the market demand. Until the 80s, Zhang Xianliang, Mo Yan and others came to the court, which was the core spirit of the siege.

But the most important thing is that "Siege" is popular because it was made into a TV series, and the starring roles are almost all big names, Chen Daoming, Ge You, Yingda and others. When there weren't many TVs, young people saw that the story was interesting, and then looked for the original way, wow, it was fun. "Besieged"**, Mr. Qian Zhongshu also knows.

This is an interesting question, so let me take a look at it.

Lu Xun Guo Moruo is a writer, and six people have done a lot of work in his life. These works are usually prose, **, poetry, plays, and other works of popular literature. Qian Xuesen's work is a scholar, such as "Cone", which belongs to the literature review.

In popular terms, the former is a creative master, and the latter is a master of research that simply cannot be compared. It is normal for an outsider to have a high level of academic achievement. Just like Chen Yinke, Lu Ape Man, Qian Mu, Chen Yuan, their academic performance is the same, not just sitting on the bench?

In contemporary times, knowing what's new may not be much better than knowing Han Han! I don't understand why the people upstairs can't see this. Only one person pointed this out, and it turned out to be nothing.

2。Qian Qishu's most familiar work is "The Siege of the City", because the reading threshold of "The Siege" is not high, and it does not need to have a certain foundation of "cone" or "locust". But it was not until the 80s of the 20th century that the "siege" became known.

Because the siege is not part of the literary map of Chinese socialist realism! AbstractSince the Yan Xuetong Literature and Art Symposium, Chinese literary creation has been centered on humanistic care and has turned to grand narratives. Zhao Shuli's "Little Two Blacks Married" Ding Ling's "The Sun Shines on the Sanggan River", Zhou (not cross talk) "Storm", revolutionary literature is the mainstream of Chinese literature.

There are also writers who want to resist this trend and want to restore the spirit of the May Fourth spirit, such as Hu Feng, but the ending is very sad. After socialism, not to mention the "three reds and three reds", great writers were also popular. "The Siege" is an intellectual film that does not meet both political requirements and market demand.

It was not until the arrival of Zhang Xianliang and Mo Yan in the 80s of the 20th century that he became the core spirit of the "siege".