How do you think about the future development of Guoman?

Two. Three-dimensional drama ** animation will become the main force of domestic animation! That's right, the future animation market is the world of three-dimensional animation, traditional two-dimensional animation will no longer have an advantage, the animation market is gradually inclined to three-dimensional animation, domestic animation has an inherent advantage in the production experience of three-dimensional animation, three-dimensional dramas will occupy about two-thirds of the domestic animation market in the future, and the acceptance of three-dimensional animation by animation fans will gradually rise.

I estimate that in the next few years, Japanese animation will usher in a bubble crisis, and at this time, Chinese companies represented by Eimeng will take the opportunity to compete for Japan's original animation resources, so as to meet the 2D animation market that still exists in China; At that time, the original 2D animation production in China will also be improved.

The current situation is also a normal manifestation of the transition period,Presumably it doesn't take much time,After a certain amount of precipitation,Guoman will definitely bloom。

The quality of young animation will gradually improve,The most obvious change is that the story of the struggle between the old enemies such as the wolf claw sheep,Bear and lumberjack in the past has become no longer popular,With the improvement of the quality of the animation,The animation of the struggle between the old enemies is likely to be no longer sought after because of the violent elements in the middle,Domestic young animation for young children will become more entertaining and educational,Focus on storytelling,Use the form of animation to educate children about responsibility,Honesty,Friendship, etc.。

In the eyes of many people in China, Guoman is still an imitation of Riman, and I am afraid that this is even more true abroad. However about borrowing Japanese shells. I don't have an opinion on whether it's good to adopt the Japanese manga style or not.

However, the current situation faced by Guoman is the same as the status quo of high-end imitations。 It is to change the attitude of the people of the industry and even the whole country. This one is hard.

First of all, the current situation of Guoman。 Personally, I think Guoman is now in a high-end imitation. In Jack Ma's words, some fakes are of better quality than the real thing.

At least in recent years, there have been a lot of good anime, although there are a lot of problems now, but they will slowly develop in the future.

Guoman does have some excellent ones,But at present,It's just a niche,It's not easy to develop in the future。

The future is naturally very much looking forward to,But I personally think that when it comes to Guoman, it is completely undesirable to compare it with Japanese man,It is difficult to guarantee that its future will not develop in a deformed direction if you talk about the so-called rise with this too strong competitive psychology。

Online cinemas will become one of the main platforms for domestic animation**,The animation used for online cinemas** is generally the ending of the animation,The animation extra,Short original animation,Even the sequel of the animation is also broadcast in the online theater。

In the pan-entertainment environment, the major domestic enterprises in the cultural industry and the media industry will more or less have their own animation investment or their own production teams. Animation will become an important entertainment expression for brands.

Guoman is a high imitation,This is a lot less trouble when Guoman goes on the road through the backdoor。 However, in Guoman's preparation for innovation, it was held back by this shell.

Unless there is a person like Yao Xiaoguang in the Guoman industry, there is no hope for Guoman to rise within ten years. Barely stepped into the world in twenty years.

As long as you struggle, there will be a day to come out.

If they are all like the standard of Douluo Continent, it will be the best rise of Guoman in the future.

China's animation industry has maintained a steady development trend since the 80s of the last century, and has gradually risen in recent years, with many excellent works. This article will be a highly acclaimed and remarkable Chinese comic - "Big Fish and Begonia".

Big Fish and Begonia" is jointly produced by DreamWorks and Zhenhua Cultural Investment ****, which is the "first brother of national comics", and was officially released in Chinese mainland on July 8, 2016, with a cumulative box office of more than 70 million in 3 days, becoming a highly influential work in the Chinese film market. As a very good Guoman, the film has excellent production and excellent presentation in terms of pictures, **, stories, etc., and has been called "changed Guoman" by a large number of netizens.

The first is the visual representation in the work. "Big Fish and Begonia" is different from traditional Chinese comic works, using 3D image technology to depict a detailed and realistic dynamic picture, which is comparable to a blockbuster in terms of detail processing and lens use. In addition, "Big Fish and Begonia" pays attention to the portrayal of scenes and characters, rationally optimizes and adjusts the picture that is already rich in Chinese elements, and aims at reasonable structure, harmony and balance, so that the picture has the atmosphere of the extreme beauty that netizens call "ink ecology".

The second is the performance of **. The ** in the film is very carefully selected, composed by the Japanese ** producer Yokoyama Jing Yan himself, and by the cooperation of two outstanding domestic ** producers Lu Chuan and Chen Leji. The theme song "Big Fish" in the film became a hit song at the time, and four versions were launched in Chinese, Japanese, Korean, and English.

The song is sung in Chinese, and the melodic and gentle piano sound is intertwined with the singing, and the singing is melodious and emotional, carrying the audience's emotions to the high point of the film's plot, which plays the finishing touch.

Finally, there is the emotion expressed in the work and the profound description of the story and characters. The film tells a story of love and sacrifice, giving people an insight into a different outlook on life, which shows the mystery of the universe and the interweaving and recovery of emotions between people. The work integrates the legendary water town culture into the story, combines myths and legends with reality, and forms an "increasingly unique" Guoman style, which is unheard of and unheard of, and is also known as "a masterpiece of Chinese animation" among foreign counterparts.

To sum up, the improvement of the quality of in-depth theme, exquisite picture, ** moving, and distinctive characters is an important reason why "Big Fish and Begonia" has become an excellent Chinese comic. "Big Fish and Begonia" not only adds attraction to Guoman, but more importantly, it shows the strength and confidence of Chinese film production. In the future development, it is expected that the domestic works of his Chinese comics can also make progress in production and performance, and achieve more praise.