Landscape poems about painting, what are the verses that describe the artistic conception of landsca

The poems that describe the artistic conception of landscape painting are:

1. Once the sea was difficult to water, except for Wushan, it is not a cloud. Take the second flower bush lazy review, half of the edge of the cultivation and half of the king. - Tang) Yuanzhen, "Leaving Thoughts".

2. Twilight descends from Bishan, and the mountains and moons return with people. But regardless of the way it came, the sky was green and green. Hand in hand with the Tian family, the child opens the thorns.

The green bamboo enters the secluded path, and the green pothos brushes the clothes. Talk happily, drink and talk together. The long song sings the pine wind, and the river and stars are scarce.

I was drunk and happy, and I forgot the opportunity together. - Tang) Li Bai "Down to the end of Nanshan over Husi Mountain people overnight wine".

3. The moon of Mount Emei is half in autumn, and the shadow enters the water flow of the Pingqiang River. At night, Qingxi went to the Three Gorges, and Sijun did not see Yuzhou. - Tang) Li Bai "Emei Mountain Moon Song".

4. Chusai Sanxiang is connected, and Jingmen is connected to nine factions. Outside the world of rivers, the mountains are in the middle of nothing. The county is floating in front of the pool, and the waves are moving far into the sky. Xiangyang is a good windy day, and you stay drunk with the mountain. - Tang) Wang Wei, "Hanjiang Linfan".

5. Ten thousand ravines and trees are towering to the sky, and thousands of mountains are ringing rhododendrons. It rained overnight in the mountains, and the trees were full of springs. - Tang) Wang Wei "Sending Zizhou Li Zhijun".

Summary. Hello, the sentence praising landscape painting can be: ink and blue, lifelike. Thick ink and color, beautiful mountains and clear waters.

Sentences in praise of landscape paintings.

Hello, the sentence praising landscape painting can be: ink and blue, lifelike. Thick ink and color, beautiful mountains and clear waters.

Also, I have summarized for you some beautiful sentences that describe landscape painting.

The hazy distant mountains, shrouded in a layer of light veil, are full of shadows, flickering far and near in the misty clouds and smoke, if they are about to leave, like a few light strokes of ink, smeared on the blue sky.

Wisps of ink linger in the depths of the soul, brilliant colors are rendered on the surface of rice paper, a delicate seal comes into view, and the water in the water cup reflects the subtle depiction of the figure, and the work hangs high on the wall.

I use my brush to paint the rivers and mountains that flow around the clouds; Use color to shine the life of all things in heaven and earth; With the dazzling ink paper, the heart is printed on the paper, and the atmosphere of Chinese painting is bleached.

I have a soft spot for Chinese ink painting. A few strokes sketch a heavenly place, as if you can be in it, turning into a shepherd boy on the back of a cow, blowing the bamboo flute in your hand, and the long and far-reaching sound is haunting. The black mountains, the white water, the black and white intertwined world, how clear, pure, simple, unpretentious.

Landscape painting, referred to as "Shanshui", is a type of Chinese painting, which depicts the natural scenery of mountains and rivers as the main body. Landscape painting occupies an important position in the history of Chinese painting, which can be divided into types such as green landscape, ink landscape, shallow green landscape, small green landscape and boneless landscape, which is a very distinctive art in oriental painting. Representative painters include Zhan Ziqian, Wang Wei, Fan Kuan, Zhang Hong, etc.

The verses of the artistic conception of landscape painting are as follows:

The wild sky is low and the trees are low, and Jiang Qingyue is close to people. —Yindan—Ziboxi: Meng Haoran's "Sujian Dejiang"; One day the autumn color is cold and sunny Bay, and countless peaks and mountains are far and near. Idle up the mountain to see the wild water, suddenly at the bottom of the water to see the green mountains.

Weng Juan "Wild Hope"; The moonrise frightens the mountain birds, and the spring stream sings. ——Wang Wei, "Birdsong Stream".

Although the two rocks are cloudy, the water and stones fly each other. Although the clouds in Tuen Mun are high, they also reflect the waves. ——Han Yu, "Farewell to the Eighteen Laws of the Yuan Dynasty (Guilin Bo, Guiguan Observation Envoy Pei Xingli)"; Chu Ke is drunk and lonely in a boat, and the water will lead to it.

The mountains are two towns, and the moon is thousands of miles away. ——Wang Changling, "Guilin of the Five Appointments".

Taking Meng Haoran's "Sujian Dejiang" as an example, because of "wildness", the sky is lower than the tree, because of "Jiangqing", the moon can be close to people, and the relationship between the sky and the tree, the person and the moon is written appropriately and realistically. These two sentences are lyrical and describe the fresh autumn night, highlighting the subtle characteristics of the scene. The whole poem is light and flavorful, implicit but not revealing, flowing out naturally, natural charm, quite distinctive.

The wild sky is low and the trees are low, and Jiang Qingyue is close to people. This kind of very characteristic scenery can only be appreciated by people in the boat. These three or four sentences seem to be the poet's sorrow, in this vast and quiet universe, after some searching up and down, he finally found that there is another round of solitary moon that is so close to him at this moment.

The lonely melancholy seems to find solace, and the poem comes to an abrupt end.

Mountains, stretching and endless; Mountain, steep and upright; Mountain, towering and upright; The mountain, imposing, reminds people of the five mountains; Mountain, novel and beautiful, reminiscent of Emei; The mountain, like a sage admired by all people, is his nature to be calm, quietly interpreting the vastness of life, the solemnity of life, and the solemnity of life.