Why is it said that the song and dance drama of the Tang Dynasty can be called the germ of China s o

During the Tang Dynasty, various industries were very new, and the song and dance drama of the Tang Dynasty was also a very big featureIt can be regarded as the germ of Chinese opera art, mainly because song and dance opera was highly valued at that time, and it also had innovation in opera. <>

During the Tang Dynasty, due to the strong national strength, the people's living standards were generally improved, and the economic capacity was very strong, so at this time, many people would enjoy the prosperity of the Tang Dynasty, and daily life was not only about farming, but also for entertainment and recreation. So this gave the song and dance drama a very large space for development, and some people watched it, so it was necessary to continue to innovate and create, so the song and dance drama reached a peak at that time. This is the only way to make the song and dance opera continue and achieve today's opera art.

And at that time, people not only liked to watch song and dance dramas, but also many people even liked to imitate them themselves, and even folk children would imitate song and dance dramas. content, so it is said that the song and dance drama reached an unprecedented peak at that time. Only this kind of situation where everyone is willing to listen to and see, and even willing to learn, can the song and dance continue to this day.

Otherwise, the song and dance drama can only flourish at most, and a Tang Dynasty may disappear. <>

Moreover, although the song and dance opera of the Tang Dynasty is a little different from today's opera art, the largest framework and type were determined at that time. At that time, a lot of song and dance art types were created that were in line with the Tang Dynasty, and these singing and dancing, opera art, their essence is actually the same as the essence of today's opera art. It is all about making the song become graceful and listening through the control of the southern and northern tones, and the use of dancing and movement to make the opera attractive.

Therefore, in fact, many of the first types of song and dance operas that appeared during the Tang Dynasty sounded a wake-up call for today's opera art and made a good demonstration.

Because singing and dancing were more popular in the Tang Dynasty, and the palace nobles at that time would watch singing and dancing, and generally more people watched it, and then they would innovate.

Because China's later opera art evolved from song and dance opera, the Tang Dynasty's opera industry was very developed, and the art reached its peak.

Because the song and dance industry in the Tang Dynasty was very prosperous, this kind of culture reached an unprecedented height and had a great influence on the later art of opera.

The Tang Dynasty was the formative stage of Chinese opera, and there was no opera in the true sense, and it was the rise of Yuan miscellaneous opera in the Yuan Dynasty that it was the mature stage of opera. The opera of the Tang Dynasty was mainly represented by singing and dancing and military dramas. The form of the ** song of the Tang Dynasty has been relatively complete, such as the "Great Song", which has been converted into an allegro with a loose board, a slow board, and a middle board, which is a modern so-called variation.

With a big song, you can play a story. At that time, there was "Yingying Liu", which was to play the story of Cui Yingying with a big song. From then on, the dancing part was removed and the singing part developed.

When Xuanzong of the Tang Dynasty, on the emperor's birthday, he gave "the world is drunk, the palace gate gathers tens of thousands of people, the emperor ordered Gao Lishi to announce the edict, so that Li Guinian hit the board, (Du) Qiu Niang sang, in response to the invitation of the scholar." The song was popular, and the prototype of opera was formed. The representative forms of cabaret are:

Stepping on the Ballad Niang", originated from the Northern Qi Dynasty, the husband who could not write the instrument drunk and beat his wife, the woman complained of bitterness (singing to the beat, so it is called stepping on the poem), others and others, the man to, doing the fighting, thinking that it was laughing. By the time of the Tang Dynasty, it had been changed to a woman's performance, and it was accompanied by **, which no longer belonged to the arts, but a combination of singing and dancing, and had the form of "helping". "Lanling King", also known as "Dai Mian" and "Big Noodles".

The Old Tang Dynasty Book ** Zhi "Cloud: "The generation of noodles comes from the Northern Qi Dynasty, and the king of Lanling (Gao) of the Northern Qi Dynasty is Changgong, talented and beautiful." Taste the fake face ...... the enemyThe three armies of the brave crown, all the people are strong, for this dance to imitate the appearance of the finger stab, called the "Lanling King Array".

The late Tang Dynasty Duanjie's "Yuefu Miscellaneous Records" contains: "The play has a generational face, starting from Emperor Shenwu of the Northern Qi Dynasty, who is brave and brave, good at fighting, and has no prestige in appearance. The actor is dressed in purple, with a golden waist and a whip.

"The King of Lanling" was later passed on to Japan, that is, "King Luoling" in the Japanese Yale Club. Dial Head", from the Western Regions. The plot is that there are Hu people who are devoured by fierce beasts, and their sons go up the mountain to find their father's various encounters, and the Tang Dynasty has developed into a very wonderful drama.

Joining the army drama was popular in the Tang Dynasty, and it was a form of drama based on funny questions and answers. "Yuefu Miscellaneous Records" cloud: "Join the army - from the Later Han Pavilion Tao Ling Shi Tan, there are stolen criminals, and the emperor cherishes his talents, exempts from crimes, every feast, that is, he is dressed in white jackets, and he is ordered to be humiliated by Youling, and he is released after many years."

Later, he joined the army. The term "joining the army" originated in the late Han Dynasty, when Cao Cao took over the military power as the prime minister, and his subordinates often used the name of "joining the military". In the Northern and Southern Dynasties, the kings and generals opened their mansions, and they all regarded the army as their main staff.

By the Tang and Song dynasties, joining the army became the name of a character in burlesque. At first, the military drama mainly performed various situations that mocked the corrupt officials. Later, the plot gradually changed and became a frequently performed theatrical form, which is still called the military drama.

Note) Excerpted from "Outline of a Brief History of Chinese Opera".

What is a song and dance opera, what are the repertoire during the Northern and Southern Dynasties, what impact did it have on later operas, song and dance opera: In the last years of the Northern and Southern Dynasties, a kind of opera with a storyline, a character makeup performance, singing and dancing, or both singing and orchestral accompaniment at the same time emerged. It made the necessary preparations for the formation of Chinese opera

The art of singing and dancing in the Northern and Southern Dynasties has developed significantly, and on the basis of the Han Dynasty's "Jiao Duet Opera" and court dances, more stories have been added, such as "Ta Ballad Niang", "Su Zhonglang", "Dai Mian", "Dial the Head" and so on. Its development has created the necessary conditions for the establishment of Chinese opera; Its rise laid the foundation for the birth of opera in later generations.