What kind of artistic conception does the fifteenth night of looking at the moon depict in this poem

The atrium is white arboreal crows, and the cold dew is silent wet osmanthus.

Tonight, the moon is bright, I don't know who the autumn thoughts are?

Fifteen Nights Looking at the Moon" expresses the poet's sadness at the separation of his family, so the bleakness of the Moon Palace leads to the acacia that penetrates into the bones. The artistic conception of this poem is very beautiful, the poet uses the language of the image, the rich imagination, renders the specific environmental atmosphere of the Mid-Autumn Festival, and brings the reader into the artistic conception of a bright moon and a long soulful thought, plus a singing sigh with a godly and leisurely ending, which expresses the affection of parting from the thoughts and gatherings very euphemistically and movingly. This poem presents a picture of a lonely, deserted, and quiet Mid-Autumn Festival night.

The moonlight shone on the courtyard.

The meaning of the ancient poem "Fifteen Nights Looking at the Moon": The moonlight of the Mid-Autumn Festival shines in the courtyard, the ground is as white as a layer of frost and snow, and the crows on the trees stop making noise and fall asleep. It was late at night, and the cold autumn dew quietly wet the osmanthus flowers in the court.

Tonight, when the moon is in the sky, people are admiring the moon, I don't know whose house the vast autumn thoughts fall on?

Fifteen Nights Looking at the Moon and Sending Du Langzhong" is a poem created by the Tang Dynasty poet Wang Jian with the content of the Mid-Autumn Festival Moonlit Night Seven Uniques, the whole poem is four sentences and twenty-eight words, with each two sentences as a layer of meaning, respectively, write the Mid-Autumn Festival moonlight and the mood of the Moon Moon, showing a lonely, deserted, quiet Mid-Autumn Festival night picture. This poem begins with the writing of the scene, with lyrical complexes, rich imagination, and endless charm.

Picture: The poet depicts a picture of a moonlit night in the Mid-Autumn Festival. The moonlight shone on the courtyard, and the ground seemed to be covered with frost and snow.

In the shade of Xiao Sen's trees, the noise of the crows gradually subsided, and they finally adapted to the glare of the bright moon, and fell asleep one after another. In the middle of the night, the autumn dew is light and traceless, wetting the osmanthus flowers in the court.

Fifteen nights looking at the moon.

Tang) Wang Jian. The atrium is white arboreal crows, and the cold dew is silent wet osmanthus.

Tonight, the moon is bright, I don't know who the autumn thoughts are?

It is this poem that depicts a picture of the Mid-Autumn Festival wanderer who misses his hometown, but can't reunite with his family, and sighs for this helplessness, thank you.

On a rainy morning in summer, inside the house, agarwood is exuding a faint fragrance, dispelling the humid and sultry heat. The sky is clear, and the birds are chirping happily and squeaking under the eaves, which is very cute. Outside, the sun is rising, and the bright sunlight shines on the green lotus leaves in the lotus pond, and the remaining raindrops on the lotus leaves are crystal clear and gradually evaporated.

As far as the eye can see, there are fresh and moist lotus leaves standing on the clear water, swaying gracefully and trembling slightly under the breeze.

The whole picture is fresh and natural, calm and elegant.

The first two sentences describe that on the night of the fifteenth full moon, the courtyard is sprinkled with bright moonlight, and the crows roost quietly on the trees, the weather is cold, and the osmanthus flowers are dripping with dew and wet. A serene, ethereal picture is painted.

It depicts a courtyard, a white ground, a tree, a sparrow, dew, an osmanthus, and a moon.

Function: This poignant painting makes people shudder, but he does not write scenes for the sake of writing scenes, but uses the technique of comparison to set off his lonely state of mind.

The reading and analysis of ancient poems on the fifteenth night of Mochizuki should not be missed by those who like ancient poems.

The atrium is white arboreal crows, and the cold dew is silent wet osmanthus.

The moonlight shone on the courtyard, and the ground seemed to be covered with frost and snow. In the shade of Xiao Sen's trees, the noise of the crows gradually subsided, and they finally adapted to the harsh disturbance of the bright moon, and entered the sleeping country one after another. Due to the deep night, the cold air hits people, and the autumn dew wets the osmanthus in the garden.

If you think about it further, you will think that this osmanthus may refer to the laurel tree in the moon. This is the allusion-writing poet Mochizuki, which is the pen of the whole article. The poet looks up at the bright moon in the middle of the night, contemplating into the gods, the slightest chill, gently hitting, and does not feel the imagination

In the Guanghan Palace, the cold dew must have also wet the osmanthus tree.

"Fifteen Nights Looking at the Moon" depicts the moonlight on the night of the Mid-Autumn Festival and the mood of looking at the moon and cherishing people, showing a picture of a lonely, lonely and quiet Mid-Autumn Festival night. It expresses the author's homesickness.

The moonlight shone on the courtyard, and the ground seemed to be covered with frost and snow. In the shade of Xiao Sen's trees, the crows fell asleep one after another. Due to the late night, the autumn dew wet the osmanthus in the court.

Tonight, people are looking up at the bright moon, but they don't know whose house the autumn longing falls on.

Today is the fifteenth night of the Mid-Autumn Festival, and I am sitting in the courtyard with a thousand sorrows in my heart. Looking up, I saw that the moon was round like a jade plate, bright and bright, and when I lowered my head, I saw the moonlight shining in the middle of the courtyard, like a white cotton. On the side of the osmanthus tree, a pair of crows fell, they were not as noisy as usual, but quietly accompanied me, as if they knew my grievances, but they were just resting, and did not bother with me.

I got up from the wicker chair and walked into the osmanthus tree, only to see the osmanthus with dew on it, shining in the moonlight. At this time, the dew on the osmanthus has also accumulated a lot, and quietly dripped down, and wet another osmanthus flower, the whole pavilion is wafting with the fragrance of osmanthus, but the pavilion is silent and terrible, and the fragrance gradually reveals a trace of coolness and sadness. But outside the pavilion was very lively, I opened the window, and I saw that every house was wearing lanterns, and the adults were holding children in their arms, and the children were holding a piece of mooncake shaped like the moon in their hands, and they took a bite, with a smile on their faces, and pointed to the moon with that little finger and said childishly

Ahh The moon is so round today, so beautiful! I shook my head, sighed, and closed the window.

The poetry of looking at the moon on the fifteenth night: the courtyard floor is like a layer of hoarfrost due to the moonlight, and the crows on the trees have rested. The cold dew silently wet the osmanthus in the courtyard. Tonight, people are looking up at the moon, and they don't know which family this autumn love falls on.

The ground of the courtyard is illuminated by the moonlight, like a layer of hoarfrost, the trees are perched with crows, and the cold dew silently wets the osmanthus in the courtyard. (This is the exact answer).