The question of Tibetan poetry, what is Tibetan poetry

The benevolent see the benevolent, and the wise see the wise.

Wen Guiqu, noble and straightforward. As a special form of poetry, Tibetan poetry has no interest. Tibetan poems are mostly opportunistic works, and there are certain events that need to be euphemistic and straightforward to express the meaning, and Tibetan poems are used to convey meaning.

Tibetan poems often only have special meaning for one thing and one person, and for others, except for a clever word that can be sighed, it does not have much meaning.

In fact, there is no need to comment on Tibetan poems as such a big proposition, after all, Tibetan poems are only a small part of the poems, not the mainstream of poetry. Nor can it become the mainstream of poetry. It has nothing to do with the grand purpose of poetics.

Outsiders say it's good, and insiders say it's bad.

Tibetan poems don't seem to have any well-known masterpieces.

If you want to hook up with mm, it's better to make an obscure poem, which will make mm feel more knowledgeable. . .

I guess it's like this--

Such as the moss that should be pitied.

It depends on the perspective from which you look at this problem, for example: in the sixty-first chapter of "Water Margin" in the four famous Chinese novels, "Wu Yongzhi earns a jade unicorn", Wu Yong wrote a Tibetan poem ("A flat boat in the reed bushes, Jun Jie's Russian swims from here. If the righteous can know this, they can flee without worry.

Your question was also asked to Wu Yong! Actually, I think he must have a better way to "earn jade unicorns", but there is nothing wrong with writing Tibetan poems - after all, the goal has been achieved.

Just like you said, modern people write some nondescript Tibetan poems, which is much better than just writing three "I love you".

1. Tibetan poems.

Also known as "Tibetan head grid", it is a kind of miscellaneous poem, which has three forms: one is the scene of the first couplet and the six sentences of the middle couplet, without breaking the theme, and the theme is not pointed out until the connection; the second is to hide the first sentence of the poem in the last word; The third is to hide what is said at the beginning of the poem. Now it is common to see the third type, in which the first word of each sentence is read together to convey a certain characteristic idea of the author.

At the same time, Tibetan poetry is a special form of poetry in poetry, which embeds the first word of each poem in the content you want to express. The first word in each sentence of the poem forms a complete person's name, a place name, a business name, or a blessing. Tibetan poems have deep meaning, high taste, and heavy value, which can be described as a thousand words.

2. Due to the characteristics of the "popular culture" of Tibetan poems, it is destined to be difficult to get into the elegant hall, and it is not included in the official history and the main collection.

Such as: "Water Margin".

Zhongliang Mountain for the sake of La Lu Junyi.

Occupancy, "Zhiduoxing."

Wu Yong and Song Jiang.

gave birth to a story of "Wu outwitted the jade unicorn", taking advantage of Lu Junyi's panic to avoid the "bloody disaster", and took four hexagram songs:

A flat boat among the reeds, Jun Jieo swims from here. If the righteous can know this, they will not be able to escape.

The hidden words "Lu Junyi" were widely disseminated. As a result, it became evidence of the government's punishment, and finally "forced" Lu Junyi to Liangshan.

3. An important feature of Tibetan poems is rhyme. Rhyme is one of the important characteristics of poetry.

Generally speaking, the one, two, and four of the poem must rhyme, and the meaning of the words must be neat, and so on.

4. There are various forms of Tibetan poetry: there are prose Tibetan poems, narrative Tibetan poems, five-word Tibetan poems, seven-word Tibetan poems, philosophical Tibetan poems, natural Tibetan poems, ancient Tibetan poems, modern Tibetan poems, birthday Tibetan poems, birthday Tibetan poems, etc. From the day of its birth, Tibetan poems have been marked with the dual imprint of games and practicality.

1. Tibetan poems.

Also known as "Tibetan Touge", it is a kind of miscellaneous poem, which has three forms: one is the scene of the first couplet and the middle two couplets and six sentences, without breaking the theme, until the connection points out the theme liquid Qi Xing; the second is to hide the first sentence of the poem in the last word; The third is to hide what is said at the beginning of the poem. Now the common one is the third type, which can be read together with the first word of each noisy sentence, which can convey a certain characteristic idea of the author.

2. Couplet poems.

It means that each word in the poem is composed of words with the same radical and is connected into chapters, so that the words in the sentence have a particularly neat formal beauty.

3. Eight-tone poems.

The ancients made "gold, stone, silk, bamboo, leather, earth, leather, and wood" into eight sounds, gold for the bell, stone for the rock, qin for the silk, the pipe for the bamboo, the sheng for the skull, the xun for the earth, the drum for the leather, and the citrus for the wood. The eight-tone poem is crowned at the beginning of each sentence in order.

4. Homologous poems.

That is, the beginning of each poem is the same, and the same poem is a special form of compound poetry. Wu Chengen wrote three poems with the same head in "Journey to the West", "Fu", "Lu" and "Shou":

5. Head-winding poems.

Created by Su Shi, its form is: one and three sentences are three words, and two sentences two and four are seven words; The first and second sentences rhyme with one rhyme, and the third and fourth sentences rhyme with another rhyme. of the third sentence.

1. Three words are the first sentence.

Three, a word, like the tail around the head, so called "around the head poem".