What are the representative works of ancient style poetry? What are the three types of ancient style

Here are some examples: 1. Tang. Zhang Zhihe, "Fisherman's Song".

The egret flies in front of the Xisai Mountain, and the peach blossoms flow and the mandarin fish is fat.

Green hats, green clothes, slanting wind and drizzle do not need to return.

Translation: The egret flies freely in front of Mount Sisai, on the riverbank.

The peach blossoms are in full bloom, the spring water is rising, and the mandarin fish in the water is fat. The fisherman wears a blue hat and a green coat, braving the slanting wind and drizzle, happily fishing, and does not need to go home.

2, Don. Du Fu's "Quatrain".

Translation: Two orioles chirp among the green willow branches, and a line of egrets soar into the blue sky. Xiling Snow Mountain.

The scenery seems to be embedded in the window, going to and from Soochow.

The ship was moored by the door.

3, Southern Dynasty Song Xie Lingyun "Into the mouth of Pengli Lake".

The Spring Festival Gala is a green show, and the rock is high and Baiyuntun.

Thousands of thoughts are set day and night, and ten thousand feelings are full of dawn and dusk.

Translation: Looking into the distance in the morning, the near late spring is beautiful, the green is boundless, the distant cangrock is high, and the white clouds are like gathering. I would like to use my conversation with the quiet scene of the early morning to understand this truth.

4, Song. Zhu Xi's "Spring Day".

Shengri seeks Fangsi waterfront, and the boundless scenery is new.

Waiting for leisure to know the east wind side, thousands of purples and thousands of reds are always spring.

Translation: When the wind and the sun are beautiful, visit the shore of Surabaya, and the boundless scenery is refreshing. Anyone can see the appearance of spring, thousands of purples and thousands of reds, and there are spring scenes of blooming flowers everywhere.

5, Song. Su shi.

Hui Chong Spring River Evening Scene".

Three or two peach blossoms outside the bamboo, the prophet of the plumbing duck in the spring river.

Artemisia is full of short reed buds, which is the pufferfish.

When you want to get on. Translation: Outside the bamboo forest, two or three peach blossoms are in full bloom, and ducks are playing in the water, and they are the first to notice the warmth of the river in early spring.

The river beach is full of artemisia and the asparagus is beginning to sprout, which is a good condiment to the puffer fish, which is about to swim back from the sea to the river.

6, Tang. Li Bai "Sitting Alone on Jingting Mountain.

The birds flew high, and the lonely clouds went alone.

I don't get tired of seeing each other, only Jingting Mountain.

Even the birds flew away in the mountains, and the lonely white clouds did not stay, but floated away alone. Looking at the high Jingting Mountain, Jingting Mountain also looked at me, we looked at each other and did not dislike anyone.

Yes, the birds flew away, the white clouds also drifted away, and only Jingting Mountain here understands my feelings.

Including ancient poems (poems before the Tang Dynasty), Chu Ci, and Yuefu poems. The poetry style of ancient style poetry can be divided into Yuefu, miscellaneous words, four words, five words, seven words, etc. Near-style poems, including rhythmic poems and quatrains.

The poems are divided into five-character quatrains, seven-character quatrains, five-character poems, seven-character poems, etc. words, divided into monotone and bitone.

Ancient style poems do not limit the number of sentences, do not seek confrontation, and do not talk much about peace, and the rhyme is relatively free. Near-style poems are relative to ancient poems, which were produced relatively late, originated in the Southern Dynasty and matured in the early Tang Dynasty. Among them, the rhythmic poems have a fixed form and strict rhythm, each with eight lines.

The difference between ancient style poetry and close style poetry.

1. The number of sentences in each ancient style poem can be more or less; There are definite sentences at the beginning of the proximal poems, and there are only four quatrains and eight verses in rhythmic poems. More than 10 sentences are arranged, and another discussion is made.

2. The number of words in ancient style poems is indefinite, with four words, some words, some six words, and seven words; There are also gossip; There are two kinds of popular poems, such as five-character and seven-character poems, which cannot be arbitrarily added or subtracted.

3. The rhyme of ancient style poetry is not strict, its rhyme can be flat or smooth, and the rhyme can be changed in the middle; Near-body poems have a strict rhyme, which generally rhymes flat, rhymes to the end, and cannot change the rhyme.

Fourth, the ancient style poems have very wide requirements for the words; Most of the near-style poems have strict requirements for the plainness of the characters.

Ancient style poems are in the form of four-character poems, five-character poems, seven-character poems, and miscellaneous poems. Ancient style poetry is a poetic genre. Judging from the number of words in the poems, there are so-called four-word poems, five-word poems, seven-word poems, and miscellaneous poems.

Four words are four words and one sentence, five words are five words and one sentence, and seven words are seven words and one sentence.

After the Tang Dynasty, it was called near-style poetry, so it was usually only divided into two categories: five words and seven words. Five-character ancient style poems are referred to as Wugu; Seven-character ancient style poems are referred to as Qigu, and those who use both three, five, and seven words are generally regarded as Qigu.

Characteristics of ancient style poetry:

Since the Han and Wei dynasties, Yuefu poems have been cooperated, with songs, lines, songs, words, etc. Tang people's music poems are not happy. In the Tang and Song dynasties, there were various forms of miscellaneous poems: there were five miscellaneous words out of seven words, such as Li Bai's "Difficult to Walk"; There are three mixed words in seven words, such as Zhang Lei's "Cattle Herding".

There are seven miscellaneous words.

three or five words, such as Li Bai's "Will Enter the Wine"; There are seven miscellaneous words.

2, 3, 45 to 10 words or more, such as Du Fu's "Song of the Thatched House Broken by the Autumn Wind"; Yes.

Fourth, sixth, and eight words are mainly mixed.

Five or seven words, such as Li Bai's "Shu Dao Difficulty".

In addition, ancient quatrains also had authors in the Tang Dynasty; All belong to the scope of ancient style poetry. In the process of development, there was an interactive relationship between ancient style poetry and near-style poetry, and in the later period of the Northern and Southern Dynasties, there was a new style of poetry that emphasized sound rhythm and duality, but had not yet formed a complete rhythm, and was between ancient style and near-style. Some ancient poems of the Tang Dynasty tended to be regularized, and even ancient style works often incorporated near-style sentence patterns.

However, some ancient poets consciously distinguish themselves from the proximal body, and often use awkward sentences and occasional prose to avoid the law.

The above content reference: Encyclopedia - Ancient Style Poems.

Li Bai, Du Fu, Jia Dao, Du Mu, Zhang Xu, Liu Yuxi, Wang Wei, Liu Zongyuan, .........

There are three kinds of ancient style poems: ancient poems (poems before the Tang Dynasty), Chu Ci, and Yuefu poems. Poems of ancient poetry genres such as "song", "song line", "introduction", "song" and "chanting" also belong to ancient poetry. Ancient style poems do not talk about battles, and the rhyme is freer.

The Book of Songs is the earliest collection of poetry. Among them, the earliest poems were produced in the early years of the Western Zhou Dynasty, and the latest were produced in the middle of the Spring and Autumn Period. The four-character sentence structure and overlapping and repetitive chapter pattern were the main characteristics of the poetry style of that era.

Immediately afterwards, a new style of poetry emerged in Chu in the south, Chu Ci. Chu Ci was developed on the basis of Chu folk songs, with a strong local color, and is represented by the great poet Qu Yuan. Since ancient times, "wind" and "coquettish" have been called together.

The "National Style" in the Book of Songs and the Chu Ci represented by "Lisao" have become two examples of ancient Chinese poetry. In terms of creative methods, "National Style" and "Lisao" have created the poetic traditions of Chinese literary realism and romanticism, respectively.

With the gradual evolution of Chu Ci to a body close to prose, another poetic style, Yuefu poetry, entered the poetry arena of the Han and Wei dynasties with the unique robust and fresh style of folk literature. Yuefu folk songs, whether they are long or short, are "touched by sorrow and joy, and sent by fate" (Ban Gu's "Hanshu Art and Literature Chronicles"). A strong sense of reality is an important sign of them.

This spirit of realism directly influenced the "Yuefu Ancient Themes" created by other poets, as well as the "New Yuefu Movement" in the Tang Dynasty. In the folk songs of Yuefu in the Han and Wei dynasties, treasures such as "Mo Shang Sang", "Peacock Flying Southeast" and "Mulan Poem" were produced, adding brilliance to the "poetry country".

In the process of the development of Yuefu poems, the sentence patterns of five words and seven words have become more and more eye-catching. By the end of the Han Dynasty, the "Nineteen Ancient Poems" written by an anonymous poet appeared, and the five-character poetry style basically matured. By the time of the Qi Liang period, Zhong Rong, a famous literary critic in ancient China, had confirmed in the "Preface to Poems" that "the essence of Wuyanju literary words is the taste of all works".

The seven-character poem came after the five-character poem. Its widespread popularity was around the time of the Jin and Song dynasties.

"The Book of Songs", "Lisao", and other Yuefu-style poems are also called ancient style poems.

The Tang and Song poems that are commonly said belong to close poems.

It is mainly four-word style, five-word style, six-word style, seven-word style and miscellaneous language style.

Ancient style poetry is a type of Chinese poetry, also known as ancient style, and the genre is relatively free compared to close style poetry.

The poems before the Tang Dynasty are not divided into ancient and recent styles. Since the beginning of the Tang Dynasty, the format of rhythmic poems and quatrains has been fixed, and those poems that were not strict in form and rhythm in the past are all called ancient styles, and the quatrains of rhythmic poems are collectively called close styles. Even in the Tang Dynasty and later, there were still many poets who wrote poems in the ancient style.

Ancient style Yunyun does not contain the meaning of epochal periodization.

The Book of Poetry and Yuefu are also often classified as archaic style poems.

Today, most of the most well-known ancient style poems in China are five-character poems or seven-character poems, such as "Nineteen Ancient Poems", Tao Yuanming's "Returning to the Garden and Pastoral Home", Chen Ziang's "Dengyouzhou Taiwan Song", Li Bai's many ancient styles, Du Fu's three officials and three farewells, Bai Juyi's "Song of Long Hatred" and "Pipa Xing", Gong Zizhen's "Song of Falling Flowers in the Western Suburbs" and so on. Four-character poems include Cao Cao's "Watching the Sea".

Five-word rhythm poems, seven-word quatrains, and fu, words.

Four-word poems, five-word poems, seven-word poems, six-word poems, miscellaneous poems.