Guo Degang s cross talk, what do you think?

Some say good, some say bad.

Throw out the mainstream cross talk a few streets.

When it comes to the current cross talk circle, I believe that the first thing that most people think of is Deyun Club and Guo Degang.

Guo Degang (born January 18, 1973), a Chinese cross talk actor, film and television actor and TV host, was born in Tianjin. In 1979, he devoted himself to the art world, first learning storytelling from his predecessor Gao Qinghai, and then learning cross talk with Chang Baofeng, Hou Yaowen, and Yang Zhigang, and learning Xihe drums from blind artist Wang Tianyu. During this period, he also studied Peking Opera, Ping Opera, Hebei Bangzi and other operas, and traveled to the pear orchard for many years.

In 1995, he founded Beijing Deyun Club. In 2013, the Year of the Snake appeared on the stage of the Spring Festival Gala of China's ** TV station for the first time.

Ma Wei said that Guo Degang had studied 13 Peking Opera repertoire in addition to performances, and several Peking Opera factions participated, and Guo Degang's Peking Opera repertoire was not to sing Peking Opera across borders, but to still use cross talk, in order to better enhance the effect of speaking and singing. It can be seen that Ma Weidu still has a high evaluation of Guo Degang, and admires Guo Degang's attitude of living to learn from the old age.

My favorite cross talk between Guo Degang and Yu Qian is "Wife and Child"! The "tragic" father character created by Guo Degang in cross talk is extremely impressive!

One is expensive and one is cheap, friendship is present! "I am a laid-off worker, the conditions at home are very difficult, the house I live in is full of holes, catch up with the rain, I want to die, the light rain outside the house is rainy, the outside is heavy rain in the house, the heavy rain outside the house is rainy, sometimes the rain is too big, the whole family has to go to the third ring to avoid the rain", Guo Degang's few words, the image of a suffering family is vividly described!

Guo Degang's ability to organize and summarize language is extremely strong, and through the rendering of the environment and the vivid image portrayal, the image of this unemployed man, who is burdened with the heavy pressure of his family's life, has to go out in thin clothes to earn money in the cold days, vividly described. makes people empathize, and through the male protagonist's funny dress, wearing sandals and single clothes in winter, the contrast is cute, and the audience laughs!

At first, it was a little interesting, but the further back it was, the more water it became, so I couldn't say it well.

Okay, from the beginning to the end, as long as you are happy, you will live a long life, thank you very much Mr. Guo Degang, you can hear the happy cross talk without buying a ticket, thank you, I owe you a ticket money, I have the opportunity to go to Beijing to make up for it, thank you Mr. Guo Degang.

Mr. Guo Degang's cross talk is closer to the needs of the people than others.

Many traditional operas have died in the innovation of masters, and cross talk is almost like this, no one can save an art form, it must depend on the efforts of many people, but there must be someone who finds a way to save, Guo Degang is the one who relies on excavating the tradition and making cross talk prosperous again

Without Yu Qian, he would be a second-rate cross talk actor!!

The scope and scope of his cross talk are compared with the traditional and modern cross talk actors, which is no longer the same. The Deyun branch is full of flowers, and the footprints of commercial performances in progress are all over the world. The high results are a grand spectacle.

The basic values recognized by the masses of the people can judge the quality of a work, but this is dead. It's not that if you judge that this theater cross talk is vulgar, you will be shot. Rather, as a criterion, how to improve the work is the key.

If you use this kind of values based on public recognition to judge the elegance and vulgarity of a kind of music carrier, it is suspected of buttoning the hat.

The size of the stage cannot be used as a criterion for evaluating the elegance and vulgarity of Guo Degang's cross talk. Guo Degang's cross talk is theater cross talk, and theater cross talk is equivalent to a platform for cross talk polishing and a cradle for the formation of works of art, so theater cross talk can't be so harsh as not touching ", pee, fart", but it can't be equated with Guo Degang's cross talk is ", pee, fart". ‍

Character and morality are not the standard for judging the art of cross talk, which is not only not a standard, but may also be slanderous. Guo Degang became popular, and said that he had moral problems, which was murder, not achievement.

Guo Degang began to advocate the return of cross talk to the theater, to a large extent, the re-prosperity of cross talk is due to Guo Degang's practice.

Guo Degang's cross talk is a theater cross talk, and after one or two hundred years of cross talk, five or six hundred pieces of cross talk have been handed down, and some of them are dross. Then take this as a requirement, and let Guo Degang's cross talk be equivalent to this standard before it can be developed, which is not in line with the reality of the survival of the quyi form. Theater cross talk is a road for the development of cross talk, not the cradle of cross talk standards, but the cradle of cross talk art.

Many lost things are only passed on by Guo Degang, such as Mr. Jin, many of his commentaries are only passed on to Lao Guo. He is the carrier of many intangible cultural heritages, which is precious. Precious is more precious than talent.

Let's first pick Guo Degang's unshakable achievements to evaluate him, that is, to pick the undoubted achievements of Guo Degang's achievements to establish Guo Degang's contribution to contemporary cross talk.

He inherited the tradition (this tradition is the accumulation of cross talk from the beginning to the present. Jiang Kun's mainstream cross talk because it has abandoned many traditional means, so the foundation is actually very thin) At the same time, it also added changes, when Pan Jinlian in cross talk became Sora Aoi, young people were naturally willing to listen, even in this era when there are as many jokers as dogs. After all, something that is liked by young people is what is vibrant.