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Enter the Encyclopedia: Enter Monet.
It's what you want to see.
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Summary. Hello, glad to answer for you. Monet's Art and Life is a representative of the Impressionists.
The Impressionist movement can be seen as the pinnacle of naturalistic tendencies in the 19th century, as well as the starting point of modern art. His focus on light and color goes far beyond the image of the object, so that the representation of the object on the canvas disappears into the light and color. He made the world rediscover the structure of light and nature.
Therefore, the transmutation of this vision was even unimaginable in the past, and the light, color, movement and abundant vitality it exuded replaced the rigid composition and traditionalism that did not dare to innovate in the slightest in previous paintings.
Hello, glad to answer for you. Monet's Art and Life is a representative of the Impressionists. The Impressionist movement can be seen as the pinnacle of naturalistic tendencies in the 19th century, as well as the starting point of modern art.
His preoccupation with light and color goes far beyond the image of the object, so that the expression of this prestigious object on the painting Mori Keidanbu disappears into light and color. He made the world rediscover the structure of light and nature. Therefore, the transformation of this vision was even unimaginable in the past, and the light, color, movement, and abundant vitality of the manuscript exuded by it replaced the rigid composition and traditionalism that did not dare to innovate in the slightest in previous paintings.
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Claude Monet (1840-1926) was born in Paris in 1840 and spent his childhood in Havre. Instead of following the usual path of a painter, he started his career drawing comics, which he gained some fame for drawing and was noticed by Eugène Boudin (1824-1898). Boudin once said to Monet, "Anything painted on the spot always has a power, realism, and vividness of brushwork that would not have been possible in the studio later."
Monet also did what Boudin said in his future painting career, because he was full of love for nature.
Soon Monet was drawn to the work of the Dutch painter Johann Bartol de Joankang. The painter painted bridges, village scenes, riverbanks, and dilapidated thatched houses with turbulent, excited, lively, and more active brushstrokes than his French contemporaries. It was from Boudin and Joankang that Monet received his basic artistic cultivation.
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