Seek the rhythm and creation of Tang and Song poems

Wang Li's book is called "Poetry Rhythm".

It doesn't matter what the rhythm is, it's almost enough, and see how many of those poems by Li Du come from the average.

I recommend you to read the paragraph of "Dream of Red Mansions" where Xiangling learns poetry, Lin Daiyu's poetry is very incisive.

In the final analysis, Lin Daiyu said, read more poems first, cultivate aesthetic ability, don't always think about rules and regulations when you want to write, choose those words that can express the meaning of what you think in your heart, and the meaning must be good.

I graduated with a major in Chinese language and literature, and I only have two words to say:

First, you will never be able to write ancient poems well in front of a computer.

Second, in Wang Li's collection of works, there is an easy-to-understand, very thin booklet dedicated to this knowledge. I can't remember the exact full name, the poetry and the rhythm. You can usually buy it in a large bookstore, so let's buy it and take a good look.

Tang Poetry and Song Poetry Rhyming Works Part 1: Nine Quatrains and Two Songs.

Dynasty: Tang Dynasty.

Original text: Hand-planted peaches and plums are not ownerless, and the wild old wall is low and still like home.

Just like the spring breeze deceives each other, blowing and breaking a few flowers at night.

Tang poems and Song lyrics rhyme as shouting and carrying articles 2: Shengchazi Chunshan Smoke wants to collect the dynasty: Tang Dynasty.

Original text: The smoke in the spring mountains is about to be harvested, and the sky is light and the stars are scarce. The waning moon's face is bright, don't cry before dawn.

There are many words, but the love is not over, and I still look back and say: I remember the green Luo skirt, and I pity the grass everywhere.

Tang Poetry and Song Poetry Rhyme Works Chapter 3: Tianya.

Dynasty: Tang Dynasty.

Original text: Spring is at the end of the world, and the end of the world is oblique.

The warbler cries like tears, which is the highest flower.

Tang poems and Song lyrics rhyme works 4: Partridge Heaven Huadu Temple.

Dynasty: Song Dynasty.

Original text: The red-clothed crow on the pond is accompanied by a leaning analt, and the roosting crow often brings the sunset. Yin Yundu rain sparse and falling, and the bright moon gives birth to cool treasure fans.

The hometown dream is narrow, and the water sky is wide. The small window is sad and light autumn mountain. Wu Honghao is a messenger, and the Yangliu Gate House is Zheng Rufu.

Tang poems and Song lyrics rhyme works 5: Huanxi Sha Quanhu Daozhong went to Fujian Xianbei Zhujun Dynasty: Song Dynasty.

Original text: Listen carefully to the cry of Chunshan Du Yu. A send-off poem. Towards the white bird, the back of the man flies.

Lie on Zheng Zizhen's rock, take advantage of Tao Yuanliang's chrysanthemum period. Now it can be recited to the north of the mountain.

It is what we generally call metrical poetry. Rhythmic poetry is a poem that has certain rules in both rhyme and rhythm.

Rhyme is the rhyme of the poem, and it is the phonetic rule of the words.

Law is the format of poetry writing, and it is the rule of form.

Rhyme is one of the essential elements of poetry. The so-called rhyme in poetry is roughly equivalent to the finals in modern Chinese.

The so-called rhyme refers to putting two or more words in the same rhyme part in the same position, usually at the end of the sentence, so it is also called rhyme. The purpose of rhyme is to harmonize the rhyme. The repetition of the same kind of music in the same position constitutes the beauty of the loopback of the sound.

The poems are divided into ancient poems and near-style poems. Ancient style poetry is also known as ancient poetry or ancient style; Near-style poems, also known as modern poems, include rhythmic poems and quatrains. In terms of the number of words, it can be divided into four-word poems, five-word poems, and seven-word poems (six-word poems are rare).

After the Tang Dynasty, four-character poems were rare, so general poetry collections were only divided into two categories: five-character and seven-character poems.

These two aspects combine to form a set of rules, which is what we call the metrical body.

The poems that strictly abide by the rules of the metrical style are metrical poems, including quatrains, rhythmic poems, and rhythmic poems.

So how do you write a metrical poem? It's okay to figure out the level, rhyme, and battle, and it is not necessary to ensure that it is a rhythmic poem, but it is not necessarily a good poem, but at least it is guaranteed to be, and then pursue whether it is good or not.

Since we only discuss metrical poetry, please think that it is not important to be even, as long as the students with good artistic conception take a detour, it does not belong to this topic. Because under this heading, the importance of the rhythm is higher than the artistic conception.

Pose. The number of words is divided into five words and seven words. In terms of the number of sentences, there are four quatrains, eight rhythmic poems, and more than ten rhythmic sentences.

Anything that is not organized in a sentence is not a metrical poem. Therefore, if you want to write a rhythmic poem, you must first gather your surging feelings and use sentences of consistent length to regulate your thinking.

Rhyme. The rhyme of the metrical poem is all flat rhyme, and it cannot be turned into rhyme, and no matter how long the rhyme (more than 100 sentences) is, it must be rhymed to the end. It can't rhyme with each other, and it can't be rhymed together, and the requirements are extremely strict.

As for whether to use the flat water rhyme of the ancients or the new rhyme of the present when writing metrical poems, each has its own love, and there is no need to force it.

The ancient meaning of Pingshui rhyme is more reasonable in the rules of Pingqian summarized by the ancients, but some pronunciations hinder the reading and circulation of today's people, and it is easy for people to understand with new rhymes, because everyone understands Mandarin, but try not to use words with different pronunciations and rhymes on the Pingqian system to avoid confusion.

The easiest way is to mark what rhyme the poem uses after writing, so that the reader knows what kind of rhyme is used.

After all, in the middle of June, the scenery of West Lake is not the same as the four seasons.

The lotus leaves are infinitely green, and the lotus flowers are different red.

Seven uniques, the escort is "East Red Rut", which is the rhyme of "ong".

One, two, four, must rhyme.

In the afternoon of hoeing day, sweat drops into the soil.

Who knows that Chinese food is hard work.

Rhyme foot "U".

Five uniques, one, two, four rhymes.

How is Dai Zongfu?

Qi Lu Qingwei is gone.

Creation Zhong Shenxiu, yin and yang cut dusk.

Swing the chest to give birth to stratus clouds, and decide to return to the bird.

It will be the top of the mountain, and the mountains will be seen at a glance.

Five rules, rhyming "ao".

Twenty-four sixty-eight sentences. Rhyme.

The poetic rhyme pattern of the Tang and Song dynasties mainly included five-character rhythm poems (five-character quatrains, five-character rhythm poems) and seven-character rhythm poems, and was mainly characterized by flat rhyme. In modern poetry, with the changes of the times and the change of literary thought, some important changes have taken place in poetry rhyme.

The first is the change in form. Modern poetry is diversified, no longer limited to specific poetry genres and rhymes, and common forms include free verse, rhyming short sentences, prose poems, etc. These forms of poems often do not have clear rhyming rules, and focus more on expressing feelings and thoughts.

The second is the change in the way the rhyme is played. In modern poetry, rhyme no longer emphasizes the importance of rhyme as in ancient times, but pays more attention to the harmony of rhyme and the creation of artistic conception. Modern poems often replace the traditional flat rhyme with internal rhyme, semi-rhyme, and poly rhyme, making the poems more dynamic and varied.

In addition, modern poetry focuses on the natural flow of sound and the unique use of language. Punctuation, line breaks, etc. are often used to break the traditional rules of prosody, making the rhythm of the poem richer and more diverse.

Therefore, when writing near-body poems, we should pay attention to the following:

Utilize the traditional rules of rhyme and the freedom of modern poetry, experience traditional rhymes, and try new forms of rhyme.

Focusing on the harmony of the rhyme and the expression of artistic conception, Pin Chun conveys emotions and thoughts by selecting the appropriate rhyme.

Use the uniqueness of language, pay attention to the rhythm and rhyme of the poem, and make the poem more vivid and expressive.

In short, with the diversification of poetic forms and the evolution of poetic rhyme, the writing of near-body poetry needs to integrate the innovation and freedom of modern poetry while retaining the traditional beauty.

Rhyme is one of the basic elements of poetic rhythm. Poets use rhyme in their poems, which is called pressure rhyme. From the "Book of Songs" to the poems of later generations, there is almost nothing that does not rhyme. There is no such thing as a folk song that does not rhyme. In northern opera, rhyme is also called rut, and rhyme is called conjunction.

A poem has no rhyme, which is felt by ordinary people. As for explaining what "rhyme" is, it's not very simple.

Song Wang Anshi Shuhu Yin Mr. Wall].

The thatched eaves are often swept without moss (tái), and the flowers and trees are planted by hand (zái).

A water to protect the field will be green, and two mountains will be sent to the green (lái).

Here "moss", "plant", and "come" rhyme because their finals are all "ai". The word "遶 (winding)" does not rhyme, because the word "遶" is spelled rào, and its finals are ao, which is not the same rhyme as "moss", "planting" and "come". According to the rhythm of poetry, the third line of a four-line poem like this does not rhyme.

Let's talk about the rhyme of words: the rhyme of words, there are no formal regulations. Ge Zai's "Cilin Zhengyun" divides the flat sound into 14 parts, and the sound into 5 parts, a total of 19 parts (omitted here, see "Wang Li, Poetry and Rhythm, page 111" for details).

It is said to be the word of the famous poet of ancient times, and it is determined by reference. There were many people who used to follow it. In fact, these nineteen are just roughly merging the rhymes of the poems, which is similar to the broad rhyme of the ancient style poems.

In fact, these nineteen parts can only be suitable for most cases of Song Ci. In the writings of some lyricists, they are also influenced by dialects. The sound in the rhyme is very independent. Some words are customarily rhymed, such as "Remembering Qin'e", "Nian Nujiao" and so on.

The boundary between flat rhyme and rhyme is also very clear. If a certain tune stipulates the use of flat rhyme, it cannot use rhyme; If you stipulate the use of rhyme, you can't make a flat rhyme. Unless otherwise integrated.

Only two tones can be passed. This kind of situation has already begun in the ancient style of the Tang Dynasty.

The simplest explanation is that the poems read rhythmically and beautifully.

Rhyme is one of the basic elements of poetic rhythm. Poets use rhyme in poetry, which is called rhyme. The so-called rhyme part is to classify the words with the same vowel into one category, and this category is the rhyme part.