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Gently I go, as softly I came;
I beckoned softly, and made a cloud of the western sky.
The golden willow on the bank of the river is the bride in the sunset;
The beautiful shadow in the waves ripples in my heart.
The green wattles on the soft mud are swaggering at the bottom of the water;
In the soft waves of the River Cam, I am willing to be a water weed!
The pool under the shade of the elm is not a clear spring, but a rainbow in the sky;
Crumpled among the floating algae, precipitating a rainbow-like dream.
Looking for a dream? Hold a penny and wander towards the greener grass;
Loaded with a boatload of starlight, singing in the starlight.
But I can't play songs, quietly it's a parting sheng flute;
Xia Worm is also silent for me, silence is Kangqiao tonight!
Quietly I went, as quietly I came;
I waved my sleeves and didn't take a cloud with me.
Shayanara. — For Japanese girls.
Xu Zhimo. The most is the gentleness of the bowed head, like the shyness of a water lotus flower that is not better than the cool breeze, a cherish, a cherish, a cherished cry, and a sweet sorrow in that cherish
Shayanara. By chance.
Xu Zhimo. I am a cloud in the sky, occasionally projected in the heart of your waves--
You don't have to be surprised, you don't need to rejoice
In an instant, all traces were wiped out.
You and I meet on the sea of night, you have yours, I have mine, direction;
It's better if you remember, it's better if you forget.
The light that shines on each other at this rendezvous!
These three songs are relatively famous, and they are also very well written.
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"Farewell to Cambridge", "Accidental", "I'm Waiting for You" and other ten songs.
There are the following ten songs, "Farewell to Cambridge", "Accidental", "I'm Waiting for You", "I Don't Know Where the Wind Blows From", "I Have a Love", "Life", "He Has You in His Eyes", "Autumn Moon", "Shayanara--For Japanese Girls", "The Happiness of Snowflakes".
Xu Zhimo once used pen names such as Nanhu, Shizhe, Haigu, Gu, Dabing, Crane in the Clouds, Xianhe, Delete Me, Xinshou, Yellow Dog, Ge Ge, etc. Haining Kip stone people in Jiaxing, Zhejiang. He is a modern poet and essayist, a representative poet of the Crescent School, and a member of the Crescent Poetry Society.
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Xu Zhimo's 10 classic poems are: 1, "Farewell to Kangqiao"; 2, "Build a Wall"; 3, "Residual Poems"; 4, "Accidental"; 5, "I don't know where the wind is blowing from"; 6, "I Have a Love Potato Qi Wang Love"; 7, "Life"; 8, "He Has You in His Eyes"; 9, "Autumn Moon"; 10, "Shayanara - For Japanese Girls".
Xu Zhimo was born in Kipshi Town, Haining County, Zhejiang Province, and was named Xu Zhangyu in genealogical order, and Shima was given another name by his father Xu Shenru when he went to study in the United States in 1918. He was deeply influenced by Western education and European and American Romantic and aesthetic poets. Laid down its romantic poetic style.
Xu Zhimo is the only son of the eldest grandson of the Xu family, and has lived a comfortable and wealthy life as a son-in-law since he was a child. Shen Junru is Xu Zhimo's cousin, Jin Yong is Xu Zhimo's aunt and cousin, Qiong Yao is Xu Zhimo's niece, and Xu Zhimo is also related to Li Linbi and Qian Xuesen.
Xu Zhimo is a writer who has been active and influential in the Chinese literary scene for a while, and his worldview has no dominant ideology, or he is a supra-class "poet without partisan color". The appearance of his thoughts, the appearance of his creations, and the trend of development all show that he is a bourgeois poet. The development and changes of his thoughts, and the different conditions before and after his creation, are related to the social and historical characteristics of the time.
Xu's poems are fresh, harmonious, metaphorical novelty, rich imagination, beautiful artistic conception, elegant, full of changes, and pursues the neatness and beauty of the art form, with a distinct artistic personality. His prose is also in its own style, and has made achievements no less than poetry, among which "Self-Section", "I Want to Count the Fly", "The Kangqiao I Know", "Fei Leng Cui Mountain Residence Gossip" and so on are all famous articles.
People always associate Xu Zhimo and his creations with the Crescent School, identify him as the representative writer of the Crescent School, and call him the "leader" of the Crescent School, because the formation of the Crescent School until its demise has a close relationship with him, he participated in the entire activities of the Crescent School, and his creation embodies the distinctive characteristics of the Crescent School.
From the establishment of the Crescent Society to the gradual formation of a literary school, the Crescent School, which lasted about ten years, Xu Zhimo has always played an important role in it. He has had a certain influence on the history of the development of new poetry in China, and has carried out various experiments and explorations for the development of new poetry. His poetry has a rather distinct and unique style, with a certain degree of artistic skill.
From the founding of the Crescent Society to the formation of the Crescent School and its main activities (especially in literature), he is indeed a representative of the Crescent School, and he has played a certain role in promoting and influencing the development of New Poetry. However, they pursued form and discipline excessively, and went astray, especially Xu Zhimo's later thought and creation were in crisis.
As a celebrity of that era, Xu Zhimo did everything that an ordinary intellectual could do, and while he pursued his own happy life, he also had deep thoughts about the fate of the nation. His marriage to Zhang Youyi was the misfortune of that era, his faint affection with Lin Huiyin was embarrassing, and his marriage to Lu Xiaoman was warm and affectionate, but it was bumpy and troubled.
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1, his most famous poem "Farewell to Kangqiao";
2. "Farewell to Kangqiao" is a popular poem by the modern poet Xu Zhimo, and it is a representative work of the Crescent School of Poetry Zhaoyuge. The whole poem takes the emotional ups and downs of parting from Kangqiao as a clue, and expresses the deep affection for Kangqiao. The language is light and soft, the form is delicate and mature, the poet uses the technique of virtual and real to depict a flowing picture, constituting a wonderful artistic conception everywhere, meticulously combining the poet's love for Kangqiao, the longing for the past life, and the helpless sorrowful people in front of him.
3. Original content:
Farewell Cambridge. Gently I go, as softly I came;
I beckoned softly, and made a cloud of the western sky.
The golden willow on the bank of the river is the bride in the sunset;
The beautiful shadow in the waves ripples in my heart.
The green wattles on the soft mud are swaggering at the bottom of the water;
In the soft waves of the Cam River, be willing to be a water weed!
The pool under the shade of the elm is not a clear spring, but a rainbow in the sky;
Crumpled among the floating algae, precipitating a rainbow-like dream.
Looking for a dream? Hold a penny and wander towards the greener grass;
Loaded with a boatload of starlight, singing in the starlight.
But I can't play songs, quietly it's a parting sheng flute;
Xia Worm is also silent for me, silence is Kangqiao tonight!
Quietly I went, as quietly I came;
I waved my sleeves and didn't take a cloud with me.
Comprehend the author's feelings, as long as there is resonance, it is a good poem.
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