What are the verses written by Bai Juyi in praise of Xiaocao

Grass endows the ancient grass as a farewell.

Author] Bai Juyi (Tang).

Leaving the grass on the plain, one year old and one withered.

Wildfires burn inexhaustibly, and spring breezes blow and regenerate.

Yuanfang invaded the ancient road, and the clear green connected the deserted city.

He sent Wang Sun to go, and he was full of farewell.

Translations. The field is full of lush green grass, and the grass is thick in autumn and winter every year.

Wildfires can't burn up the weeds all over the ground, and the spring breeze blows and the earth is green and fluffy.

The fragrant weeds in the distance obscured the ancient road, and the sun shone on the turquoise green city.

Today I am here to bid farewell to my old friend, and even the lush grass is full of parting feelings.

The first sentence is to break the three words "ancient grass". "Leaving the grass on the plain" and grasping the characteristics of the vigorous vitality of the "spring grass" can be said to be detached from the "spring grass growing and sprouting" without leaving a trace, which provides a good idea for the later article. As far as "Ancient Grass" is concerned, it can also be made "Autumn Comes to the Deep Path" (Monk Guhuai's "Originally Autumn Grass"), and the whole article will be a different atmosphere.

Weeds are annual plants that flourish in spring and wither in autumn. "One year old and one withered" seems to mean nothing more than that. However, writing "withered glory" is very different from writing "glory withering."

If the latter is done, it is autumn grass, and it cannot grow.

Three or four good sentences. The two "one" characters are overlapped to form an aria, and then a kind of endless flavor is first formed, and the third or fourth sentences are a matter of course.

Wildfires burn inexhaustibly, and spring breezes blow and regenerate. This is the development of the word "withering glory", from a concept to an image of the picture. The characteristic of the ancient grass is that it has tenacious vitality, it is inexhaustible, as long as there is a little root remaining, it will be greener and longer in the next year, and soon spread to the wilderness.

The author grasps this characteristic, not saying that "the hoe is endless", but writing "the wildfire is inexhaustible", which creates a magnificent artistic conception. The wildfire burned the plains, the flames were terrifying, and in an instant, large areas of dead grass were burned to the ground. And the emphasis on the power of destruction, the pain of destruction, is to emphasize the power of regeneration, the joy of regeneration.

Fire can "burn out" all the weeds, including the stems and leaves, but the author prefers to say that it "can't be burned", which is very meaningful. Because no matter how fierce the fire is, there is no way to help the roots hidden deep in the ground, once the spring breeze turns rain, the life of the weeds will be revived, and the earth will be covered again with rapid growth, and the fire will be abused. The "grass on the plain" is like a green victory flag.

The spring breeze blows and is born", the language is simple and powerful, and the word "again" is three points and has a very meaning. Song Wu Zeng's "Can Change the Zhai Manlu" said that these two sentences "are not as simple as Liu Changqing's 'spring into the burn scarred green'", which is not necessarily true. These two sentences not only write the character of "grass on the plain", but also write a typical example of an ideal regenerated from the fire, one sentence writes dry, one sentence writes glory, "burn inexhaustible" and "blow and live" sing sighs and sighs, and the battle is also natural, so it is outstanding through the ages.

Although Liu Ju's fate is similar, but the charm is insufficient, it is far less enjoyable than Bai Ju.

Bai Juyi writes poems about XiaocaoGrass endows the ancient grass as a farewell.

Tang Dynasty: Bai Juyi.

Leaving the grass on the plain, one year old and one withered.

Wildfires burn inexhaustibly, and spring breezes blow and regenerate.

Yuanfang invaded the ancient road, and the clear green connected the deserted city.

He sent Wang Sun to go, and he was full of farewell.

Translation

Leaving the grass on the plain, one year old and one withered.

How lush the grass is on the long plains, and the grass is thick in autumn and winter every year.

Detachment: The appearance of lush grass. One year old and one withered: withered, withered. Prosperous, lush. Once a year, weeds flourish and wither.

Wildfires burn inexhaustibly, and spring breezes blow and regenerate.

The merciless wildfire can only burn the dry leaves, and the spring breeze blows the earth and the earth is green and fluffy.

Yuanfang invaded the ancient road, and the clear green connected the deserted city.

Wild grasses and wild flowers spread and flood the ancient road, and the end of the meadow under the sun is your journey.

Yuanfang invades the ancient road: Fang, refers to the rich aroma of wild grass. Yuanfang: The fragrance of grass spreads far and wide. Encroachment, encroachment, overgrowth. Fragrant weeds grow in the distance all the way down to the ancient post road. Clear: The grassland is bright and green.

He sent Wang Sun to go, and he was full of farewell.

Once again, I sent off my close friend, and the lush grass represented my deep affection.

Wang Sun: This refers to the descendants of nobles, and this refers to distant friends. Sprouts: Describe the appearance of plants and trees growing luxuriantly.

Other verses of Yongcao1.The sky is blue, the wilderness is vast, the wind blows the grass and sees the cattle and sheep.

Song of the Leg) 2.Leaving the grass on the plain, one year old and one withered.

Bai Juyi: "Farewell to the Ancient Grass".

3.The country is broken by mountains and rivers, and the city is deep in spring.

Du Fu: "Spring Hope").

4.Whoever says an inch is careless, and he will be rewarded with three springs.

Meng Jiao: "The Wanderer's Yin))).

5.The forest is dark and the grass is frightened, and the general draws the bow at night.

Lu Ji Ding is accustomed to Gu Glycoside in the track Shuanghan Jinglun: "Plugged Song").

6.Planting beans in the south of the mountain, the grass is full of bean seedlings.

Tao Yuanming: "Returning to the Garden and Pastoral Residence))).

7.The road is narrow and the grass and trees are long, and the evening dew stains my clothes.

Tao Yuanming: "Returning to the Garden and Pastoral Residence))).

8.The lonely grass stream grows on the side, and there are yellow orioles singing deep trees.

Wei Yingwu: (Chuzhou Xijian)).

9.The flowers are gradually charming to the eye, and the asakusa can have no horseshoe.

Bai Juyi: (Qiantang Lake Spring Trip))).

10.The light rain in the sky street is as moist as a crisp, and the grass color is close but there is none.

Han Yu: "Two Songs of Zhang Eighteen Members of the Water Department in Early Spring").

11.The thatched eaves are low, and the grass is green on the stream.

Xin Qiji: "Qingping Le Village Residence").

12.Outside the long pavilion, by the ancient road, the grass is green.

Li Shutong: "Farewell").

13.The lonely grass stream grows on the side, and there are yellow orioles singing deep trees.

Wei Yingwu: (Chuzhou Xijian)).

14.The light rain in the sky street is as moist as a crisp, and the grass color is close but there is none.

Han Yu, "Early Spring Chengshui Department Zhang Eighteen Members, Wailang").

15.Wild grass and flowers by the Vermilion Bird Bridge, and the sunset at the mouth of Wuyi Alley.

Liu Yuxi, "Wuyi Lane").

16.The forest is dark and the grass is frightened, and the general draws the bow at night.

Lu Lun's "Stopper").