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What are the artistic characteristics of Sizhou opera? What are the types of roles in Sizhou opera?
Opera is a treasure of Chinese culture and art, and occupies a unique position in the world's art treasure house. Sizhou opera is one of the four traditional operas in Anhui, and its characteristics are a fusion of northern and southern styles, with both euphemistic and heroic singing, and a distinctive regional style. As one of the four major operas in Anhui Province on the same level as Hui Opera and Huangmei Opera, Sizhou Opera has a history of 200 years as of today.
Sizhou opera has a certain relationship with Liuqin opera and Huaihai opera in Jiangsu and Shandong, because it is developed from the "soul cavity". Sizhou opera has extremely thick and strong local characteristics, and the singing tune is soft, tactful and gorgeous, and beautiful and beautiful. Its performance style has strong regional cultural characteristics, full of strong local flavor of northern Anhui, and its artistic characteristics are extremely prominent, and it is widely loved by people from all walks of life.
The most popular time of Sizhou opera was after the Liberation War, that time was the great development period of Sizhou opera, and in 1957, the Sizhou opera delegation had a performance in Huairentang, Zhongnanhai, Beijing. Sizhou Opera is listed as a national intangible cultural heritage list protection project, which is another form of expression of Zhong Kui culture, which is highlighting Zhong Kui culture in its own unique way. The inheritance of Sizhou Opera began at the end of the Qing Dynasty, as mentioned earlier, it has a history of more than 200 years, in front of the long history of 5000 years in China, Sizhou Opera seems "young", although he only has more than 200 years of development history, but it is deeply loved by the people of the whole country, and after the fire, it has received rave reviews.
The main characters of Sizhou opera are big students, old students, big heads, small heads, ugly and so on. Just like the characters in the play, the characters in the opera are also divided into priorities and priorities, but each character is very full. Sizhou opera has always been highly concerned and loved by people from all walks of life, this is an excellent treasure of our country's culture, we as the "sun" of noon, we must continue to develop and inherit Sizhou opera!
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The roles of Sizhou opera are mainly divided into several categories, such as big students, old students, two heads, small heads, and ugly students. Art is characterized by giving people a sense of cheerfulness, liveliness and jumping. But it also often makes people feel unstable and unstable.
Due to the close relationship between the singing melody and the local language, large jumps in the interval in the singing cavity are frequent, coupled with frequent transpositions, which makes people sound both novel and colorful, but also natural and harmonious.
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The art is characterized by a plot with twists and turns, and the characters are divided into three categories, one is a female character, one is a male character, and one is a villain.
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The characteristic is that the cultural customs are very strong, and the heritage is very strong.
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The original name of Sizhou opera was the soul cavity.
1. Sizhou opera, formerly known as La Soul Cavity, has a history of more than 200 years, is a local traditional drama on both sides of the Huai River in Anhui Province, one of the four major opera genres in Anhui Province, and one of the national intangible cultural heritage.
2. Many people believe that it originated in the Haizhou area in the north of Jiangsu Province, and was originally a small drama improvised by local farmers with folk tunes such as "Orion Dialect" and "Taiping Song", and later introduced to Sizhou and absorbed the local folk singing art, forming the "Soul Cavity" Sizhou Opera in Anhui.
3. Sizhou opera singing and reciting white has the passionate generosity of northern opera and the gentleness and soothing of southern opera; There are extremely difficult flower cavities and flower tongues and the plain simplicity of folk piano books.
On May 20, Sizhou Opera was approved by the People's Republic of China to be included in the first batch of national intangible cultural heritage list.
Sizhou opera performance form:
1. The embossing field is the foundation of the art of Sizhou opera, which is divided into two types: single pressure and double pressure, with bright and hearty, rough and powerful distinctive characteristics. When an artist learns art from a teacher, learning to sing starts with eight sentences, and learning to perform starts from the embossing field.
2. The audience has very strict requirements for the embossing field. When performing, actors must pay attention to the coordination and coordination of hands, eyes, waist, legs, steps and other parts. For example, when the actress walks the four corners and whirlwind style, the shape is like the wind swinging willows, and the shape is like a hibiscus out of the water, and the dance posture is extremely beautiful.
3. There are dozens of figures and footwork that can be called out in Sizhou opera, such as sideburns, shoe plucking, collar raising, sleeves, forked legs and double steps, three-in-one, lazy waist, whirlwind, four corners, scissors strands, next steps, door crooked nests, crane walking, old man walking, walking upside down, etc.
4. Some early slippery performances can be called stunts, such as the water bowl on the head in "Stopping the Horse", and the water bowl on the head is hurriedly walked around the field, and the water is not splashed; In "The View of the Big Book", the actor must have small feet, and if the feet are big, he cannot perform.
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Sizhou Opera, formerly known as La Soul Cavity, was officially named Sizhou Opera in 1952, popular on both sides of the Huai River in Anhui Province, and has a history of nearly 300 years. It is developed from the Liuqin opera in Shandong and Henan and the Huaihai opera in Jiangsu, and there is a certain blood relationship between them. Sizhou opera is one of the four outstanding operas in Anhui alongside Hui opera, Huangmei opera and Lu opera, she has a profound mass foundation and rich cultural heritage, with beautiful singing, beautiful melody, singing on both sides of the Huai River, north and south of the river, drama statistics in 1953, the traditional repertoire of Sizhou opera has more than 300 plays.
Sizhou opera has a close connection with the life and customs of the people of northern Anhui, showing strong regional cultural characteristics. However, in recent years, with the rapid development of society, the audience has gradually decreased, the performance has been lost, the traditional skills are on the verge of being lost, and the survival of Sizhou opera has been in crisis, and it is in urgent need of social support. Since the founding of the People's Republic of China, a large number of artists have emerged, represented by Li Baoqin, Huo Guixia, Li Baofeng, Zhou Fengyun, and Wang Baolian, and in May 1957, the Dawn Daily reported that the five famous singers of Sizhou Opera were like this, "Li Baoqin's waves, Huo Guixia's singing, Li Baofeng's stick, Zhou Fengyun's portrait, and Wang Baolian's likeness" respectively summarized the artistic characteristics of each master.
On May 20, 2006, Sizhou Opera was approved to be included in the first batch of national intangible cultural heritage list.
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The stalls of Sizhou Xingmu opera are mainly divided into several categories, such as big students, old students, two heads, small heads, ugly and so on, and its performance absorbs a large number of dance performance forms such as the embossing field, the car dance, the dry boat dance, the lantern dance, and the running donkey on the basis of rap, which is not greatly affected by the norms of the opera program, with the characteristics of bright and lively, simple and hearty, strong and spicy, and is full of strong local flavor in northern Anhui.
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