Which line of Teng Wangge s poem encourages friends?

When you are old and strong, you would rather move the heart of the white head? Poor and strong, do not fall into the ambition of the clouds.

The natural fusion of scenery and lyricism. This article focuses on the majestic and magnificent scene of the Tengwang Pavilion. Write about the elegant and grand momentum of the banquet, and express your feelings. After explaining the historical evolution of the "old county" and "new mansion", the article explains.

It starts with the geographical location and surrounding environment of the pavilion. "The three rivers and the five lakes, the control of the barbarian thorns and the introduction of Ouyue", "the water is exhausted and the cold pool is clear, the smoke and light condense and the twilight mountain is purple", "the sunset and the lonely bird fly together, and the autumn water is the same color as the sky".

The shadow of Xianyuntan is long, and the stars change a few degrees of autumn.

Translation: The shadow of the leisurely colored clouds is reflected in the river, floating leisurely all day long, time is fleeting, personnel changes, I don't know how many springs and autumns have passed.

Tengwang Pavilion is a seven-character ancient poem written by the Tang Dynasty poet Wang Bo. This poem is attached to the author's famous poem "Preface to the Pavilion of King Teng", which summarizes the content of the preface. The first couplet points out the situation of King Teng's Pavilion and imagines the scene of the luxurious and prosperous banquet when this pavilion was built; The jaw couplet followed the second sentence to write that the painting dong flew up to the clouds of Nanpu, and the bead curtain swept into the rain of the West Mountain, showing the loftiness of the pavilion; The neck couplet shifts from space to time, pointing out the long time, which naturally gives birth to the emotion of the change of scenery and the change of direction of the constellations, leading to the tail couplet; The tail couplet sighed that people went to the pavilion, the river flowed forever, and the whole article ended.

The whole poem is a chant of Tengwang Pavilion in the dual dimensions of space and time, with vertical and horizontal brushwork, exhaustive images, concise language, and deep emotion. The magnanimity is lofty and the realm is grand, and the "Preface to the Pavilion of King Teng" can really be described as two brilliant and complement each other.

King Teng's high pavilion is near Jiangzhu, and Pei Yuming Luan sings and dances.

The painting hall flies to the south of the clouds, and the bead curtain rolls up in the west mountain rain at dusk.

The shadow of Xianyuntan is long, and the stars change a few degrees of autumn.

Where is the emperor in the cabinet now? The Yangtze River outside the threshold is empty and artesian.

Verses to encourage and comfort friends:

There is a confidant in the sea, and the end of the world is like a neighbor.

Inaction is on the wrong path, and the children are stained with scarves.

1. Full text. Send Du Shaofu's Ren Shuzhou".

Tang Dynasty: Wang Bo.

The city is supplemented by three Qin, and the wind and smoke look at Wujin.

Parting with the king, the same is a eunuch.

There is a confidant in the sea, and the end of the world is like a neighbor.

Inaction is on the wrong path, and the children are stained with scarves.

2. Translation. Towering Chang'an, the land of Sanqin; Sichuan is slim, but it is far away.

You and I have a similar fate, running around and far from home.

As long as there are close friends, there is no distance within the four seas. Even at the ends of the earth, it feels like a neighbor.

Breaking up at the fork in the road, I really don't need to have children and daughters, and tears are sprinkled with clothes.

3. About the author.

Wang Bo (c. 650 – c. 676), also known as Zi'an, was a poet of the Han nationality and the Tang Dynasty. A native of Longmen, Jiangzhou (now Hejin, Shanxi), he was born in a Confucian family, and was called Yang Jiong, Lu Zhaolin, and Luo Bin Wang"Four Masters of the Early Tang Dynasty", Wang Bo is the head of the four masters.

Wang Bo was smart and studious since he was a child, and according to the "Old Tang Book", he was able to write articles at the age of six, and his writing was smooth, which was praised"Prodigy"。When he was nine years old, he read Yan Shi's ancient annotation "Book of Han" and wrote ten volumes of "Finger Flaws" to correct his mistakes. At the age of sixteen, he passed the examination and was awarded the title of Chaosanlang.

was kicked out of King Pei's Mansion for doing "Cockfighting". After that, Wang Bo spent three years touring the scenery of the mountains and rivers of Bashu and wrote a large number of poems. After returning to Chang'an, he asked for compensation to join the army.

When he joined the army, he was demoted twice for privately killing officials and slaves. In August of the third year of Shangyuan (676), when he returned from visiting his father, he unfortunately crossed the sea and drowned, and died of palpitations. Wang Bo is good at five laws and five uniques in the poetry genre, and his representative works include "Sending Du Shaofu to Shuzhou", and the main literary achievement is the pun text, both in terms of quantity and quality, are all excellent works, and the representative works include "Preface to the Pavilion of King Teng".

Fourth, the main works.

There is a confidant in the sea, and the end of the world is like a neighbor.

The first two sentences of "Tengwang Pavilion Poems" are "Tengwang High Pavilion Linjiang Zhu, Pei Yu Mingluan sings and dances." The first sentence points out the situation of King Teng's Pavilion; The second sentence is a scene of King Teng, who built this pavilion, taking a Luanling carriage to the pavilion to hold a luxurious and prosperous banquet), (the first sentence is full of interest, and the second sentence is exciting, and the theme of the whole poem is summarized. ）

Once, because the machine lost control, my father and another uncle were buried in a coal bunker more than a meter deep. Fortunately, the other uncles arrived in time, and my father was able to escape. In this way, Dad still has not been transferred out of his workplace.

He is still not afraid of hardship and tiredness, fighting on the front line of work, and has been rated as an advanced worker by the unit many times.

This is my hard-working dad, and I am proud and proud that I have such a dad!

1. The gist of "Tengwang Pavilion Poems":

King Teng's Pavilion stood majestically on the north bank of the Gan River, and Peiyu stopped singing and dancing silently.

In the morning, the painting hall swept the light clouds flying from Nanpu, and in the evening, the bead curtain rolled up the gloomy smoke and rain of the West Mountain.

The reflection of the white clouds in the pond floats leisurely every day, and the scenery has changed for several spring and autumn periods as time passes.

Where is the emperor who built this Tengwang Pavilion now? Only the Yangtze River outside the railing flows eastward.

2. Expand your knowledge

1. Appreciation of the original words: Tengwang Pavilion poems.

King Teng's high pavilion is near Jiangzhu, and Pei Yuming Luan sings and dances.

The painting hall flies to the south of the clouds, and the bead curtain rolls up in the west mountain rain at dusk.

The shadow of Xianyuntan is long, and the stars change a few degrees of autumn.

Where is the emperor in the cabinet now? The Yangtze River outside the threshold is empty and artesian.

2. Introduction: "Tengwang Pavilion Poems" is a poem by the Tang Dynasty writer Wang Bo, which was originally attached to the "Tengwang Pavilion Preface", and the "four rhymes" in the sentence "four rhymes" at the end of the preface refer to this poem. The first line of this poem points out the situation in the Tengwang Pavilion; The second sentence is to imagine the scene when King Teng, who built this pavilion, came to the pavilion in a Luanling carriage to hold a luxurious and prosperous banquet; Clause.

The third and fourth sentences follow the second sentence, the painting building flew up to the clouds of Nanpu, and the bead curtain was swept into the rain of the West Mountain, using exaggerated techniques to not only write the lofty and distant situation of Tengwang Pavilion, but also write the situation that Tengwang Pavilion is now cold and lonely. The whole poem melts into the scene, sends deep feelings, summarizes the content of the preface with concise and subtle words, and has a lofty bearing and a grand realm, which can really be described as the same brilliance and complements each other with the "Preface to the Pavilion of King Teng".

3. About the author: Wang Bo (649 676), a poet of the Tang Dynasty, was born in Longmen, Jiangzhou (now Hejin, Shanxi). Lin De was the first to be promoted and once joined the army in Yuzhou.

Later, he went to Hainan to visit his father, but he drowned and died of fright. When he was young, he showed his talent, and Yang Jiong, Lu Zhaolin, and Luo Bingwang were as famous as they were in literature, and were called "the four masters of the early Tang Dynasty". He and Lu Zhaolin all tried to change the poetic style of "striving for subtlety and striving for carving" at that time (see Yang Jiong's "Preface to Prince Anji").

His poems tend to describe personal life, and there are a few works that express political feelings and imply dissatisfaction with wealthy families, and the style is relatively fresh, but some poems are gorgeous. His prose "Preface to the Pavilion of King Teng" is quite famous. The original collection has been dispersed, and the Ming people have "Prince Anji".

A kind of far-reaching worry, a feeling of the vicissitudes of the world.

Exhibits a negative outlook on life.

It depends on what kind of poetry it is, and it is generally the desolation of the border war and the sadness of the rupture of the country! Hee-hee, the language we read together in those years, I remember it like this!

King Teng's high pavilion is near Jiangzhu, and Pei Yuming Luan sings and dances.

The painting hall flies to the south of the clouds, and the bead curtain rolls up in the west mountain rain at dusk.

The shadow of Xianyuntan is long, and the stars change a few degrees of autumn.

Where is the emperor in the cabinet now? The Yangtze River outside the threshold is empty and artesian.

Explanation: The high Tengwang Pavilion leans against the riverside, and the luxurious singing and dancing of Peiyu and Luan bells have stopped. In the morning, the painting hall flew up to the clouds of Nanpu, and at dusk, the bead curtain was swept up in the rain of the western mountain.

The shadow of the idle clouds is reflected in the pool, the time is endless, things change, the constellations move, and spend several spring and autumn. King Teng in the high pavilion is now **? Only the Yangtze River outside the railing is empty.

Appreciation: In the third year of Tang Gaozong's reign, the poet went to Jiaozhi to visit his father, passed through Hongzhou, participated in the banquet of Yan Dudu, and improvised the "Preface to the Pavilion of King Teng", and attached this condensed and implicit poem at the end of the preface, which summarized the content of the preface. The first sentence is straight to the point, using simple and old brushwork, pointing out the situation of Tengwang Pavilion.

King Teng's Pavilion was built when Li Yuanying, the son of Gaozu Li Yuan, was the governor of Hongzhou. The site is on the new Xizhang River Gate in Jiangxi today, facing the Ganjiang River, you can look far away, you can look down, the following "Nanpu", "Xishan", "Xianyun", "Tanying" and "the Yangtze River outside the threshold" are all born from the first sentence "Gaoge Linjiang Zhu". The situation in King Teng's Pavilion is so good, but who is in the Pavilion now?

I think that King Teng, who built the pavilion back then, has died, and he came to the pavilion in a Luanling carriage with a variety of jade pendants, and held a banquet, that kind of luxurious scene is gone forever. The first sentence writes space, the second sentence writes time, the first sentence is full of interest, and the second sentence is exciting. The poet uses the method of "standing and sweeping" to make the reader naturally feel the impermanence of prosperity and decline.

The pavilion has no one to enjoy, the pavilion painting bead curtain is of course cold and pitiful, only the clouds of Nanpu, the rain of the West Mountain, the twilight dynasty, and it is companion. These two sentences not only write the loneliness of Tengwang Pavilion, but also the painting Dong flew up to the clouds of Nanpu, wrote the height of Tengwang Pavilion, the bead curtain rolled into the rain of the West Mountain, and wrote the distance of Tengwang Pavilion.

The end of the poem ends with dual syntax, which is very distinctive.

Wang Shaozuo is only one stone high, and the descendants look up to the mountains, and Xie Lingyun was born a hundred years earlier before he has the theory of eight buckets.

The victory of famous places requires saints and saints. Tengwang Pavilion may not be so grandiose, a poem and a preface to cover the world's pavilions.

Personally, I feel that King Teng's preface is better, and the poem has become a foil. was ignored by everyone, just because the order has reached the point of reaching the peak.