How do you view the cultural phenomenon that young people are not interested in Peking Opera?

The main reason why young people today are not interested in Peking Opera is that the cultural expression of Peking Opera does not meet the aesthetics of young people. On the other hand, it is because Peking Opera is too traditional and has not adapted to the current changes. <>

1. It does not conform to the aesthetics of young people.

Nowadays, most of the people who like Peking Opera are middle-aged and elderly people, and these people have grown up listening to Peking Opera since childhoodTherefore, they have a strong interest and memories of the economy. This situation is also related to the current cultural development and the diversification of entertainment forms, because the diversification of entertainment forms makes people have more relaxation projects, so people rarely listen to Peking Opera nowadays. At that time, listening to Peking Opera was one of the only entertainment activities, and it was an activity that could only be carried out by large families, so most of the middle-aged and elderly people chose or liked to listen to Peking Opera, while young people did not have such a strong interest in Peking Opera.

Because of the fast food of the current culture, young people are more interested in fast food culture, and entertainment actions such as film and television, games and shopping are more in line with the aesthetics of young people, while Peking Opera, which is slightly biased towards health preservation, is not very popular. <>

2. It has not adapted to the changes of the times.

Peking Opera is a very traditional Chinese culture, which is actually the quintessence of China, but now few people inherit it, because the development of Peking Opera has not adapted to the changes of the times. In fact, people's application of traditional culture has been diversified, and most of the people who have a strong interest in Peking Opera have heard it from some songs, and now some ancient songs will use the opera of Peking Opera to add a new way of singing, which has aroused the strong interest of young people. It can be seen that the development of Peking Opera has shown an innovation.

In this way, the reason why young people today are not very interested in the economy is that on the one hand, the aesthetics of young people are different from before, and on the other hand, because the development of Peking Opera has been limited to that era.

I think this has a lot to do with the fact that people don't know much about Peking Opera at the moment. Today's young people are almost addicted to games and online dramas. He has little contact with traditional Chinese culture and Peking Opera. Therefore, we need to pay attention to it and pay attention to the influence of Peking Opera on everyone.

I think we should cultivate this interest, because Peking Opera is our quintessence and should be passed on, and we don't like it because we don't know enough and don't settle down enough to feel it.

Not paying attention to Peking Opera, not appreciating Peking Opera, turning a blind eye to Peking Opera, whether young or not, is a tragedy and a waste of Chinese. Not being interested in Peking Opera is equivalent to not being interested in Chinese food, Chinese medicine, calligraphy, and Chinese history.

Because there are too many entertainment things that young people can come into contact with, such as reading books, brushing short **, and playing games, this is a fast-paced society, and young people will certainly not be interested in "slow-paced" things like Peking Opera.

For most young people, Peking Opera does not attract him or her. The past 40 years have been an era of popular **, and opera has been stagnant. The inheritance of Peking Opera is also broken.

Peking Opera is currently facing a barrier to transmission. There are not as many media and platforms as pop music. As far as the creative process is concerned, the popular ** is short and fast.

The creation of Peking Opera is long and slow, the cycle is long, and the cost is high. This is a matter of more investment and support.

When I was a child, my father's love for Peking Opera was infecting me every day. My father is a man of few words, but when it comes to Peking Opera, he is very interested, and when he talks about Mei Shangcheng, Cheng Xun comes to his eyebrows and dances. His interest infected several of us brothers, and later we could all listen to and talk about Peking Opera.

I'm ashamed that I didn't teach Peking Opera to our children when I returned to the hall, so none of my children and nephews listen to Peking Opera now.

Therefore, young people don't like Peking Opera, and our generation is responsible. In today's society, if there are not many people willing to talk about something, young people will not do it. Whether it is Peking opera, Chinese painting, calligraphy, cross talk, what is degraded is the function of social interaction.

Why degradation? Let's take the famous drama "Lock Tips" as an example, in my opinion, Zhang Huoding's "Lock Tips" is really beautiful, with a good singing voice, a good figure, and a healthy mind, it is really a rare good drama. But the logic of this drama is too naïve, the plot is too fictional, and it is difficult for people to imagine that a person who is so mean to his subordinates or even a personal maid will treat a passerby well.

I'll just try this anesthetic myself, and I won't tell it to my children.

Many traditional Chinese things face such embarrassment, and our ancients liked to set an educational topic first, and then make up a story to tell everyone. The way of thinking of science makes them pay attention to the educational nature of the topic, but despise the rationality and authenticity of the story. Look at the 24 filial pieties in China to see how difficult it is for children to be educated.

Peking Opera is also a form of traditional culture, so the problems it encounters are universal.

As an excellent traditional Chinese culture, young people don't like Peking Opera because they don't understand the connotation of Peking Opera, as well as the fun in it.

Because some people don't have time to listen to Peking Opera, it takes most of the time to listen to a complete Peking Opera, and most people have no energy, preferring fresh things to guess late, and preferring things that bring happiness to people in the short term.

At present, online games are in full swing, and young people have a lot of entertainment style, as a traditional art that requires high appreciation skills, and young people are naturally not interested in it now.

Nowadays, many young people don't like Peking Opera, because the pace of Peking Opera is too slow, and many people like to watch something fast-paced.

Although Peking Opera is very good, Peking Opera sounds very boring. Peking Opera is very long, and it sounds very brain-draining, so young people don't like it.

Because Peking Opera is particularly difficult to understand, and the things contained in it are relatively complex, many young people don't want to dig deeper.

Because young people can't understand the meaning and stories of the lines sung in Peking Opera, they don't like Peking Opera.

Modern people are too impetuous, and the reason why the new generation of young people do not like Peking Opera is mainly because in modern life.

Because it does not conform to the behavior habits of young people, and many of them do not understand at all.

Because today's young people have too many rich programs to watch, and the watchability and richness of these programs are better than those of Peking Opera. Personally, I think that the inheritance of Peking Opera should be handed over to those who like Peking Opera, and professional things should be done by professionals. No matter how the times develop and change, there are still people who will like Peking Opera.

Most of today's young people like to be popular**, and they are not interested in Peking Opera, because they have not had much contact with Peking Opera since they were young, and if they want Peking Opera to be passed on, they need to let young people be exposed to it from an early age.

The best thing to do is to force young people to learn, so that the inheritance is not broken.