What are the patterns of the Tang Dynasty and what are the specific classifications?

The patterns of the Tang Dynasty are rich and colorful, rich in the characteristics of the times, and the popularity of different stages is also different, which can be roughly divided into the following categories.

1. Bead pattern

The bead pattern is composed of small beads, which are arranged in the shape of strips or other shapes, or enclosed in a circle, to surround the theme pattern and become a bead circle. The composition of the built-in pattern can be individually or symmetrically. From the middle of the 6th century to the 80s of the 7th century (early Sui and Tang dynasties), the bead pattern was one of the most important decorative motifs in China.

The pattern is influenced by Sassanid Persia.

The influence is greater, whether it is a string of beads or a pattern with birds and beasts as the main pattern, it is very Western.

Second, the treasure pattern

Baoxiang flower pattern is a kind of traditional decorative pattern of the Han nationality in ancient China, which is composed of natural materials such as blooming flowers, petal leaves, buds and leaves of flowersIt is reassembled according to the law of radiometric symmetryThe ornamental pattern. The three modes of "ten", "rice" and circular radiation are the basic structural characteristics that the Tang Dynasty Baoxiang pattern has always followed. Baoxiang flower uses a variety of flower stylesThe early lotus flower and the late peony had the greatest influence on it

The treasure pattern pipa brocade set collected by Shosoin in Japan is a typical representative of the application of treasure flowers, with gorgeous colors and magnificence.

Third, the group pattern.

The organization form of the group pattern is to organize more than one pattern element into a circular unit pattern, and then form a bone vein in the shape of a rice character on a flat medium. The Tang Dynasty's group flower patterns were composed of different flowers, fruits, and plants, or a combination of flowers, fruits, and animals, and the pictures were arranged in two beautiful forms: symmetry and balance.

Another:The difference between Tuanhua and Baoxianghua

Although the forms of Tuanhua and Baoxianghua are quite similar, and it is not impossible to even put them in the same category, they still have certain differences in atmosphere, style, composition and meaning. The characteristics of Baoxianghua are dignified, symmetrical, somewhat dull, and the group flower is more lively, and the Baoxianghua pattern has a religious implication in contrast, and the meaning of the group flower is basically secular. The basic meaning of the group flower is harmony, reunion, consummation and great fortune.

1. The swastika, often considered a symbol of the sun or fire. Buddhism believes that it is the "Rui Xiang" that appears on the chest of Shi Yingmuni, which is used as a symbol of "Wande" auspiciousness, and Tang Wu Zetian lived two years in the Great Zhou, and formulated the swastika to read as "Wan".

2. Baoxianghua was popular in the Sui and Tang dynasties. It is composed of a certain flower (such as peony and lotus) as the main body, and other flowers and leaves of different shapes and sizes are inlaid in the middle. Especially at the core and base of the petals, beads are used to arrange them regularly.

3. Winged birds, which are often used as metaphors for inseparable friends or lovers in poems.

4. Flying pattern, the streamer grows longer, and the sense of volley increases; In the heyday of the Tang Dynasty, Feitian was the image of a girl, with a plump body and longer streamers, some longer than people.

Two or three times, the texture of the volley floating is very natural and smooth.

5. Longevity and wealth, auspicious words to children in the old days. In the old decorations such as longevity locks and porcelain, it is seen that there is a "longevity and wealth" text composition, the font is generally seal, and it is surrounded by patterns such as tangled branch flowers.

During the Tang Dynasty, there were animal and geometric patterns, and the animals were: Lian Magpie, Mandarin Duck, Peacock, etc., and geometric classes had grids, diamond grids, chess games, tortoise shells, etc.

The patterns of the Tang Dynasty are rich and colorful, rich in the characteristics of the times, and the popularity is different in different stages.

The main pattern of Tang is mostly birds and beasts; There are more birds than beasts in the Tang Dynasty, and the number of flowers, birds and flowers is increasing; Flowers, birds and flowers in the Tang Dynasty have become the mainstream; The status of flowers in the late Tang Dynasty is still rising, and animal patterns are rarely seen. In the early Tang Dynasty, animal patterns were prominent; In the late Tang Dynasty, plant patterns were more important.

Boot robes, half-arms, large-sleeved skirts, narrow shirts and small sleeves, and husband's boots are all very good-looking, and they are also very distinctive, and they are also very popular.

Because the Tang Dynasty was particularly open, there were many kinds of folk costumes, the most of which were toe boot robes, large-sleeved skirts, half-arms of women, husband's boots, narrow shirts and small sleeves.

There are toe boot robes, large-sleeved skirts, narrow shirts and small sleeves, and husband boots, and the costumes of the Tang Dynasty are a great collection of cultures in the northwest of the Western Regions and the Central Plains.

What is also called arabesque, is one of the representative patterns of the Tang Dynasty.

"Arcanine" is a kind of decorative pattern that prevailed in the Tang Dynasty, and it is also one of the representative Tang Dynasty patterns. It is a complex combination of lines, interwoven by many slender curves and arcs, and is also called "moire" and "vine pattern" when there are jujubes. The arabesque pattern originated from ancient Central Asia or the judgment region, and after thousands of years of inheritance and evolution, it has become an important form of expression in the Tang Dynasty's art shirt reform.

In the murals, brocades, utensils, buildings and other artworks of the Tang Dynasty, arabesque patterns were widely used, which became one of the important characteristics of Tang Dynasty art, and also had a profound impact on the art of later generations.

What is also called arabesque, is one of the representative patterns of the Tang Dynasty.

Arbesque is one of the representative patterns of the Tang Dynasty. Arabesque is characterized by dense and detailed patterns composed of plant elements such as stems, leaves, flowers, and fruits, forming a decorative effect similar to coiling and interweaving. Arabesque grass was widely used in the decorative arts of the Tang Dynasty and appeared in various artifacts, buildings, fabrics and other works of art.

In terms of architecture, the arabesque pattern was used in carving, painting, mosaics and other techniques, and can be seen on Buddhist temples, palaces, tombs and other buildings in the Tang Dynasty. In terms of utensils, arabesque patterns appear on various utensils such as ceramics, jade, bronze, gold and silverware, and lacquerware, decorating the surface of the utensils, and the chazhi type adds a sense of magnificence and decoration to the artwork. Due to the wide application and profound influence of arabesque patterns in the Tang Dynasty, they became an important part of Chinese decorative arts, and later generations of culture also inherited the elements of arabesque patterns and were constantly used in art design.

Summary. Arabine, also known as "back pattern", "cloud pattern", "vine pattern", etc., is one of the representative patterns of the Tang Dynasty, which is composed of continuous, zigzag, and staggered vines or branches. Arabesque is a very common pattern, which not only appears in calligraphy and painting, ceramics, brocade, carving and other artworks in the Tang Dynasty, but also is widely used in architectural decoration and various utensils.

Arbesque has rich meanings and can symbolize the continuation of life, auspicious happiness, and the growth of all things. As a decorative art, arabesque can not only add beauty and artistic value, but also reflect the aesthetic taste and cultural traditions of the time. In the artistic creation of later generations, arabesque has also been widely used and interpreted, and has become an important part of traditional Chinese culture.

What is also called arabesque, is one of the representative patterns of the Tang Dynasty.

What is also called arabesque, is one of the representative patterns of the Tang Dynasty.

Arabesque, also known as "back pattern", "cloud pattern", "vine pattern", etc., is a representative pattern of the Tang Dynasty, which is composed of continuous, tortuous and staggered vines or branches. Arabesque is a very common pattern, which not only appears in calligraphy and painting, ceramics, brocade, carving and other artworks in the Tang Dynasty, but also is widely used in architectural decoration and various utensils. Arbesque has rich meanings and can symbolize the continuation of life, auspicious happiness, and the growth of all things.

As a decorative art, arabesque can not only add beauty and artistic value, but also reflect the aesthetic taste and cultural traditions of the time. In the artistic creation of later generations, arabesque has also been widely used and interpreted, and has become an important part of traditional Chinese culture.