In what context did Liu Changqing write Sending Master Lingche?

Updated on culture 2024-06-11
8 answers
  1. Anonymous users2024-02-11

    Three hundred Tang poems 233 - Send Lingche to the Venerable.

  2. Anonymous users2024-02-10

    He was behind the bamboo forest that sent Lingche back.

  3. Anonymous users2024-02-09

    Master Lingche is a famous poet monk in the Tang Dynasty, the common surname is Tang, the word Yuancheng, Huiji (now Shaoxing, Zhejiang) people, the monastic temple is in Huiji Yunmen Mountain Yunmen Temple. Zhulin Temple is in Runzhou (now Zhenjiang, Jiangsu), and is the temple where Lingche stayed on this trip. This little poem describes the poet's mood when he sent Lingche back to Zhulin Temple in the evening.

    It is lyrical, exquisitely conceived, concise in language, simple and beautiful, so it is a famous piece of landscape poetry in the Tang Dynasty.

  4. Anonymous users2024-02-08

    2012 Enshi).

    Enjoy the following ancient poem, question (4 points).

    Send the Venerable Master Lingche.

    Liu Changqing. Cangcang Bamboo Forest Temple, the bell rings late.

    The lotus hat brings the sunset, and the green mountains return alone.

    Excerpt from "Compulsory Education Curriculum Standard Experimental Textbook - Chinese" 7th grade) 1) Use your own words to depict the picture shown in the first two lines of the poem.

    2) What scene is written in the word "Du" in this poem? What kind of emotions are expressed by the author?

    23 (4 mins) (1) (2 mins) In the twilight, deep in the green mountains, the Zhulin Temple is hidden in it, and the bells float out of the temple, like the sound of a thousand miles, if there is nothing. (2) (2 points) The word "alone" writes the scene of the poet standing on the day and his friends going away alone, expressing the author's reluctance to give up, constituting a kind of idle artistic conception.

    Note: Two questions are worth 2 points each, and points can be given if the general idea is correct.

  5. Anonymous users2024-02-07

    Send the Venerable Master Lingche.

    Noisy model: Tang Dynasty poet Liu Changqing.

    Cangcang Bamboo Forest Temple, the bell rings late.

    The lotus hat brings the sunset, and the green mountains return alone.

    Vernacular translation. The verdant jungle shades the Bamboo Forest Temple, and the sound of dusk bells can be heard in the distance.

    Under the reflection of the setting sun, he was walking alone along the green hill into the distance.

    Background of creationMaster Lingche is a famous poet monk in the Tang Dynasty, the common surname is Yang, the word Yuancheng, Huiji (now Shaoxing, Zhejiang) people, in Huiji Yunmen Mountain Yunmen Temple monk, the poem of the Zhulin Temple in Runzhou (now Zhenjiang, Jiangsu), is the temple where Lingche stayed on this trip. This poem was written in the evening, when the poet sent Lingche back to Zhulin Temple.

    This poem consists of four sentences, the first two sentences describe the scene of the Venerable Master Lingche wanting to return to the Zhulin Temple, and the last two sentences describe the scene of the poet seeing the Venerable Master Lingche say goodbye and return, expressing the poet's sadness and reluctance to leave his friends, expressing his deep affection for Lingche, and also showing the demeanor of Lingche and the poet's frustrated but leisurely feelings.

    The whole poem is purely for writing scenes, like a picture, borrowing the scenery to express the circle and collapsing feelings, the idea is exquisite, the language is refined, the simplicity is beautiful, the artistic conception is leisurely, it is a farewell poem with deep feelings, and it is also a beautiful landscape painting with beautiful composition, which is a famous piece of landscape poetry in the Tang Dynasty.

  6. Anonymous users2024-02-06

    This poem was written in Runzhou (now Zhenjiang, Jiangsu).

    At that time, the Venerable Master Lingche traveled to rest and stayed at the Zhulin Temple in Runzhou. Liu Changqing met with the sedan chair or the sedan chair and parted from Runzhou, about the Tang Dynasty.

    Great Calendar. Between four and five years (769-770). Liu Changqing in Tang Suzong.

    In the second year of the Shangyuan Dynasty (761), he returned from the degrading Nanba (now Maoming South, Guangdong), and was frustrated and depressed. Lingche's poem at this time is not closed, traveling in the south of the Yangtze River, and the mood is not very proud, after staying in Runzhou, he will return to Zhejiang. This poem is written in the evening, when the poet sends Lingche back to Zhulin Temple temporarily.

    This is a poem that I have been learning since the second grade of primary school, and it is emotionally rich and colorful, and it is suitable for elementary school students to study in groups.

  7. Anonymous users2024-02-05

    Author] Don Liu Changqing.

    Cangcang Bamboo Forest Temple, the bell rings late. The lotus hat brings the slanting sun, and the green mountains return far away.

    This poem is the work of the Tang Dynasty poet Liu Changqing, the whole poem is purely for writing the scene, like a picture, borrowing the scene lyrical, the idea of exquisite orange, the language is refined, it is a farewell poem with deep feelings, it is also a beautiful landscape painting, it is a famous landscape poem of the Tang Dynasty, the general meaning of this poem is that the verdant jungle covers the Zhulin Temple, the bell of dusk is heard in the distance, and the hat on the back is alone along the green mountains to the distance under the reflection of the setting sun;

    Let's take a look at this poem, the first two sentences of the poem, [Cangcang Bamboo Forest Temple, the bell is late], Lingche's homeplace in the Cangcang Mountain and Forest, the bell of the temple rings from afar, pointing out that it is already dusk at this time, as if urging Lingche to sell the group and return to the mountain;

    The next two sentences, "Lotus hat with the sun, green mountains return to the distance alone", write the scene of Lingche's farewell and return, Lingche wears a hat, wears the afterglow of the sunset, and walks towards the green mountains alone, farther and farther, [Qingshan] echoes the first sentence of [Cangcang Bamboo Forest Temple], pointing out that the temple is in the mountains and forests, and [Returning Alone] shows that the poet stands and sees away, reluctantly, and bears other ideas;

    The whole poem expresses the poet's deep friendship with Lingche, and also shows the quiet demeanor of Lingche returning to the mountain, farewell is often gloomy and sad, this farewell poem has a kind of idle artistic conception, exquisite and picturesque, is the obvious feature of this poem, but this frame painting is not only to the landscape on the picture, the characters are moving, and the poet's self-image outside the painting, which is evocative, he is affectionate, but not sentimental for parting, and because of the same indifference, he ponders, and is not for the monks and Confucians, but because of the same intention, The main purpose of this farewell poem is to convey and express the poet's feelings of leisure, frustration and indifference, thus constituting a kind of idle artistic conception;

    Okay, that's all for this issue of "Sending the Venerable Master Lingche", we'll see you next time.

  8. Anonymous users2024-02-04

    Send the Venerable Master Lingche.

    Tang] Liu Changqing.

    Cangcang Bamboo Forest Temple, the bell rings late, the lotus hat with the slanting sun, and the green mountains return alone.

    This little poem is a masterpiece of landscape poetry in the Tang Dynasty.

    Deep in the bamboo forest, the twilight bells can be heard in the dusk. Wearing a hat on his back, his friend walked alone on the long way home under the sunset, slowly fading out of the poet's sight.

    This poem is a painting that evokes beauty, landscapes, figures, dusk, sunset, and the poet hidden outside the painting.

    At that time, Liu Changqing was demoted to live idlely, and Lingche Icon was also nameless, and he was also a frustrated person at the end of the world, and everything was in self-evident. There are no tears, no sorrow, no parting advice and reluctance, but it shows a far-reaching artistic conception with endless aftertaste.

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