Who wrote Waiting for Gort? What is it about?

"Waiting for Godot" was written by Beckett.

He wrote in both French and English, and his fame may have been largely due to his plays, notably Waiting for Godot (1952). He is known for writing absurdist plays. In 1969, he was awarded the Nobel Prize in Literature.

His representative works include "Malloy", "Malone's Dying", "The Nameless Man", "Waiting for Godot", etc.

Introduction

Waiting for Godot is a two-act play.

In the first act, two unidentified tramps, Gogo and Didi (Vladimir and Estragon), wait for Godot to arrive under a dead tree beside the dusk path.

In order to kill time, they speak incoherently, trying to tell stories, find topics, and do all kinds of boring actions. They mistake the two servants who came, Pozzo and Lucky, for Godot. It wasn't until it was getting dark that a child came and told them that Godot would not come today, but would come tomorrow.

In the second act, at dusk the next day, the two of them wait for Godot's arrival as they did yesterday. The difference is that the dead tree grows.

Four or five leaves, and Pozzo who came again became blind, and the lucky one became mute. When it was dark, the boy brought another message, saying that Godot would not come today, but would come tomorrow.

The two of them were desperate, they wanted to die but didn't succeed, they wanted to leave but stood still. Both the content of the plot and the form of the performance of the play reflect the absurdity that is very different from traditional drama.

Waiting for Godot (1952) was Beckett's famous work, and its emergence established Beckett's important place in the history of absurdist theater. When it was first performed in Paris in 1953, as in Hugo's "Onani" in 1830, the audience had a dispute over different views of the play, and there was a big fight in the theater. Subsequently, "Waiting for Godot" was performed more than 300 times in a row, and the audience was full and sensational.

For 30 years. It has been translated into more than 20 languages and staged in many countries, making it a must-read for the study of absurdist theatre.

Beckett's play is divided into two acts, with five characters, and the central character, Godot, does not appear on stage. The stage set is an empty desert, with only a dead tree on the side of the road, and it is dusk. At this moment, two tattered and stinking tramps (one named Estragon and the other Vladimir) were waiting for Godot under a dead tree.

In order to kill time, the two talked about dreams, played hanging, and did some actions such as smelling boots and rotten hats. Suddenly two people came, but it wasn't Godot, but the slave owner Pozzo and his slave Lucky. After they were gone, a boy came, who was Godot's messenger, and told the two homeless men that Godot would not come tonight, but would come tomorrow night.

The child withdrew, and as night fell, two homeless men, verbally saying they were leaving, but still sat under the tree and did not move. This concludes the first act. In Act II, the two homeless men are still waiting, but Godot still does not come, and Pozzo and Lucky come, but Pozzo has become blind and Lucky has become mute.

In order to kill time, the two homeless men had nothing to say, and repeatedly talked about one thing, or they talked about nightmares, dozed off, took off their boots and hats, and urinated in and out, which seemed very funny. Then the boy came again, and told the two homeless men that Godot would not come tonight, but would come tomorrow night. The two homeless men decided to hang themselves because life was boring, but without a rope, Estragon untied his trouser belt for emergencies, only to break as soon as he pulled it.

So the two agreed to hang themselves tomorrow unless Godot came to rescue them. After a moment of silence, the two kept talking about leaving, but they remained standing still until the end of the play.

This script is very different from traditional plays. It has no plot development, the end is a repetition of the beginning, the end is back to the beginning, the second act is almost a repetition of the first act, and there is no general dramatic conflict, only a few rambling dialogues and absurd interludes, with the central character not appearing to create suspense to attract the audience; The script accurately expresses the specific mental states and thoughts and emotions of the characters in seemingly chaotic but actually changeable language, and often contains deep meaning in absurdity and seriousness in humor; If the characters don't have normal thinking skills, let alone character descriptions; Place and time are also vague symbols, designed to set the mood and lack concrete social prescriptiveness. And all of this was carefully conceived by the playwright in order to express the thematic ideas of the work.

Waiting for Godot was created by ().

a.Shakespeare.

b.Melville.

c.Beckett.

d.Asca Cha Zhai infiltrated Stotle.

Correct answer: c