Li Shangyin, February 2nd, 30

February 2 - Li Shangyin.

On February 2, the river went up, and the east wind was warm and the sheng was blowing.

The flowers and willows are scoundrels, and the purple butterflies and wasps are all affectionate.

Wanli recalls returning to Yuan Liangjing, and has been engaged in the Yafu camp for three years.

Xintan is not enlightened by tourists, and it is more like the sound of night rain in the eaves.

February 2nd, Shuzhong customs, the second day of the second lunar month is the Green Festival. This poem was written by Li Shangyin when he served in the shogunate of Liu Zhongying, the envoy of the Dongchuan Festival, describing the bright scenery of the Chunjiang River in Shuzhong, and contrasting his depressed feelings.

The first four sentences are written about the spring scenery on the river, the words are clear and beautiful, and the style is brisk. Sailing on the river, the east wind sends warmth, it can be seen that the warmth of the fusion hits people, and at the same time, the sheng song blows along with the east wind and warmth, adding a relaxed and pleasant atmosphere. On the riverbank, the early flowers sprout, the willow silk is new and green, it seems to be competing for beauty, and there are more swarms of bees and butterflies flying around the stamens, constituting a vivid picture of spring scenery, sound and color, full of vitality.

The last four sentences take a sudden turn, writing about his downturned life experience and frustration. Wandering for thousands of miles, I want to live in seclusion but can't, so "Remembering Yuan Liangjing", Yuan Liang, is the word of the Eastern Jin Dynasty poet Tao Yuanming. Three years of engagement, relying on the shogunate, in an embarrassing situation, depressed and unable to confide, Yafu, refers to the Han Dynasty general Zhou Yafu, here refers to the poet's shogunate Liu Zhongying.

In such a situation, every time the spring scenery is bright, it increases the depression and depression, so in the face of the new scenery of "Xintan", the poet is not only slightly uninterested, but has a feeling that no one understands his feelings. Four sentences before and after, one writes bright spring, one writes depressed and sorrowful, the two form a sharp contradiction, which seems to be extremely incongruous, in fact, the poet is consciously creating a huge contrast, using the opposite and complementary techniques, and contrasting the sadness with the music scene, so as to achieve a stronger artistic effect.

It expresses the author's longing for his friends.

1, "February 2nd" Tang Dynasty: Li Shangyin, original text: On February 2nd, the river went up, and the east wind was warm and the sheng was blowing.

The flowers and willows are scoundrels, and the purple butterflies and wasps are all affectionate. Wanli recalls returning to Yuan Liangjing, and has been engaged in the Yafu camp for three years. Xintan Mo Wu is popular with tourists, and the hall is more like the sound of night rain on the eaves.

2. Translation: On February 2nd, the spring trip to the river, the spring breeze and the sun send warm music. The stamens are like whiskers, the willow buds are graceful and graceful, and the purple butterflies and wasps are circling and flying, and the affection is longer.

Living thousands of miles away, Chang Si often thinks about returning to his hometown, and Liu Ling Zheng has been working for three years. The new beach on the river did not understand my mind, and the wind and rain rattled like the eaves.

On February 2, the new rain was sunny, and the grass sprouts were born for a while. The light shirt and the horse are young in spring, and the ten beams shout the word Jintou and the line of oak spikes. Poetry Fictional Works:February 2

From joy to sadness, from sadness to resentment, the first two couplets write a happy spring scene, and the middle folds to express sadness. The last sentence is folded again, and the blame for Xintan is incomprehensible, and the feelings are twists and turns.

It's easy to solve it yourself, the social environment of the poet's time, the natural environment to set out.