Why is it said that those who understand poetry should read their thoughts, and those who don t unde

People who understand poetry will look at the content behind the poems and the content of the ideas they want to express. If there is only form without soul, no matter how rhythmic the poem is, it will fail. Those who don't understand will only look at the rules.

There is a saying, if you understand, look at the doorway, and if you don't understand, watch the excitement. Those who understand poetry look at their thoughts, better understand poets, and those who don't understand look at the rhythm, rhyme, catchy, and interesting.

In the author's own opinion, poets usually use poetry to express their feelings and aspirations, and the various forms of poetry are external forms of knowledge, and what really matters is the author's true intention.

Because poets write poems mainly to express a thought through poetry, and the words themselves are only the carrier of thoughts, so those who understand poetry read thoughts, and those who don't understand read rhythms.

Rhythm, as the name suggests, refers to the form, and rhythm refers to the rhyme.

When we compose poetry, we follow a fixed format and a flat rhyme, and what we write is a metrical poem.

And poetry is a big concept, and it's not just metrical poetry.

Poetry is divided into ancient poems and modern poems. Modern poetry is a poetic style based on vernacular literature, and the poetry style is based on freedom, and even rhyme is not necessarily necessary, let alone talk about the shackles of flat rhythm, so writing modern poetry does not need to consider the problem of poetry rhythm, it only needs to be full of situation, and whether it can be read smoothly or not is a matter of opinion.

Is it necessary to understand the rhythm of poetry to write ancient poems?

Not necessarily. Ancient poems take the generation of the Tang Dynasty as the dividing point, distinguishing the near-style poems that speak of the Pingqian rhythm and the ancient style poems that do not speak of the Pingqian rhythm, that is, the ancient style. There are many reasons why the ancient style does not talk about the rhythm of Pingxuan, the most important point is that there was no concept of Pingqi at that time, so although the pronunciation rules of modulation and frustration and high and low are naturally observed in the rhyme, it is spontaneous and non-standardized, and cannot be incorporated into the Pingqi rhythm system.

Therefore, when we write ancient poems, if they are casual and loose, the rhyme is loose, the battle is not rigorous, and the length is inconsistent, these are not problems, this is just ancient style poetry.

Only poems that strictly adhere to the rules of the Ping Qi (Ping Xu, rhyme, antithesis, grammar) are close poems. Near-style poems include quatrains, rhythmic poems, and rhythmic poems. Later, there are word cards, loose songs, although these are not metrical poems, but they are all metrical style, that is to say, the pronunciation in the sentence is to abide by the level, and at the same time the ancient style poems are further changed, if the sentences of the ancient style poems are qualified for the law, but the sentence structure has a length and shortness, we also call it "law ancient".

After the rhythm was produced and matured and standardized, it consciously or unconsciously guided the creative direction of all forms of ancient Chinese poetry. Including the modern poems that were produced later, there is also the "new rhythmic style" advocated by Wen Yiduo, which pays attention to the beauty of Chinese characters in rhyme and situation. It is only in contemporary times that modern poetry has completely abandoned the metrical and neo-metrical styles, and has become a poetic style that only relies on vernacular rhetorical methods to express emotions, with occasional rhymes, focusing on the accumulation and eruption of emotions, and the beauty of the rhyme of Chinese characters itself is no longer the primary consideration.

This view is patently wrong. Poetry is based on romance, and poetry is based on words. When you have some emotions that need to be expressed, you can write poetry.

Knowing the rhythm of poetry will make your poems deeper in artistic conception, smoother and more catchy in pronunciation, but it doesn't matter if you don't understand it, you will unconsciously abide by the rules of rhyme when reciting. Because it doesn't sound easy to read a sentence, it's still a poem, even if it's written, people will throw it into the garbage heap after reading it.

As long as we don't mark the specifications of the near-body poems we write "Seven Laws" and "Seven Uniques", no one will care whether the writing is in line with the rules of Pingxuan. Because the metrical rhythm itself is a rule that needs to be followed in close poetry. We can write modern poems and ancient styles, without affecting the expression of feelings and the charm of poetry to move readers.

There are so many classics in ancient works.

But if you don't know the rhythm of poetry, don't write close poems.

In fact, in this era, no matter what you do, there will be strict rules to guide you. Therefore, when the ancients wrote poems, they also relied on it, but if they always paid too much attention to this stereotyped requirement, in fact, it completely limited the burst of their own inspiration. So we need to have a proper grasp of this kind of rules, although we need to abide by such rules in the creative process, but we can't take the rules as inspiration, we still need to be able to do it.

Therefore, when we create poems and songs, we need to be based on this principle, and this principle actually puts forward certain convenient conditions for us to appreciate poetry. Therefore, we are required to create strictly according to this rule, and if we continue to create in this way, we will actually lose the fundamental charm of poetry. However, many rules are changed by the people in the creative process, and to a certain extent, there is the possibility of flexibility, but the fundamental principle still has to be observed.

Therefore, in this process, people often say that if you don't understand the rhythm, don't write poetry, and if you have strict observance of the rhythm, you can't actually create a good work. If we really want to create works that are applicable to this society and can reflect a certain state of life, we need to hone and temper them in our lives, but what we cannot deviate from is also a sense of mastery of the rules. In fact, this kind of rules and more is also fundamental consciousness and values.

For some strict requirements, in fact, it is possible to break through when there is no impact on the principle. And this kind of breakthrough is actually easier for people to break through the shackles and truly experience the positive benefits brought by the process of cultural development, like Li Bai's poems, in fact, many of them have already reached the law. And this kind of rhythm actually did not destroy the texture of this work, and more of it aroused the interest of readers to a certain extent, so the advantages outweigh the disadvantages.

That's the case, the metrical poem has a certain specification, the rhyme has a certain rule, and the change and use also requires a certain rule to be observed, and it is impossible to write it if you understand it too well.

The poems written by those who do not understand the rules are like vernacular. I can't go down at all. And knowing too much limits my vocabulary and play. When composing poems, he often tries to keep his work as perfect as possible. You must know that no one is perfect, how can poetry be without flaws.

No. If you don't know the rhythm, you can write poetry, and if you know the rhythm too well, you can write poetry.

First of all, it is more difficult to compose poems according to the rhythm.

The rhythm of ancient poems is very strict, the upper and lower sentences are strictly opposed, and there are strict requirements for the change of level and the number of words. Ancient poems are often called poems, so the requirements for rhythm are also to make the poems more rhythmic, more rhythmic, catchy to read, and good to sing after composing. This is even more obvious in the Song lyrics, where each word has a name and a corresponding tune.

Nowadays, people generally do not pursue the tone and rhythm of words when writing poems, and if they do not have a certain foundation, they will feel like they are in a crossword puzzle puzzle, which is difficult, so few people write it, which is one of them.

The second is that the ancients learned poetry and wrote poems, often reciting a large number of ancient texts of the past saints, that is, to lay a solid foundation, as well as reciting those inherent words of battle, such as heaven to earth, rain to wind, bright moon to the sky, etc. The modern education we receive, the knowledge of poetry in primary and secondary schools is not so solid, the content of poetry in the language book is relatively small, and there are not so many people to study Chinese studies in the future, that is to say, our knowledge background determines the form of our literary creation, for the ancient style of poetry we are difficult to come to like the ancients, so most people do not write ancient style poetry.

Third, now our life is fast-paced, the ancients wrote poems, "two sentences in three years, one chant and two tears", each sentence needs to be repeatedly scrutinized, and few people will spend so much effort to compose poems. And now we are in a relatively open cultural and ideological environment, for literary creation, poetry writing, etc., all pursue whimsical creativity, do not pay much attention to format, modern poetry is the pursuit of artistic conception, many do not even rhyme, but as long as it reflects philosophical thinking or a certain situation, it can also be called good poetry.

Finally, I would like to say that compared with the literati in ancient society who wrote metrical poetry, people nowadays do rarely write metrical poetry, but there are still many people who are learning and inheriting the essence of China's poetry culture, and the current primary and secondary school textbooks are further strengthening the knowledge of ancient poetry, and I believe that our ancient culture will one day achieve great revival, which is called the "Chinese cultural dream".

Actually, this statement is not quite accurate. Nowadays, there are still many people who can write poems according to the rhythm. Because the Chinese population is so large, even if only 1% of people can write poetry, there are 14 million people.

Most of those who say that few people write poems according to the rhythm are not people in this circle. So they can't see that in recent years, traditional poetry contests have been in full swing, every year, everywhere, and tens of thousands of entries are often made. They don't know that there are tens of millions of registered members.

Of course, compared with the total population, there must be a small number of people who can write metrical poems, and those who can write well are a minority of the few.

This is actually quite normal. After all, poetry is an art, and art has its own threshold.

It's like not bending down, not hindering you from enjoying dance, not composing music, not hindering you from liking singing, not writing books, not hindering you from reading **......It doesn't know the rhythm, and it doesn't prevent you from liking the condensed and timeless beauty of traditional poetry.

And like and interest are the best teachers, which will naturally guide generations and batches of enthusiasts to embark on the road of learning, creation and inheritance from appreciation and love.

Categorization is indeed the embodiment of the basic qualities of literature. But since the Song Dynasty, social reasons or ruling class reasons, even if people are still poetic, they still sing in handcuffs and shackles on the guillotine, and there are many inheritances in the middle There are faults, and people have to be more inclined to live a life of wearing heavy shackles. The fragmentation and popularization of language is one of the incidental phenomena, until the invisible shackles combine fragmentation and clichés to exert force together, so after the Song Dynasty, there is almost no poetry to speak of, and there is no poetry to speak of, where will there be any innovation?

If there is no innovation and you have to find something similar to do it, then it is simply far-fetched and imitated. Later, it was more reluctant to summarize a little bit in a far-fetched way, or the will imposed on the ancient poems, and forcibly forgot the substance of the rhythm, and lost the starting point of poetic imagery and charm words to express vividly! As everyone knows, the ancients just slowly found that the charm like the rhythm was more expressive, and it was easier to pass on the past and the future, and it did not mean that it must be broken with the rhythm summarized later.

This is a bit of a knowing what it is, not knowing why, and then imitating the consequences without innovation, and the more popular language will cover the logic of ancient texts, so it can be used to explain that there is basically no poetry after the Song Dynasty. The vernacular has been used for so long, the ancient literary environment is almost a castle in the air, and the poetic imagery that can be found in modern society has been diluted by modernization to the point that it is not wanted, and the rhythm is fast, so it is ...... difficult for people to write ancient poems now

The Seven Laws. You have a feeling in the waterhole".

Walking in the amorous drizzle, the breeze drives away the fog. Standing in the mural of the cloud cliff pool, the waves are clear and the waves are flying. Looking for a thousand branches of fruit, Yan sue Quanxi ten thousand trees boast. Beiling Longtan Xiang Dam, South Slope Waterfall Water Curtain Depression.

Late. <50>

Why Logic? Casually read and write, such poems are closer to poetry! The so-called metrical law is the so-called metrical law that the descendants have learned from the predecessors. Stiff and dull.

Modern people have not been taught to write ancient poems since childhood, and they only think that ancient poems are beautiful, but they have no way to start.

Instantaneous. The wind ravaged the trees, and the rain was pouring in. The magpie rainbow rises in the east, and the red glow shoots into the sky.

Please guide!

Now there are few people who understand the rules, and they don't even know what peace is. I thought that writing a few lines of rhyme was poetry.

It can be carried forward and innovated, as long as the content can be used to the extreme. 2,4,6,8 is OK if the last word can rhyme,

Who told you very little? It's just that those so-called masters, poets are not educated, and junior high school students can write standard rhythmic poems.

Don't you know the rules, do you write and play with your hand?

Tang poetry and Song poetry have a very important position in China's cultural studies. The ancient poetry of the Tang Dynasty can be regarded as the peak of Chinese poetry history, while the Song poetry is the pinnacle of Song Dynasty literature in China. Why don't many people like Tang poems, Song Ci and so on very much?

Some people say that this is mainly because the threshold of Tang poetry and Song Shi is too high, but in fact, this statement is not without a little truth.

1. The Rhythmization of Tang Poetry and Song CiWe all know that Tang poetry and Song Ci pushed ancient Chinese history and literature to the peak era. When Tang poetry and Song poetry were just emerging, people still liked them very much. However, with the later development of Chinese history and literature, Tang poetry and Song poetry were enough to embark on the road of rhythmization, and then a series of rhythmized Tang poems and Song poetry appeared.

After the rhythmization, the rules and requirements to be followed by Tang and Song poetry gradually became more and more, and some cumbersome rules and requirements greatly imprisoned the minds of poets and lyricists. More and more people began to dislike Tang poetry and Song poetry.

2. The reason why modern people don't like Tang poetry and Song poetry is still very high for later generations. In the life of the 21st century, Tang poems and Song poems are not common in life. Maybe when someone is frustrated, they will quote the relevant sentences in Tang poems and Song Ci.

Tang Si Hongsheng Ten Middle School carries a complete set of rules, and people regard this set of rules as rules, and this set of rules seems difficult to understand and requires a lot. Therefore, people's prejudices about Tang poetry and Song poetry are getting deeper and deeper, and naturally they dislike Tang poetry and Song poetry more and more.

3. SummaryIn society, the application of Tang poetry and Song poetry is much less than that of ancient China. Today's Tang poems and Song poems mostly appear in Chinese textbooks in primary or secondary schools. Once students leave the campus, there are very few people who can come into contact with Tang poetry and Song poetry, and the language of Tang poetry and Song poetry is very concise but very difficult to understand, so it is extremely inconvenient for people to apply it in life.

Most people in modern times don't like Tang poetry and Song poetry very much.