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Anonymous users2024-02-11Mo Xian peony is rich and noble, but he loses pears and oranges.
The similar ones are kitsch, the unsimilar ones deceive the world, and the magic lies between the similar and the unlike.
Those who learn from me live, and those who resemble me die.
Shou Gao is not ashamed to be a thief, and he does not quit Chang'an to do evil.
Ren Jun is tired of peeling back and forth, and he feels that the wind is light all over his body.
Those who are good at freehand speak about their gods, and those who work on sketches only pay attention to their shapes. To sketch and then freehand, freehand and then re-sketch, self-energy and god-like, non-accidental can also be obtained.
In the painting, there should always be the subtlety of the ancients in the chest, and not the fur of the ancients at the end of the brush. Those who want to make it can only trace its skin, but cannot know its subtlety. Based on this, even if the incompetence is unprecedented, it is also unprecedented. To learn from the ancients, we must learn to hate the ancients for not seeing me, and don't hate for not knowing my ears when people do not know me.
I am learning to enter the family, not imitating others, but learning the spirit of pen and ink, whether it looks like or not.
I don't paint anything I haven't seen.
If you want to scold, don't listen to it, and if you want to be famous, don't like it.
When painting, first read too many authentic works of the ancients, and then get rid of the habits of the predecessors and don't make paintings. It is what the predecessors did not do, although no one knows it, and it is worthy of asking oneself. Clean, not interested in fame and fortune, can be engaged in painting.
Seeing the length of the ancient and modern, copying and Xiao can not boast, the teacher is short, giving up it without slandering, and then reproduces the creation of heaven and earth. In this way, there are ghosts and gods at the bottom of the wrist.
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Anonymous users2024-02-10The similar ones are kitsch, the unsimilar ones deceive the world, and the magic lies between the similar and the unlike.
Don't teach a day of idleness.
Those who learn from me live, and those who resemble me die.
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Anonymous users2024-02-09The similar ones are kitsch, the unsimilar ones deceive the world, and the magic lies between the similar and the unlike.
Those who learn from me live, and those who resemble me die.
It should be
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Anonymous users2024-02-08If you want me to do my way, I have my law.
You should know that God rewards hard work, not a day of idleness.
Painting is expensive between the similar and the unlike, the unsimilar is deceiving, and the seemingly is kitsch.
Don't teach a day of idleness.
If you want to establish an artist, you must first establish a person.
Don't talk about people's shortcomings, don't talk about your own strengths; People laugh when they scold, and they laugh when they are famous.
The beauty of painting lies between what seems to be and what is not like hunger, too much like kitsch, not like deception, those who learn from me to argue live, and those who seem to me die.
Those who learn from me live, and those who resemble me die with Side.
Don't let a day be idle.
I don't paint anything I haven't seen.
Mo Xian peony is rich and noble, but he loses pears and oranges.
The similar ones are kitsch, the unsimilar ones deceive the world, and the magic lies between the similar and the unlike.
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Anonymous users2024-02-07Qi Baishi's famous quote cover guessed as follows:
1. Mo envy peony is rich and noble, but it loses pear and orange.
2. The similar ones are kitsch, and the non-similar ones deceive the world, and the magic lies between the similar and the unlike.
3. Those who learn from me live, and those who resemble me die.
Jidan 4, Shou Gao is not dead and ashamed to be a thief, and he does not quit Chang'an to do evil.
5. Ren Jun is tired of peeling back and forth, and he feels that the wind is light all over his body.
6. Those who are good at freehand speak about their gods, and those who work sketches only pay attention to their shapes. To sketch and then lead freehand, freehand and then re-sketch, self-energy can be seen, not accidental can also be obtained.
7. In the painting, there should always be the subtlety of the ancients in the chest, and not the skin of the ancients at the end of the brush. Those who want to make it can only trace its skin, but cannot know its subtlety. Based on this, even incompetence is unprecedented.
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Anonymous users2024-02-06Painting is expensive between the similar and the unlike, the unsimilar is deceiving, and the seemingly is kitsch.
Don't teach a day of idle matching and agitation.
The similar ones are kitsch, the unsimilar ones deceive the world, and the magic lies between the similar and the unlike.
I don't paint anything I haven't seen.
Those who learn from me live, and those who resemble me die.
If you want me to do my way, I have my law.
You should know that God rewards hard work, not a day of idleness.
If you want to establish an artist, you must first establish a person.
Don't let a day be idle.
Mo Xian peony is rich and noble, but he loses pears and oranges.
The beauty of painting lies in the similarity and dissimilarity, too similar to kitsch, not like deception, those who learn from me live, and those who resemble me die.
Don't talk about people's shortcomings, don't talk about your own strengths; People scolded the socks and smiled, and the reputation smiled.
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Anonymous users2024-02-05Don't teach a day of idleness.
Don't let a day be idle.
Don't talk about people's shortcomings, don't talk about your own strengths; People laugh when they scold, and they laugh when they are famous.
Qi Baishi (1864-1957), Han nationality, native of Xiangtan, Hunan, was one of the top ten painters of the twentieth century and a world cultural celebrity. Qi Baishi was born on January 1, 1864 (the twenty-second day of the winter month of the third year of Tongzhi in the Qing Dynasty) in Baishipu, Xiangtan County, and died in Beijing on September 16, 1957 (August 23 of the year of Ding You) at the age of 93. The clan name is Chunzhi, the nickname is Azhi, the name is Huang, the word Weiqing, the number Lanting, the endangered life, alias Baishi Mountain people, and then the name of Qi Baishi;And there are a large number of pen names and self-names such as Qi Da, Mu Ren, Mu Jushi, Hongdou Sheng, descendants of Xingtang Old House, Borrowing Mountain Weng, Borrowing Mountain Yin Pavilion Master, Jiyuan, Ping Weng, Jiping Hall Master, Longshan President, Three Hundred Stone Seal Rich Man, Hundred Trees Pear Flower Master, etc.
Art style and proposition.
Qi Baishi advocates that art is "wonderful between the similar and the unlike"; Decay method, painters imitate Xu Wei, Zhu Qi, Shi Tao, Wu Changshuo, etc., forming a unique style of freehand Chinese painting, opening a school of safflower ink leaves, especially melons, fruits, vegetables, flowers, birds, insects and fish for the work, and people, landscapes, famous for a while, and Wu Changshuo shares the reputation of "Southern Wu and Northern Qi"; With its simple folk art style and traditional literati painting style, it has reached the highest peak of modern Chinese flower and bird painting. Ding Jing and Huang Xiaosong, who were the first to carve seals, imitated Uncle Zhao and took the French seal; See "Worship Sangong Mountain Tablet", "Tianfa Oracle Tablet", the seal law has changed again and again, and the Indian style is unbridled, which is a representative figure of the modern Indian style transmutation period. Its calligraphy is widely used in the inscriptions, and the ancestors of He Shaoji, Li Beihai, Jin Dongxin, Zheng Banqiao are all the families, especially the seal, the line of calligraphy is good. >>>More
Qi Baishi has encountered some setbacks.
In June 1956, Zhang Daqian visited Picasso three times but was not allowed to meet him. Zhang Daqian is a painter who does not stop until he reaches his goal, and finally meets Picasso, Picasso does not say a word, and brings out a bundle of paintings, Zhang Daqian carefully appreciates them one by one, and finds that none of them are Picasso's own genuine works, all of them are paintings of Linqi Baishi. After reading it, Picasso said to him: >>>More
Qi Baishi (1864-1957), formerly known as Chunzhi, the word Weiqing, later renamed Huang, the word Pingsheng, the name Baishi, alias 300 Stone Seal Rich Man, the owner of Jiping Hall, Lao Ping, the owner of the Borrowing Mountain Yin Pavilion, the old people of Xingziwu, the wooden people, the wooden people, the wooden people, etc. Baishi is borrowed from the name of the old village of Xiangtan, Hunan. He is a famous painter and calligrapher in China in the 20th century. >>>More