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Anonymous users2024-02-121. Li Shangyin's poems, in the lamentation of life experience, sorrow and turmoil, exude a strong sentimental atmosphere, good at expressing subtle feelings and personal feelings, the poems are exquisite and elegant, rich in association and suggestive feelings. The pursuit of this kind of artistic characteristics makes his poems pay special attention to fine carving in the art form, focusing on expressing people's feelings and emotions, taking grief and compassion as beauty, sadness and depression as beauty, indifferent feelings as beauty, and beauty with glamorous and delicate feelings, pursuing rhyme and extraordinary, reflecting a kind of beauty with strong sentimental emotions.
2. Li Shangyin's Seven Words Law inherits the characteristics of Du Fu's Seven Laws of tempering and strictness, depression and frustration, and integrates the strong colors of Qi Liang's poems and Li He's fantasy symbolism, forming a unique style of affectionate and beautiful Seiko. For example, "Revisiting the Holy Maiden's Temple": "A spring dream rain often drifts tiles, and the spirit wind is not satisfied with the flag all day long."
The calyx green flower comes to no fixed place, and the duran incense has not moved. "Integrating the symbolism of the comparison in the scene, it conveys the sense of distress and frustration. The strange beauty of Li He's ancient style is moved into the legal style, the language is beautiful and neat, and the rhythm is beautiful and tactful.
He likes to use cold allusions, and the imagery in his poems is particularly beautiful, while the overall meaning is often obscure. Li Shangyin will be the expression of life emotion to a deeper and subtle aspects of development, good at using gorgeous and delicate art forms to express the mood of melancholy and loneliness, the poem is full of confusion and sad experience, deep and beautiful, deep charm, "near but not floating, far but not endless" fun, rich in symbolic suggestive color, hazy beauty.
3. Li Shangyin's poems are a symbol of the soul and a purely subjective expression of life experience, so he writes affectionately and beautifully, and he experiences tactful feelings in the rich and beautiful words of Seiko, such as "the autumn shade does not disperse and the frost flies late, leaving the dry lotus to listen to the sound of the rain", such as "I want to ask where the lonely Hong goes, I don't know the life from the leisurely", such as "why when the candles in the west window are cut, but when it rains at night in Bashan". The delicate feelings, graceful artistic conception, and the beauty of deep and poignant depression and sadness can easily resonate with the reader's heart, which is a typical example of sentimental aestheticism.
Fourth, Li Shangyin's artistic expression mostly uses metaphoric symbolism to express his inner feelings. He pays great attention to the vividness, vividness and completeness of the image of Bixing itself, and strives to make it both real and inspiring, which can arouse rich associations and aesthetics from this and the other. Such as "Untitled Two Songs":
There are no colorful phoenix wings, and the heart is a little clear." Li Shangyin does not pay attention to the explanation and outline of events, but expresses a pure emotion, and deliberately creates and renders a special atmosphere that helps to express this poignant feeling, creating a deep and hazy beauty that is trance-like. Such as:
Last night's stars and last night's wind, the west side of the painting building, the east of Guitang". Such as: "Come is empty words to go to extinction, the moon is inclined upstairs to the fifth watch".
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Anonymous users2024-02-11Li Shangyin's poems have a distinct and unique artistic style, with clear and beautiful words and profound rhyme, some poems can be interpreted in a variety of ways, and some poems are more obscure. There are about 600 of them, and the untitled poems in them are a must. Li Shangyin is good at writing seven rules and five words, and there are many outstanding works in the seven uniques.
The Qing Dynasty poet Ye Xie commented on Li Shangyin's Seven Uniques in "Original Poems": "The sustenance is deep and the wording is tactful, and it can be empty for a hundred generations." ”
His metrical poems inherit Du Fu's tradition of technique, and some of his works are similar in style to Du Fu. Similar to Du Fu, Li Shangyin's poems often use allusions, and they are deeper and more difficult to understand than Du Fu, and they often use allusions in every sentence. He is creative in his dictionaries, and likes to use all kinds of symbols and metaphors, and sometimes he doesn't know the purpose of the whole poem after reading it.
The meaning of the allusion itself is often not the meaning that Li Shangyin wants to express in his poems. For example, "Chang'e" (Chang'e), some people intuitively think that it is a work of Yong Chang'e, Ji Yun thinks it is a work of mourning, some people think that it is a description of a female Taoist, and even think that it is a poet's own statement, and there are different opinions.
It is also his style of using allusions that forms his unique style of poetry. According to Huang Jian's notes in the Song Dynasty, "Yang Wen Gong Tan Yuan", Li Shangyin must consult a lot of books whenever he writes poems, and the house is full of stalls, which is compared to "otter sacrifice fish". Ming Wang Shizhen also said in a joking tone:
The otter sacrifice once shocked Bo Ao, and a piece of Jin Se solved people's difficulties. ”
Critics[8] believe that he sometimes uses too many allusions and commits obscurity, making it impossible for people to understand his poetry. Lu Xun once said: "Yuxi is full of beautiful words, how dare you compare, and I am dissatisfied with too many dictionaries." ”
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Anonymous users2024-02-10Li Shangyin was the most outstanding poet in the late Tang Dynasty in China, and he was as famous as Du Mu, and was known as "Little Li Du".
Li Shangyin established a distinctive style, established his position in the Tang poetry circle, and had a great influence on the creation of poetry in later generations.
The great influence has opened up the unique artistic beauty of their own poetry.
1. The beauty of rhythm.
The beauty of poetry lies first in its rhythm and rhyme, which reads aloud and fragrant. Li Shangyin works in the rhythm of poetry, especially the seven rules, and the untitled poems and the more famous poems that everyone is familiar with are mostly seven laws.
Second, the beauty of hazy.
a) Embodiment in the poem.
Li Shangyin has a preference for descriptive imagery in his poems. He loved to write "rain", "candles", "willows", "wind", and "butterflies".
Butterfly", "night" and other imagery. Rain, fluttering and sprinkling, willows, sustenance of parting sorrows, candles, swaying, flickering light and darkness ......Poem.
The imagery chosen by the person is inherently hazy. In addition to this, the poet also borrowed some special embellishments to make these images lighter.
Imperceptive, ethereal, and even imperceptible.
2) Embodiment in allusions.
The hazy beauty of Li Shangyin's poetry is also reflected in his use of allusions. Ancient literati poetry liked to use allusions, especially in the Tang Dynasty
After the stylistic formulation of the seven-character modern style poem, this trend is particularly common. Li Shangyin's use of allusions in his poems is unique.
Place. 3. The beauty of distance.
There are many poems describing love in the late Tang Dynasty, such as Wen Tingqiao, who is called "Wen Li" with Li Shangyin, and Du Mu, who is known as "Xiao Li Du".
Less love is a masterpiece. Relatively speaking, among the nearly 600 poems handed down by Li Shangyin, love poems do not account for much of the proportion, and the readers are real.
The most well-known is actually love poetry. To feel the distance beauty of Li Shangyin's poems, the most suitable way is to seriously love his poems.
Reading and parsing of the line. Among them, the most unforgettable for us, such as "it is difficult to say goodbye when we meet, and the east wind is powerless and a hundred flowers are left" and other famous sentences.
Fourth, the beauty of "cicada" resentment.
Among Li Shangyin's more than 570 poems, the image of "cicada" has appeared 15 times, and 1 poem of cicada has been written, involving a total of poems about "cicada".
There are 16 poems, which does not account for a large proportion of many Yongwu poems, but it has his unique personality, giving the cicada a different charm.
Fifth, the beauty of grace.
Speaking of the graceful beauty of Li Shi, we have to talk about Li Shangyin's emotional poems, which are usually considered to be the carrier of Li Shangyin's emotions and his poetic style.
Vivid, delicate, subtle, and profound, he uses obscure brushstrokes to express the poet's subtle and complex inner emotions. Here I am not talking about Lee.
Shang Yin's love, but I have to say that he is tactful about love poetry. We can seriously perceive "Five Songs of Willow Branches" and "Night Rain Sending".
North", "Jinse", "Heavy Shrine of the Holy Maiden", "Yantai Poems", "Three Songs of Bicheng", "After mourning, I went to Dongshu to meet Sanguan".
Snow", "Heyang Poems", "Two Songs of Peony Defeated by the Rain" and many untitled poems.
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Anonymous users2024-02-091. "Untitled".
It is difficult to say goodbye when we meet, and the east wind is powerless. The spring silkworm is dead to the end, and the wax torch turns to ash and tears begin to dry. Xiaojing but the clouds and temples change, and the night chant should feel the cold light of the moon and jujubes. There is no way to go to Pengshan, and the blue bird is diligent to visit.
2, "Night Rain Sends North".
Jun asked that the return date was not scheduled, and the night rain in Bashan rose in the autumn pool. He cut the candles in the west window together, but when it rained at night in Bashan.
3, "Dengle Youyuan".
Feeling unwell at night, I drove up the ancient bench Iwatehara. Jujube is infinitely better than the sunset, but it is just near dusk.
4, "Chang'e".
The mica screen candle shadow is deep, and the long river gradually falls. Chang'e should repent of stealing the elixir, and the blue sea and blue sky are night and night.
5, "Cicada" was originally high and difficult to satisfy, and hated in vain. Five more sparse and broken, a tree is ruthless. The thin eunuch stalk is still widespread, and the old garden has been flattened. Annoying Jun is the most alarming, and I am also a family.
This is a love poem written by Li Shangyin to his wife After reading my explanation carefully, you will understand it all The whole poem is translated like this: It is difficult when you want to meet, and it is also difficult when you are separated, the east wind blows out all the white flowers The spring silkworm will not stop spinning silk until it dies (I will not stop thinking about you until I die), and the candle will only dry when it burns into ash and tears My wife looks in the mirror in the morning and only worries that she is old, and she feels cold when she reads and recites poetry at night Pengshan is not far from here, let the messenger enthusiastically go to see you on my behalf >>>More
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I think it's more like Hu Xia's Put it down, maybe Hu Xia's song is more unpopular, but it's also the theme song of the four famous shops of the movie 2, it's more like the palm of the lover's hand, and even the number of words in each lyric of the chorus part is basically the same, just look at you, and it's determined that forever (the wind blows a cool cup of tea, and the sunset outwins the old horse) At that time, the car and horse are slow, and there is only enough to love one person in a lifetime (the young man is being urged by the wind, and the face has not changed and the heart has a scar), drunk for thousands of years, the speed is not the same as the lover's heart, But the tempo of Ya's chorus is no different from the down.