Does The Female Concubine belong to Huangmei Opera or Yue Opera?

The play is a representative repertoire of Huangmei Opera, but it is also available in Yue Opera.

Yan Fengying.

The Female Horse is a 1959 opera film written by the Anhui Huangmei Drama Troupe of the Anqing Regional Delegation of the Second Anhui Provincial Opera Festival, directed by Liu Qiong, and co-starring Yan Fengying, Wang Shaolai, Tou Fang, Tian Yulian, Chen Wenming, etc.

tells the story of Feng Suzhen and Li Zhaoting who have been in love since childhood, and after marriage, due to the decline of their family, their stepmother forced them to withdraw from the marriage. Su Zhen was forced to enter Beijing to take the exam, won the top prize, was recruited as a horse, told the truth to the princess on the night of the cave room, the emperor's forgiveness of the crime, Feng Li finally became a dependent.

The film was released in Chinese mainland in 1959.

Synopsis

Lai Huangmei's masterpiece "The Female Concubine" is a legendary costume drama, which tells the story of Feng Suzhen, the daughter of Xiangyang Daotai, Hubei Province, who risked her life to save her husband, experienced all kinds of twists and turns, and finally got her wish and achieved a happy marriage

Feng Suzhen, a folk girl, has been married to Li Zhaoting since she was a child, and after the Li family fell, Zhaoting joined Feng's house, and her parents-in-law disliked the poor and loved the rich, forcing her to withdraw from the marriage. Feng Suzhen Garden gave Li Zhaoting silver, Feng's father bumped into him, accused Li of being a thief, sent him to prison, and forced Suzhen to marry the son of Prime Minister Liu Wenju.

Feng Suzhen** fled, took the top test in Beijing under the name of Li Zhaoting, and was forcibly recruited by the royal family as a concubine. On the night of the candles, Su Zhen risked her death to move the princess.

The play creates an image of a kind, brave and intelligent ancient girl through a series of almost bizarre but reasonable dramatic plots such as the female pretending to be ** impersonating to rush for the exam, the occasional champion mistakenly recruiting the east bed horse, and the cave house offering wisdom to save the day.

This play is adapted from the traditional drama "Double Savior" of Huangmei Opera, and is the representative work of the famous artist Yan Fengying, which is widely circulated, and some of the classic singing segments are still popular all over the country.

There have been Yan Fengying, Ma Lan, Han Zaifen, etc.

Why let some demons go unpunished??? What do you eat??? They should be caught, and they should be disemboweled, while they are alive!! Let them pull out their intestines while they are alive and let them see! Let them swallow their own entrails!! Resentment!!!

Huangmei Opera "The Female Concubine" is a legendary costume drama, which tells the story of Feng Suzhen and Li Zhaoting who fell in love with each other since childhood, and after Jian Meng's marriage, due to the decline of their family, their stepmother forced them to withdraw from the marriage. Su Zhen risked her life to save her husband, went through all kinds of twists and turns, and finally got her wish and achieved the story of a happy marriage.

In this play, Feng Suzhen and Li Zhaoting made a family appointment when they were studying together, and soon after, the Li family suffered a disaster and was destitute. One day, Li Zhaoting came to Feng's house to borrow money, and Feng Suzhen's stepmother hated the poor and loved the rich, so she forced him to withdraw from the marriage. Feng Suzhen loved Li Zhaoting deeply, and she quietly asked Li Zhaoting to meet in the back garden, and gave him **100 taels privately to help him enter Beijing to take the exam.

Unexpectedly, Feng Suzhen's stepmother rushed to hear the news, framed Li Zhaoting as a thief, sent him to the official for investigation, and matched Feng Suzhen with someone else.

Feng Suzhen swore to die, fled in a critical situation, and disguised herself as ** to go to Beijing to find her brother Feng Shaoying. She searched all over the capital, but did not find her brother's whereabouts. By chance, when he saw the imperial list, he had an idea, took the exam in the name of Li Zhaoting, won the emperor's appreciation, and was named a concubine.

On the night of the cave room, Feng Suzhen confessed her identity and experience to the princess, and the princess expressed her understanding and willingness to help her solve the problem. As a result, Feng Suzhen asked the emperor to pardon Li Zhaoting's crimes and let them remarry. The emperor agreed to Feng Suzhen's request, quietly closed and gave her a gold medal, and she could enter the palace at any time to ask the princess for advice.

In the end, Feng Suzhen and Li Zhaoting finally got their wish and got married. This story shows Feng Suzhen's intelligence, wit and unwavering love, and also reflects the gap between the rich and the poor in society at that time and the constraints of feudal etiquette.

When I was a child, my mother liked Yue Opera and Huangmei Opera.

Mao Weitao is often broadcast at home.

Ah, these VCDs, in fact, I didn't understand them at all, but I just felt that Yue Opera was soft and soft, and it was very comfortable to listen to. At that time, this opera from Jiangnan collected his legend, whether in the theater or in the folk, the performance of Yue Opera was able to gain a large number of opera audiences.

The good thing about Yue Opera is her tone, ruler tune, Sigong tune, falling character tune and so on. However, these basic singing voices, different people, singing feelings and effects are completely different, and this different effect first comes from the different sound quality and characteristics of different actors.

Then the filmmaker used different exhalation and vocal methods on the basis of his own voice, so as to deduce a completely different singing effect, and now the older generation of actors are not on stage, some people say that the contemporary actors' drama is not as good as the older generation, and the real reason is because the voice is too sharp, too thin, and the middle air is too poor. Instead of singing, the skills and methods are not good. If they also have such abundant Zhongqi and deep voices like their predecessors, they will sound good no matter how they sing.

Although there are male actors in individual theater troupes, the main body is still female actors. Sister Lin fell from the sky, like a green cloud just out of Xiu'......Wang Wenjuan back then.

The teacher's singing is popular in the north and south of the river.

Huangmei Opera was developed in Anqing City, went to the whole country, and was popular in Hong Kong and Taiwan.

Anhui Province and Anqing City attach great importance to this cultural card, and they spend a lot of financial and material resources on it. On the other hand, I Hubei, because of Huanggang City.

and a corner of Huangmei County, which has not received a lot of attention from Hubei Province, and it feels like it is fending for itself.

The singing of Huangmei Opera is closer to Mandarin than that of Yue Opera, but it is still in the Anqing dialect. Yue Opera is the dialect of Shengzhou Fangzhou, if you are a northerner, you may find it difficult to understand Yue Opera singing.

Huangmei Opera has no female actors since the beginning of three dozen and seven singing, and the same is true for Yue Opera (most of the opera actors in the Qing Dynasty are men). Later, from Hu Puyan, she started to be an actress in Huangmei Opera.

Yue Opera and Huangmei Opera are particularly good, and these dramas tell some love stories, so they attract many people to like them.

Because these two kinds of opera are very moving, and they are a kind of cultural inheritance, they will be very good.

Because he has received professional training and has a very good talent, he can sing so well.