What does the anxiety of Chinese culture mean, and what is the answer to the anxiety of Chinese cult

It can be understood in this way that the Chinese nation's dream of becoming a strong country has been carried out intermittently for more than 160 years. Today, when the national strength is getting stronger and stronger, everyone is eagerly looking forward to the rejuvenation of the nation. The "perfect combination of traditional culture and modern science and technology" and other unlearned and unskilled rhetoric on various propaganda advertisements are the footnotes to the superficial understanding of the term "national rejuvenation" today.

And the anxious mentality of an ancient nation yearning for rejuvenation in the face of reality and foreign is becoming more and more obvious: since 1840 to the present, the cultural resources that each of us can create are inevitably influenced by both Western foreign culture and local new ideas after 1840. According to the arrangement of some radical Chinese scholars (such as Jiang Qing), it has become impossible to understand society and solve problems purely in accordance with the way of Confucius and Mencius.

And once they accept foreign and new life, they are afraid of losing their own national characteristics, and become a spiritual colony without cultural subjectivity. After all, we are "revival" rather than "revival," and we are "much wider than they were." A nation with an excessively glorious history is indeed not as easy to let go of the embarrassment of reality as Japan and South Korea.

The concept and theory of "Chinese Studies" in a specific context now reflect such a kind of anxiety. That is, the contradiction between the inheritance of the culture of the native people and the absorption of foreign culture.

Most people do it for profit (money, status, fame...).Do learning, not because of the Chinese culture itself.

My understanding is: in the face of today's international and domestic contradictions, what kind of way should the anxiety of ordinary people be pinned on to change the status quo? Can Sinology take on a big role?

This must first do a good job of their own inner harmony words and deeds, self-cultivation and family, work honestly and sincerely, warm the people around you, there are always some people and things that warm everyone's hearts, poor are good to themselves, and good to the world.

It's a book, a lot of content, 272 pages.

Yu Qiuyu, born in 1946 in Yuyao, Zhejiang, is an art theorist, a scholar of Chinese cultural history, and a prose writer. He used to be the dean and professor of the Shanghai Theater Academy, and the president of the Shanghai Writing Society. He has published many monographs on Chinese and foreign art history in China and Taiwan, and has lectured at many universities and cultural institutions at home and abroad.

In 1987, he was awarded the honorary title of "National Expert with Outstanding Contributions".

His works include: "Millennium Courtyard", "Little Man", "Shame on Shanxi", "The Back of a Dynasty", "Poor Original", "Su Dongpo Breakthrough", "It's So Quiet Here", "Night Sailing Boat", "The Vast Sea of Books", "Mogao Grottoes", "Distant Sound", "At the Foot of Wolf Mountain", "Lonely Tianzhu Mountain", "A Corner of Dongting", "Jiangnan Town", "Liuhou Temple", "Land of the Exile", "Dream of the West Lake", "Temple", "One Hundred Thousand Jinshi", "Wine Cemetery", "Cultural Journey", " Fragments of Civilization", "Notes on Mountain Dwelling", "The Long River of Frost" and so on. The advent of each work can produce a warm response in the literary world and among readers.

Yu Qiuyu, born in 1946 in Yuyao, Zhejiang, graduated from the Department of Drama and Literature of Shanghai Theater Academy. He has served as the president and professor of the Shanghai Theatre Academy, and the vice chairman of the Shanghai Dramatists Association. He began publishing in 1962.

He has published many historical monographs at home and abroad, and has been awarded the honorary titles of "National Expert with Outstanding Contributions" and "Top Ten Higher Education Elites in Shanghai". In recent years, in addition to teaching and academic research, his essay collection "Cultural Journey" has won the Shanghai Outstanding Achievement Award for Literature and Art, the Best Book Award for Reading by Taiwan United Daily News, and the First Prize of Shanghai Publishing Award. Yu Qiuyu's work on art theory, Manuscript of the History of Drama Theory, won the first National Drama Theory Book Award the year after its publication, and won the first prize of the National Excellent Textbook Award of the Ministry of Culture ten years later. "The Aesthetic Psychology of Drama" won the Shanghai Philosophy and Social Science Book Award.

He won the 2002 Taiwan Platinum Writer Award for "Walkers Without Borders".

"Master of Literature" - exaggerated. A master not only needs to have works, but also has an admirable personality and universal humanistic care, and the latter is the latter element that may seem a little less than the previous masters.

The articles he writes are very good, the writing is super good, I like it very much! Is his quality and character bad? Are you sure?

There is writing, but there is no virtue. It's as simple as that.

No way. How come I haven't heard anyone say it.

The literati are a little less courageous than the martial artists.

Isn't that how literati have been since ancient times? If Yu Qiuyu were you, then you would be the one who is besieged now, is it very simple.