Let s talk about what Two Beijing 15 Days is talking about

The fifteenth day of Liangjing is about: the first year of Hongxi, the emperorZhu GaochiHe was critically ill, and at this time he was about to arrive in Nanjing to inspect the ** disasterZhu ZhanjiThe "dragon boat" also happens**. Under a series of coincidences, a shocking conspiracy to usurp power is emerging.

Fortunately, the prince was not killed, but was rescued by a small Nanjing catcher Wu Dingyuan, and was assisted by the small sesame official Yu Qian and the female physician Su Jingxi Zhiyin, although so, but at this time the prince's situation was in danger, he had to rush back to the capital within half a month to succeed to the throne, in order to turn the tide, in a hurry, the four of them along the Cao River Kaikai imitated a race against time to die.

The play was written by writer Ma Boyong.

Adapted from the eponymous ** "Two Beijing Fifteen Days". In September 2020, it has been authorized to shoot film and television works. In October 2020, iQiyi.

Released a concept poster and announced the web series "Two Beijing 15 Days".

Officially launched.

The story of this book actually originates from the History of the Ming Dynasty

A true record of Zhu Zhanji - "In the summer and April, Nanjing was repeatedly shaken, and he was ordered to live and guard. In May Gengchen, Renzong did not hesitate, and the seal book was recalled. In June, Xin Chou, returned to the good township, received the edict, and entered the palace to mourn.

There are only a few sentences in the history books, what kind of stories and deep meanings are hidden behind them. And Ma Boyong relied on these few sentences to make up the story of the running story of the 15th of Beijing, and wrote a thrilling story of the self-help of the prince in distress in tens of thousands of words.

This morning, I watched "Two Beijing Fifteen Days" and suddenly burst into tears, for the heart of the old slender man, but also for the prince of Ming who was in danger at that time - Zhu Zhanji. Although I have seen it roughly, the suffering of the people in the text is deeply rooted in the hearts of the people. The difficulties of the people of Li and their simple character make the reader immersed in the scene in a large part of the description, and he can't help but feel sad and compassionate, of course, Prince Ming's "people-oriented" and return to disregard for his life is also deeply touched.

Although this story is compiled, it also has a certain historical basis, and it feels like a historical anecdote to readers. This is the uneven road from Nanjing to Beijing, a short fifteen-day journey related to the foundation of the Ming Dynasty, and a bumpy journey for several people who almost died and survived.

The portrayal of the little people in "Two Beijing and 15 Days" is particularly exquisite, and it is these insignificant little people who determine the flow of the entire big event.

Wu Dingyuan can be described as a small person who is not looked down upon in the market, because he does not know his background, he abandons himself and takes alcohol as his companion all day long, and he is an alcoholic, and he is not understood by outsiders. But it is such a person who saved Prince Ming, wisely discovered many strange things, and saved Prince Ming in danger many times.

I found that the author is very good at describing small people, from "The Twelve Hours of Chang'an" to "The Fifteenth Day of Two Beijings", it is such a seemingly inconspicuous or full of shortcomings but let us see their excellence, such as heroes, admirable, such as generals, scolding Fang Xuan, and solving the crisis at the most critical moment.

is such a little person who makes people feel amiable and cute, is a member of ordinary people, has his own secrets and shortcomings, but in the face of major rights and wrongs, he bursts out with spirit and sharpness beyond ordinary people, which is difficult to look at and dare not underestimate.

I'm just talking nonsense, just a little bit of a little feeling after staring at it. It's a trivial or unreadable essay, but it's my shallow voice. I need to confide, I want Kaima to follow my heart, so that my ordinary self can also have a moment to be proud of.

This moment is now.