In the distance, the mountains are already vast with the beauty of the sentence

"Hanjiang River" was created by Wang Wei and was selected into "Three Hundred Tang Poems". This poem mainly writes about the experience of traveling in the Han River, and laments the vastness of the Han River. The first couplet writes about the majestic scenery of the Han River, from Chu to Hunan and converging with the nine factions of the Yangtze River, rendering the atmosphere for the whole poem.

The jaw couplet writes that the flow of the Han River is long and far, and the mountain color highlights the vastness and spaciousness of the river. The neck couplet writes the "floating" of the county and the distant sky, rendering the majestic water potential. The last couplet leads to the story of the Jin people who once served as the general of Zhengnan to guard Xiangyang, showing their love for the scenery of Xiangyang.

The whole poem is fresh in style, beautiful in artistic conception, and full of optimism in the depiction of the scenery, giving people the enjoyment of beauty. "Outside the world of the river, the mountains are in the middle" has always been recited by people, and it is worthy of being a good sentence for the ages. For more Tang poetry appreciation, please pay attention to the 300 Tang poems column of the "station".

Original] Han River Overlook

Chusai Sanxiang is connected, and Jingmen is connected to nine factions.

Outside the world of rivers, the mountains are in the middle of nothing.

The county is floating in front of the pool, and the waves are moving far into the sky.

Xiangyang is a good windy day, and you stay drunk with the mountain.

Annotation] Han River: Han River, that is, the Han River, flows through Hanzhong, Ankang, Shaanxi, Xiangyang, Hubei, Hanchuan, and flows into the Yangtze River in Wuhan City. The title of the poem is "Han River Overlook" in the "Yingkui Rhythm" of Fang Hui in the Yuan Dynasty.

The Han River flows through the city of Yangyang, dividing Xiangyang and Fancheng into two (collectively known as "Xiangfan"), and the countless large and small castles around Xiangfan (including the many "urn cities" outside the gate of Xiangyang) all seem to float on both sides of the waterway in front of you. On the Linpan River, as the boat swayed in the waves, I felt that the sky in the distance was shaking. It is very appropriate to cut off the topic and write the unique perception of "Linpan".

If it were "Han River View", I wouldn't have felt like this. Therefore, this poem should still be titled "Overlooking the Han River". Linfan:

Rafting on the river. Chusai: The boundary of Chu. During the Warring States period, this area was originally Chu land. Sanxiang, Lixiang, steaming Xiang, Xiaoxiang general name.

Jingmen: The name of the mountain, Jingmen Mountain, is on the south bank of the Yangtze River in the northwest of Yidu County, Hubei Province, and was the west of Chu during the Warring States Period. Nine factions, nine tributaries, the Yangtze River to Xunyang is divided into nine branches. This refers to Jiujiang, Jiangxi. Pie: A tributary of a river or river.

Pu: Water's edge. Good Wind Day: Scenic and good weather.

Shan Weng: refers to Shan Jian, the youngest son of Shan Tao, one of the seven sages of the bamboo forest in the Jin Dynasty, a general of the Western Jin Dynasty, guarding Xiangyang, with political achievements, good wine, and every drink must be drunk. This refers to the magistrate of Xiangyang.

Rhyme translation] Han water flows through Chusai, and then folds into Sanxiang one after another; Jingmen joins the nine tributaries and communicates with the Yangtze River.

The Han River is vast, as if it flows beyond heaven and earth; The mountains are hazy and hazy, far away in the void.

The counties along the river seem to float on the water; On the edge where water and sky meet, the waves are agitated and rolling.

The scenery of Xiangyang is indeed intoxicating and admirable; I would like to stay here and accompany the often drunk mountain man.

Comment]: This five-character poem is majestic and has a broad artistic conception, depicting the vastness of the Han River and the misty nature of the distant mountains. It shows the magnificent and vast scenery of the Han River.

Chusai Sanxiang connected, Jing.

Question 1: The image of the Han River is surging away, as if it has been flowing beyond the heavens and the earth, and the green mountains on both sides of the river are misty, and they appear and disappear from time to time. The first sentence writes the length of the river, and the second sentence highlights the vastness and emptiness of the river with the vast mountains.

2 points) The poet's ink is very light, but it gives people a sense of great novelty, and its effect is far better than that of heavy oil paintings and watercolors with strong colors. This couplet is open and blank, sparse and sparse, and the picture is sparse and dense, intricate. (1 point).

Question 2: Fiction and reality are born together, and movement and stillness are combined. The "river flow" in the jaw couplet has been flowing to the outside of heaven and earth, and the mountains are also like nothing, so that our eyes seem to have a landscape painting:

The river is vast, boundless, and the mountains are misty and continuous. In this way, the scene in front of you and the scene of imagination are combined, although there are only a few faint strokes of outline and rendering, but it is vivid. This is exactly as Su Shi commented, Wang Weishi's "poems have paintings".

At the same time, in these two sentences, the first sentence writes that the river is surging as a moving scene, and the second sentence writes that the mountains are misty as a static scene, which adds a confused, far-reaching, and inexhaustible artistic conception to the poem, the so-called "endless opinions beyond words". (1 point for answering two techniques, 3 points for content analysis.) Exaggeration, refining words.

The neck couplet uses an exaggerated technique to write that the Han River floats up the county, shaking the sky, and is extremely powerful. The use of the two verbs "floating" and "moving" makes the scene in the poet's pen move. Here, the poet's brushwork flows elegantly.

It is clear that the boat on which it is riding fluctuates up and down, but it is said that the castle in front of it is floating on the water; It was obviously a rough wave, and the waves crashed against the clouds, but it was said that the sky was also shaking. The poet deliberately uses this illusion of movement and stillness to further exaggerate the majestic water potential. (Same as above.)

Dictionaries. In the tail couplet, "Shan Weng", that is, the Jin Dynasty Shanjian, the son of the Seven Sages of the Bamboo Forest Zhongshan Tao. The allusion is used here, and the poet wants to conspire with the mountain to get drunk, revealing his love for the scenery of Xiangyang.

All of the above techniques are correct.

Xue Tao There is frost at night in the water country, and the moon is cold and the mountains are blue.

Who said that thousands of miles from this night, from the dream is like a long stopper.