The Wei, Jin, Southern and Northern Dynasties were the founding period of ancient Chinese literary t

Cao Pi: The book "Classics" occupies an important position in the history of Chinese literary criticism, and is the first special topic in the history of literary criticism in China.

Lu Ji: The emergence of Wenfu is the theoretical crystallization of literature on the basis of a large number of creative practices after it got rid of the subordinate status of classics and developed independently. For the first time, Wenfu put issues such as the creative process, writing methods, and rhetorical skills on the agenda of literary criticism.

Jia Sixian: "Wenxin Carving Dragon" put forward "resignation and purpose, near and far", "hidden for the body and meaning outside the text", "outside the text", "make the play endless, taste, never tired" and other sayings, although not entirely Liu Xian's originality, "Wenxin Carving Dragon".

However, the aesthetic characteristics of the unity between the finite and the infinite, the certain and the indefinite are more specific than those of the predecessors. Liu Xian also saw that the content of the poems and texts is not the ordinary classic Tao and reason, but the "feelings" related to reason, ambition, and qi, and its form is not ordinary words, but "cai" words that are combined with "image" and "text". The relationship between the two is:

Lovers, the Book of Literature; Wordsman, the weft of reason. After the right and then the weft, the reason and then the resignation. "They complement each other to form a perfect art of unity of quality and text.

And this unity is achieved through "divine thought" in the creative process.

Zhong Rong: The scope of "Poems" is mainly five-character poems. His views on poetry are, first, emphasizing the mutual use of endowment and comparison, and second, emphasizing that the inner wind power and the external Dancai should be equally valued.

This is roughly similar to Liu Xian's view, but slightly different in the interpretation and importance of Bixing. And Zhong Rong is against the use of dictionaries.

Xiao Tong: The advantages of "Selected Writings" are that compared with other poetry collections of the same genre, its influence is far deeper and wider. The Tang Dynasty used poetry to teach scholars, and the literature of the Tang Dynasty had a close inheritance relationship with the literature of the Six Dynasties, so the "Selected Works" became the most appropriate model for people to learn poetry, and even ranked alongside the classics.

At the beginning of the Song Dynasty, the Tang Dynasty system was also endowed with poetry, and the "Anthology of Literature" is still a must-read reading for scholars, and there is even a proverb that "the Anthology of Literature is rotten and only half talented" (Lu You's "Notes on Lao Xueyun"). Wang Anshi became a country and learned from the new scriptures After that, the "Selected Works" no longer became a textbook for scholars. However, as a quintessential anthology of literary works, its historical and material value remains unchanged.

The appearance of Liu Xian's Wenxin Carving Dragon marks the establishment of a complete system of Chinese literary theory and literary criticism.

In addition to the literati poems, the literature of this period was more rich and colorful; In terms of poetry, Taoism has moved from rise to prosperity and seven laws. The Wei, Jin, Southern and Northern Dynasties are also important stages of development of literature, literary theory, etc., and Xuanyan poems. In terms of subject matter, changes in academic trends and literary concepts.

The literature of this period mainly includes Cifu, Gongti poems, and Cifu, all of which have had a great impact on people's thoughts and literary concepts, and are an important symbol of this change. Compared with the prose of the Han and Han dynasties, the aesthetic pursuit of literature pursues the social changes of the Wei, Jin, Southern and Northern Dynasties. Literary creation not only gradually got rid of the bad habit of quoting a large number of scriptures, but also the emergence of pun and matured and free, and the emergence of Yonghuai poems, with obvious changes and dictionaries; In terms of rhetoric, it attaches importance to the free expression of the writer's emotions, epic poetry, and five uniques, and has become a commonly used means, vocal rhythm, wandering immortal poems, **, puppets, and idyllic poems created by Tao Yuanming; Influenced by the atmosphere of paying attention to duality, vocal rhythm and algae decoration, Xie Lingyun's landscape poems, etc., have also made significant progress in the Seven Ancient Dynasties, as well as the folk songs of Yuefu in the Northern and Southern Dynasties, which gradually declined, bringing about changes in poetry, and the emergence of the round sedan chair as the grand end of the rhythm of the poem, the emergence of lyrical Xiaofu, several basic forms of ancient Chinese poetry such as the five laws, and there are many explorations in the form of expression of the works.

Confucianism loses its exclusive status; The creation of rhetoric also presented a new pattern, and the pursuit of beauty became more and more popular, and it took shape in this period. There are three forms: algae, prose and prose.

1.+Describe the views of literary theorists on literary conception during the Wei, Jin, Southern and Northern Dynasties+.

Hello, I am glad to answer for you, dear, try to describe the views of literary theorists on literary conception in the Wei, Jin, Southern and Northern Dynasties periods, and answer as follows: In the Wei, Jin, Southern and Northern Dynasties eras, literary theorists Lu Ji and Liu Xian, have successively put forward some insightful basic views on the theory of literary conception: "Divine thought", "response" and "imagery", and made a concise and profound theoretical elaboration.

On the basis of their relevant theories, some literary theorists of later generations have developed and developed them. "Sensory objects" and "divine thoughts" are important theoretical categories on the occurrence and conception of literary creation in the literary theories of the Wei, Jin, Southern and Northern Dynasties, which are intended to reveal the origin of literary creation and the specific conception issues, and there is an intrinsic relationship between the two. Divine contemplation is a kind of spiritual activity in which the sense of conduct is intertwined, which is manifested in all aspects of literary imagination and conception.

The central link is to solve the contradiction between literary conception and the meaning of words in imaginative activities, form a perfect aesthetic image, and complete the whole process of literary creation.