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The silk of the Tang Dynasty was thick and thick, with a single shuttle, and the silk was four feet wide. The silk of the five generations is as thick as cloth. The silk of the Yuan Dynasty and the Song Dynasty was slightly uneven.
There is a kind of "Mijia silk" made by the Mi family in Jiaxing, Zhejiang, its silk is fine and uniform and thick, Zhao Ziang, Wang Ruoshui and other ancient calligraphy and painting masters use this kind of silk to paint. Ancient silk due to the age, its basic silk has disappeared, at the same time after mounting, no longer tough, with a finger on the silk slightly dragged over, then the silk is wrinkled like an ash heap, smell of ancient fragrance, if the ancient silk has broken lines, then the cracks are straight, all with the axis of the fish mouth shape, and the silk is not hairy, the fake is the opposite. Old paper, light and uniform color, old and new, thin does not crack, thick is fragile, otherwise it is a forgery.
Essentials for identifying ancient calligraphy works.
To identify ancient calligraphy works, we should first look at the texture and inner spirit of the knots, brushes, and lines, and then observe whether they are artificial or ingenious, true or artificial. Then, the ancient and modern, circulation and origin of his works are examined, and then the printing color, paper and ink used are distinguished. Where the writing has only structure and no edge, most of them are facsimiles; Those who have the intention of writing but have no position, are also in the book; The gestures are not continuous, like abacus beads, and most of them are collection books.
If it is a calligraphy work that is traced using the double hook method, there is no excitement and spirit in the whole work, and the work will be a fake at first glance. The ink color of ancient calligraphy can also be distinguished from the fake, whether it is dry, fat or thin, it penetrates the paper, and the fake is a fake, and the ink is floating but not real, and the same is true for ancient paintings.
The above is an introduction to how to identify the authenticity of ancient paintings and calligraphy
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Authentic works of famous artists are generally not sold, and 90% of the paintings and calligraphy that appear are fake.
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The bumpy feeling, take a good look, the difference is still quite big, you should be able to see it at a glance.
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CP International Art: What period of calligraphy and painting do you want to identify?
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Identifying the authenticity of old calligraphy and painting is a very professional field, which requires a certain amount of research and cognition of relevant history, culture, art, etc. Here are some simple ways to preliminarily judge the authenticity of old calligraphy paintings, but they can't completely ensure their authenticity: Look at the strokes:
Real old calligraphy and painting have unique brushwork and line renting in calligraphy and painting, and this style and technique are difficult to imitate. Observing whether the strokes are smooth and stretched, and whether the gestures are concise and generous, and whether there is a distinction between priority and urgency, is an important indicator to judge the authenticity of old calligraphy and painting. Check the pigments:
The pigments used in old calligraphy paintings are usually natural Houttuynia cordata, safflower, cyanine and other materials, rather than modern artificial pigments. If you find that the pigment is too bright or too transparent, it may have been added later. Observe the paper:
The texture of the paper used in old calligraphy and painting is usually thicker, and the natural texture is more pronounced. If you find that the paper is too thin or has no texture, it may have been added later. Verification of collection channels and identification certificates:
If you have a collection of old calligraphy paintings, you can check their authenticity by consulting their acquisitions** and authentication certificates. Formal auction houses, well-known collectors, antique market dust knowledge and other channels usually give details and authentication certificates of the collections, which can help you better understand the authenticity of old calligraphy and paintings. Please note that the above methods are only some indicators for preliminarily judging the authenticity of old calligraphy paintings, if you want to ensure the authenticity of old calligraphy paintings, it is recommended that you seek professional identification from professional institutions or people.
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Calligraphy and calligraphy are divided into ancient, modern, modern, and new works. To distinguish the real from the fake, for now, it can only be distinguished by hand.
First: it is the inscription, some calligraphers or painters will have an obvious inscription in their works, and you will know that it will be the work of that writer when you look at the inscription.
When the preliminary judgment is over, we will make a detailed analysis based on some information:
The third point of material selection: we have to look at the material of the work itself, according to what material was used in the era at that time, such as the paper used for calligraphy and painting, what characteristics it had at that time, what were the characteristics of ink used for writing calligraphy or painting, and what was the culture of calligraphy and painting at that time. We can analyze it from here.
The fifth point is to see whether the calligraphy and painting have been passed down for a certain period of time, the changes in calligraphy ink, and the changes in the color of the seals.
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Summary. Hello dear <>
The collection of famous calligraphy and painting needs to pay attention to the following five points. 1. Prepare some calligraphy and painting tools for calligraphy and painting appraisal, and learn more knowledge of calligraphy and painting, such as "Dictionary of Chinese Artists' Names" and "Dictionary of Chinese Art". These reference books can help collectors find information related to the seals and signatures of famous artists.
Second, the key to diligent comparison and identification of the authenticity of a painting and calligraphy is to compare, there is no harm if there is no comparison, if you check the authenticity, then you must make more comparisons. Therefore, in ordinary times, when you encounter a fake in life, you can also take the fake to compare it with the real one, and find out the small flaws in the forgery.
How to identify the authenticity of calligraphy and painting.
Hello dear <>
The collection of famous calligraphy and painting needs to pay attention to the following five points. 1. Prepare some calligraphy and painting tools for calligraphy and painting identification, and need to learn more knowledge of calligraphy and painting, such as Shen Yuqiao's "Dictionary of Chinese Artists' Names" and "Dictionary of Chinese Art". These reference books can help collectors find information related to the seals and signatures of famous artists.
Second, the key to diligent comparison and identification of the authenticity of a painting and calligraphy is to compare, there is no harm if there is no comparison, if you check the authenticity, then you must do more key comparison. Therefore, in ordinary times, when you encounter a fake in life, you can also take the fake to compare it with the real thing, and find out the small flaws that are fake and fake.
Fourth, to understand the methods of counterfeiting, if you want to improve your ability to distinguish the authenticity, you need to learn more about the authenticity of calligraphy and painting, and to understand more about the methods of counterfeiters. The traditional forms of counterfeiting mainly include copying, imitation, and alteration. With the rapid development of society, modern high technology is becoming more and more developed, and fakes are becoming more and more realistic.
Therefore, those who learn to authenticate paintings and calligraphy should keep up with the development of the market, because the skills of the imitation people who make fakes are also constantly improving. 5. Consult professionalsThere are many experts in the industry of collecting paintings and calligraphy. Due to the wide range of calligraphy and painting, taking modern times as an example, the painting world is divided into many factions:
Chang'an School, Jinling School, Shanghai School, etc., each school involves many painters, if you want to fully understand the artistic style and creative rules of these painters, it is absolutely impossible, even people who know how to collect can generally only be limited to a certain period of painters. Therefore, when distinguishing the authenticity of calligraphy and painting, it is necessary to consult experts in a targeted manner. Note:
When collecting calligraphy and paintings, you should pay more attention and don't bring losses to yourself! If you have anything to communicate, you can empty the shed and send a private message!
Third, look at the original works of the famous painters through the empty shed, look at the original appearance of the famous works, and look for the paper and ink, color, seal, brushwork, and payment used by the painter in the process of growing up from various ways.
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There are many aspects involved in distinguishing the authenticity of calligraphy and paintings. Here are a few basic points.
1. Be able to appreciate calligraphy and painting. Chinese painting used to be line drawing. The line drawing of the drawing and the line drawing of the word are the same.
There are 18 kinds of traditional Chinese line drawings, such as iron line drawing and ancient gossamer drawing. It is necessary to understand and appreciate the specific depiction. The painter who has the skill at home has a good line drawing art and modeling, and the painter's imitation painting is much worse if the skill is not good.
For example, the "Night Banquet Picture" in Gu Hong of the Five Dynasties, its line drawing art is very good, and the expressions and attitudes of the characters are also well drawn.
2. Calligraphy and paintings, like other items, are aging and getting old. Old calligraphy and paintings will be coated and changed over time.
3. Look at the seal and color. Generally speaking, there will be differences in the art of printing between genuine and fake seals. There are also different eras of printing colors. The status of the old and new stamps will also vary depending on the length of stamping time.
4. Recognize paper silk from different eras.
5. Understand the development history of painting. For example, before the Ming Dynasty, Chinese painting was mainly a flat line drawing. It was only during the Qing Dynasty that there was a colorful and three-dimensional painting method like the "Han Xizai's Night Banquet" in the collection of the Forbidden City in Beijing. In the ancient line drawing method, the slender and neat painting method began in the Southern Song Dynasty.
6. See if there are flaws in imitation paintings. There are two kinds of flaws, one is that the imitator deliberately stays behind. The reason for the intentional flaws is that the painting is an imitation painting to avoid confusion among future generations, which is the case with the flaws left by the "Han Xizai's Night Banquet" in the Forbidden City in Beijing.
The second is to avoid being punished by God after death, and at that time it can be justified that it is not intended to deceive people. The second aspect is that the imitator lacks social life experience and misimitates it. The ancient masters of painting not only had superb painting skills, but also had a deep understanding of life, but the imitators often lacked the understanding of life.
For example, the copy of "Riverside Scene at Qingming Festival" in the collection of the Forbidden City in Beijing shows flaws in the depiction of life on the pictures such as chasing donkeys, crossing the Hongqiao by boat, and two people driving a wheelbarrow down the Hongqiao. There are flaws in the four pictures of the "Guiguzi Descending the Mountain" can, which sold for 200 million 3, two of which are flaws in life and two are flaws that do not conform to historical facts.
7. Be able to identify whether it is a photocopy. Colo copies are made up of fine grains that can be seen with a magnifying glass in the thin part of the picture. Another characteristic of photocopying is similarity. If you see that two paintings are identical, you can be sure that one of them must be copied.
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Summary. Authenticating calligraphy and painting is a complex process that requires professional knowledge and experience. Here are some common methods and tips for identifying the authenticity of calligraphy and paintings:
1.Research the background and style of the calligrapher: Understanding the background, creative style, and characteristics of the painting can help judge the authenticity of the calligraphy and painting by comparing them with other works.
2.Check the materials and materials: Observe the paper, ink, pigments and other materials used in calligraphy and painting, including the texture of the paper, the texture of the ink, the stability of the pigment, etc.
3.Observe the strokes and composition: Carefully observe the stroke lines, composition structure, layout rules, etc. of the calligraphy and painting to see if it is consistent with the style of the calligraphy artist's work.
4.Distinguish the style and seal: Compare the style and seal on the calligraphy and painting, and understand the common style of the calligraphy and seal to judge its authenticity.
6.Seek the help of a professional appraisal agency: If you do not have enough professional knowledge and experience, you can seek the help of a professional appraisal agency, who will use more scientific and professional methods to judge the authenticity of calligraphy and paintings.
It should be noted that the authenticity of calligraphy and painting is a comprehensive work that requires comprehensive consideration of multiple factors, and not all calligraphy and painting can be 100% determined. Therefore, when buying and appraising calligraphy and paintings, it is advisable to consult a professional to ensure the value of your investment and collection.
Authenticating calligraphy and painting is a complex process that requires professional knowledge and experience. The following are some common methods and techniques for identifying the authenticity of calligraphy and paintings:1
Research the background and style of the calligrapher: Understanding the background, creative style, and characteristics of the painting can help judge the authenticity of the calligraphy and painting by comparing them with other works. 2.
Check the materials and materials: Observe the paper, ink, pigments and other materials used in calligraphy and painting, including the texture of the paper, the texture of the ink, the stability of the pigment, etc. 3.
Observe the strokes and composition: Carefully observe the strokes, lines, compositional structure, and layout rules of the calligraphy and painting to see if it is consistent with the style of the calligraphy painter's work. 4.
Distinguish the style and seal: Compare the style and seal on the calligraphy and painting, and understand the common style of the calligraphy and seal to judge its authenticity. 5.
Seek the help of a professional appraisal agency: If you do not have enough professional knowledge and experience, you can seek the help of a professional appraisal agency, who will use more scientific and professional methods to judge the authenticity of calligraphy and paintings. It should be noted that the authenticity of calligraphy and painting is a comprehensive work that requires comprehensive consideration of multiple factors, and not all calligraphy and painting can be 100% determined.
Therefore, when buying and appraising calligraphy and paintings, it is advisable to consult a professional to ensure the value of your investment and collection.
Can you identify it.
Hello dear, this is a professional, thank you for your understanding.
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Summary. Hello, I am glad to answer for you, the answer to your question is: to identify the authenticity of calligraphy and painting, you can observe the outline of the line, coloring and filling in the ink forger with paper or silk on the original painting and calligraphy, with a thin carbon strip or a sharp pencil double outline to trace the outline of the line, if it is calligraphy, that is, in the hollow ink;
Hello, I am glad to answer for you, the answer to your question is: to identify the authenticity of calligraphy and painting, you can observe the outline of the line, coloring and filling in the ink forger with paper or silk on the original painting and calligraphy, with a thin carbon strip or a sharp pencil double outline to trace the outline of the line, if it is calligraphy, that is, in the hollow ink;
In the case of paintings, the lines are imitated and colored against the original. This kind of forgery looks like it at first glance, but if you look closely, you will find that the whole work is sluggish, the pen is dull and small, and the ink color lacks shades.
High-tech imitation, using high technology to make a fake on the seal. Computed tomography (CT) scanning, which saves time and effort, and does not run out of shape. As long as the work of a calligrapher and painter is entered into the computer, the various elements of the picture are called up, and then recombined, it will become a new picture.
In addition, the calligraphy works of a famous calligrapher can be imported into the computer and reassembled, so that many different banners and couplets can be "imagined".
Ziming's Dongdong, we don't see anything new, but what is certain is that it is definitely not the master's place: a rough line but with some tacky facial expressions, just look at the characters such as Liang Kai and Baishi, this work has the suspicion of being old from the left line of thick ink, but the overall problem is not seen, so to speak; It's a very good piece.
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