From Mo Yan s award winning discussion on the influence of language on literature!!

Mo Yan won the 2012 Nobel Prize in Literature for "Frog". In 2011, he won the Mao Dun Literature Award for "Frog". He won the Nobel Prize in Literature in 2012.

The award was awarded for its fusion of folktales, history and contemporary society through hallucinatory realism.

"Frog" is a long-form masterpiece that Mo Yan has been brewing for more than ten years, has been working for four years, changed his manuscript three times, and has painstakingly created a masterpiece that touches the most sore part of the soul of the Chinese people.

**Composed of four long letters and a play written by playwright Tadpole to Japanese writer Yoshito Sugitani, it tells the life story of an aunt, a rural obstetrician and gynecologist, and mercilessly dissects the humble soul of contemporary intellectuals in vivid and touching detail as it shows the same skin beam of the 60-year turbulent fertility history of rural China.

1. Express rich subjective feelings in brilliant colors.

1. "As a carrier of culture, color often represents a certain symbol and assumes a specific meaning." Mo Yan has a soft spot for color language. It can be seen from its first title, the wide use of colorful colors is one of its highlights.

2. He is often used to depict landscapes, showing the vitality and vitality of nature: it is also used to describe appearance, psychology, and characterization. In the colorful, Mo Yan gives a unique connotation to the two colors of "red" and "green".

In traditional culture, "red" originally had rich semantics such as enthusiasm, strength, sacredness, dignity, authority, and festivity.

3, but Mo Yan used red to create a sad atmosphere in **. Green is a symbol of youth, vitality, wisdom and hope. Mo Yan subverts the traditional meaning, using green to express the connotations of backwardness and ignorance, dirtiness and meanness, anger and anxiety, disaster and death.

2. Break the conventions of language, and come out of the machine with the eyes and ears of newcomers.

Mo Yan**'s language gives people a sense of freshness, he is good at breaking the conventions of language, creatively re-arranging and combining the inherent language, so that it gives birth to a new meaning in a special context, which is endlessly evocative. Mo Yan's use of language can be described as free, witty, and able to believe idioms and create new ideas.

3. The narrative style of the language is elegant and vulgar, colorful and colorful. Striving for the richness and diversity of language styles is one of Mo Yan's characteristics.

1. Poetic writing.

The natural scenery is elegant and bright in Mo Yan's pen, the colors are soft, and the mood is romantic.

2. Hearty narration.

Mo Yan has some ** language, filial piety is like the Yangtze River is turbulent, surging, pouring thousands of miles, fast and urgent, endless, and unique.

3. Be humorous and witty.

Mo Yan** is always in a specific environment, in the serious narration of the Eight Classics, which makes people laugh and laugh dumbly, which is a kind of humor with deep connotations that can only be reacted after perceiving and thinking, not just a smile. Witty language conveys sharp sarcasm, and there may be bitterness or something else behind the laughter. This is one of the styles of Mo Yan's language.

4. Strong local flavor. Some dialects often appear in Mo Yan's works.

Mo Yan has a special affection for the countryside and farmers, and his works pursue authenticity and smoothness, and like to present the original language, especially the use of Shandong Gaomi dialect, which makes the language of his works exude a strong local atmosphere.

1. Before winning the Nobel Prize, his works were already very famous in China, and he became one of the best and few writers in China.

Second, his translators are even better.

3. Fortunately for other writers, his works have been remade into film and television works very early on, and are loved by foreigners, such as "Red Sorghum", so his works have a higher acceptance and popularity in China than other writers.

Fourth, the writing is good.

Fifth, he is critical, and this is a big reason why he defeated Haruki Murakami, the little Japan.

D Question Analysis: Literature and art are important for reflecting people's essence.

The literature and art in Chinese culture, with its glorious and long history, rich and splendid connotation, and distinctive and unique style, show the spiritual yearning and beautiful pursuit of the Chinese nation, correct; Science and technology is one of the important indicators of the degree of civilization of a nation, and China's ancient science and technology paid attention to practical application, with the characteristics of practicality and integrity, and is a vivid embodiment of the vitality and creativity of the Chinese nation. Select D for this question.

c. Analysis of test questions: The universality and particularity of the contradiction are interconnected, and the universality resides in the particularity and is manifested through the particularity, Error; The particularity of contradiction is also inseparable from universality, no matter how special things in the world are, it always contains universality in particularity, error; That's right. This question is selected C.

C. Question analysis: The Swedish Academy of Letters' evaluation of Mo Yan's creative style, "magical realism, integrating history and reality" reflects Mo Yan's active creativity in creation, and "magic not only comes from Western modernism, but also from Chinese classical literature" reflects the conscious selectivity in creation, correct; Mo Yan's success lies in the fact that he not only respects the objective laws of literary creation, but also innovates, giving full play to people's subjective initiative and correctness; Social practice is the basis of cultural creation, and literary creation is the basis of the objective world. Literary creation is higher than reality, and the statement "intuitive reflection" is wrong. This question is selected C.