What does a red face and a white face represent? What does a white face and a red face represent.

If it is said that two people cooperate, negotiate with others or compete for interests, "one sings red face, and the other sings white face", this means that one is a good person with a pleasant face, and the other is a wicked person with angry eyes.

This is mainly derived from the face mask in Peking Opera, the people with red faces in Peking Opera are loyal and righteous people, such as Guan Yu, and the people who paint white faces are treacherous and sinister people, such as Cao Cao and Gao Yu.

Regarding the color of the Peking Opera mask, there is a slip in the line:

Red loyalty, purple filial piety, black is pink and old.

The water is white and treacherous, and the oil is white and arrogant.

Yellow is ruthless and gray, blue brave and green is violent.

Gods, Buddhas, and elves, shining with gold and silver.

There is no mistake in your understanding. A representative of a good person, who speaks and does things with the attitude of a good person, this is the so-called white face. One represents the wicked, with a tough attitude and harsh criticism, which makes people fearful, this is the so-called black face.

The two roles complement each other, and neither can be missing.

Peking Opera Mask. The use of exaggerated colors and patterns to show the character traits of the characters has a special place in the minds of the audience. The face mask in Peking Opera is also extended to reality.

So what do red faces and white faces represent? A red face represents a good person, a person who plays the role of saying good things, being tolerant of children or adjusting the atmosphere. The white face represents the bad guy, and the play says bad things.

The role of a person who takes a tough stance on things, harsh. There is a saying: one sings white-faced, the other sings red-faced.

In the family, parents will adopt a strategy of playing red and white-faced to educate their children, which can be a good way to educate children about family relationships.

There is also a tendency to moderate.

1. The white face represents the insidious and treacherous, and the red face represents the loyalty, courage and uprightness. Peking Opera mask is a kind of Chinese culture.

The special makeup method is collectively called "face mask" because each historical figure or a certain type of character has a general score, just like singing and playing music according to the score.

2. Art originates from life and is higher than life, so it is said that Peking Opera masks originated from life. The shape and contour of each person's facial organs are similar, the physiological layout also has certain rules, and the texture of facial muscles is closely related to the age, physiology, experience, and natural conditions of life of the characters, so the depiction of Peking Opera masks is based on life.

In Chinese culture, it is a very common tradition for several family members to work together to raise children. "Three generations in the same house" and "children and grandchildren around the knees" used to be many Chinese's conception of a happy family, however, due to parents' busy work or divorce, intergenerational parenting is very common in China, especially in the group of children below the lower grades of primary school, in the view of foreign researchers, refers to the interaction process of parents in the process of mutual support and role in the process of child raising, mainly including the interaction of the three parties, as well as the cooperation, conflict and consistency between the parenters. What should the co-parenting model of Chinese families look like?

Current research results in most relevant fields support the negative impact of intergenerational parenting on children's social development and adaptation. In fact, the reason for many problems in the intergenerational involvement in raising children is due to the negative impact of collaborative parenting. According to the survey, about 70% of intergenerational families have differences in educational philosophies.

In Chinese families, there is a special mode of parenting, that is, "red face and white face", and the familiar "strict and benevolent" and "strict father and mother" express similar concepts, and recently there is a phenomenon of "tiger mother and cat father". And the essence of "red face, white face".

It is a model of mutual cooperation between Chinese families in the upbringing of their children - in the parenting of children, one parent plays the role of "strict", regulates and punishes the child's behavior, and the other parent plays the role of "love", giving more compromise and protection when disciplining the child. So, how should the traditional "red face and white face" collaborative parenting style of Chinese families be interpreted, and whether it is beneficial or disadvantageous for the development of children? We investigated the collaborative parenting situation of 820 families, and through preliminary interviews with parents of young children, we determined the general manifestations of "red face and white face" behavior in collaborative parenting, and the final result is that in Chinese families, whether it is the collaborative parenting behavior between generations or husband and wife, it can be divided into three dimensions, cooperative behavior, conflict behavior and red face and white face behavior.

The research team found that there were differences and characteristics in the performance of different family members in three dimensions. The results of the data show that in the collaborative parenting between mother and grandmother and father and mother, the tacit understanding between parents is higher. In the collaborative parenting of mother and grandmother, the mother plays the "white face" and the grandmother plays the "red face"; In the collaborative parenting of father and mother, the father plays the "white face" and the mother plays the "red face".

In management psychology, the white-faced red-face effect refers to the effect of praise and criticism on motivating the advanced, spurring the backward, and reducing mistakes. The "white face" here actually refers to criticism, which prohibits negative behavior from the negative; "Red face" actually refers to praise, which motivates people from a positive perspective to produce positive acts of goodness.

1. The red face represents loyalty, and the white face represents the fierceness. In life, people use red faces to represent good people and white faces to represent bad people. In daily life, "one sings red face, one sings white face" is used to express both soft and hard, or double reeds.

The form of wild agitation to achieve the purpose of the speaker.

2. Face painting is a painting on the face of a traditional Chinese opera actor, which is used for makeup and modeling art during stage performances.

Different professions of Facebook, the situation is different. "Sheng" and "Dan" facial makeup are simple, with a little fat powder, called "handsome dress", "plain face", and "clean". The "pure line" and "ugly line" face paintings are more complicated, especially the net, which are all heavy oil paint, and the pattern of the old socks is complex, so it is called "flower face".

The face painting in the opera mainly refers to the pure face painting. And "ugly", because it plays a dramatic role, so a small piece of white powder is smeared on the bridge of the nose, commonly known as a small flower face.

1. Red face.

It symbolizes loyalty, uprightness, and blood, such as: Guan Yu in "Three Kingdoms Opera" and Wu Han in "Chopping Hall".

Other: Ironic, indicating a fake good person.

2. White face.

The performance is treacherous and suspicious, with derogatory meanings, representing deceit, such as: Cao Cao in "Three Kingdoms Opera", Yan Hao in "Fighting Yan Song", and Qin Hui.

3. Black face.

It not only shows a serious personality, but also does not smile, is neutral, and represents fierce wisdom. such as Bao Zheng in "Bao Gong Opera"; It also symbolizes mighty and powerful, rude and bold, such as: Zhang Fei in "Three Kingdoms Opera", Li Kui in "Water Margin Opera", and Jiao Zan in "Yang Paifeng".