What are the main representative designs of each period in China?

What kind of design, garden design or architectural design or something else?

Summary. 1. Stone Age design.

It is believed that human history began before 1.8 million BC. The long period between 1.8 million and 10,000 years ago is known as the Paleolithic Age.

The Paleolithic period can be divided into three periods: early, middle and late. The early creation activities of human beings and the germination of art and design have also gone through these three stages.

180 to 200,000 years ago, the early Paleolithic period. The production of human stone tools has initially had the germ of symmetry, balance, fullness and other forms of beauty.

Between 20 and 50,000 years ago, it was the middle Paleolithic period. The formal beauty and decorative intent contained in stone tools are also more pronounced.

Between 5 and 150,000 years ago, it was the late Paleolithic period. On small bone utensils, they are carved with very handwritten and graceful animal-shaped decorations.

He is a representative of Chinese prehistoric design art, representing design ideas and their influence.

Okay. 1. Stone Age design generally believes that human history began before 1.8 million BC. The long period between 1.8 million and 10,000 years ago is known as the Paleolithic Age.

The Paleolithic period can be divided into three periods: early, middle and late. The early creation activities of human beings and the germination of art and design have also gone through these three stages. 180 to 200,000 years ago, the early Paleolithic period.

The production of human stone tools has initially had the germ of symmetry, balance, fullness and other forms of beauty. Between 20 and 50,000 years ago, it was the middle Paleolithic period. The formal beauty and decorative intent contained in stone tools are also more pronounced.

Between 5 and 150,000 years ago, it was the late Paleolithic period. On small bone utensils, they are carved with very handwritten and graceful animal-shaped decorations.

The concept of design framework in ancient China was first introduced in the Zhou Li, an important work on the political, economic, and social institutions of the Zhou Dynasty. Among them, there is a chapter entitled "Heavenly Officials", which proposes systems such as "maps" and "heavenly officials", which include the concept of setting up a framework for imperial deliberation.

In Heavenly Officials, the design framework is called a "diagram", and its function is to provide accurate dimensions and proportions for the production of various buildings, utensils, and other objects. These "diagrams" are drawn by special **, and they need to determine the size, shape, location and other design elements of each part according to the specific requirements and use occasions, and arrange and combine them according to certain basic examples and rules.

The concept and practice of this design framework has not only been widely used in the fields of architecture, craft and art in ancient times, but still has important reference value in the fields of modern industry, architecture and design. It can be said that the concept and practice of design framework in ancient China has provided important historical and cultural support for the development of modern design thinking and methods.

The ancient Chinese concept of design framework was first published in the Zhou Yi. "Zhou Yi" is an important classic in ancient China, which is considered to be an important source of Taoist thought, yin and yang theory, five elements thought, etc., and has had a profound influence on ancient Chinese philosophy, culture, art and other fields. Among them, the "Qiankun Stuffy Section" hexagram in "Zhou Yi" is a framework, which is composed of two hexagrams of three lines, the upper hexagram is Qian, and the lower hexagram is Kun, representing heaven and earth, which is the most basic framework structure.

In the Zhou Yi, the "Qiankun" hexagram is not only used to explain the generation and change of all things in the universe, but also to guide the management and governance of human society. Later, people applied the framework idea of the "Qiankun" hexagram to the fields of architecture, art, and literature, forming a thinking mode of framework design. This mode of thinking not only quietly has Chinese characteristics, but also has a profound impact on the development of world culture.

The concept of design framework in ancient China was first introduced in the Zhou Li. The Zhou Rites is an ancient Chinese ritual classic, which specifies in detail the contents of the official system, the etiquette and etiquette, and also includes the concept of a design framework. In the Zhou Li, the design framework is called "measurement", which refers to the process of planning and designing things according to certain rules and standards.

In ancient China, the application of measurement was very wide, including architecture, handicrafts, utensils, etc. The principle of the degree of deficiency is based on the human body, with the size and proportion of the person as the standard, and adjusted and changed according to the actual needs. The concept of this design framework is not only practical, but also reflects the ancient Chinese aesthetic concept of focusing on planning and paying attention to the beauty of proportion.

The earliest concept of a design framework in ancient China can be traced back to the Zhou Rite Lease. "Zhou Li" is an important classic of the Western Zhou Dynasty in China, and one of them, "Examination of the Gongji", is dedicated to the knowledge of craft production and design. In the "Examination of the Work Record", it is mentioned that "the six animals are tamed, the nine herds are Chen, the system is both practical, the instruments are prepared, and then used as a framework", which is the earliest conceptual description of the design framework in ancient China.

This shows that ancient China has long had an understanding and application of the framework in terms of craft production and design.

Zhou Yi. "Zhou Yi" mentions that "Yi has Taiji, which is to give birth to two instruments, two instruments to give birth to four elephants, four elephants to give birth to gossip, gossip to determine good luck, good luck and evil to set the great cause" The concept of filial piety is a kind of design framework. This concept has been widely used in the fields of architecture, art, medicine and other fields of ancient Chinese and Shen dynasties, and still has a great influence in modern ascension design.

Excellent design works are treasures in the history of human culture and art.

One of the most famous architectural designs in history is the Great Wall of China, which is also my favorite historical architectural design.

The Great Wall is a military defense project in ancient China, tall and strong, and the continuous city wall, stretching for thousands of miles, is used to block and prevent foreign invasion, so it is called the Great Wall.

It is not an isolated wall. Rather, it is based on the city walls. A defense system that combines a large number of castle barriers and pavilions.

The design is rigorous and exquisite, which fully reflects the wisdom and military ability of the ancient people of our country, and is one of the famous miracle buildings in the history of the world.

Answer: Proportion and scale, contrast and harmony, diversity and unity, symmetry and balance, rhythm and rhyme.

According to the nature of society: the first is primitive society, that is, a primitive society without exploitation and oppression. The researched information should start from the first collectivized communities of Hemudu and Banpo to the establishment of the Xia Dynasty by Yu. There is no exact time to examine in this paragraph.

The second is ancient history, from the establishment of the Xia Dynasty by Yu to the Opium War in 1840. China was a slave society during the Xia and Shang periods, and it entered the feudal society from the feudal system of King Wen of Zhou, which is the ancient history of the beginning of classes.

The third is modern history, from the Sino-British Treaty of Nanjing in 1840 to the founding of New China in 1949, modern history is the process of the formation and disintegration of China's semi-colonial and semi-feudal society.

The fourth is modern history, from the founding of the People's Republic of China to the present, the Chinese people, under the leadership of the four generations of leaders of the Communist Party of China, have entered a new chapter in history.

Hope mine is helpful to you.

1 All "Book of Changes" is a mysterious work in ancient China, because it was popular in the Zhou Dynasty, so it is called "Zhou Yi", and is respected by Confucianism as the head of the group of classics, from its arrangement style and text content, it is a book for divination. This article discusses the I Ching in general, that is, including the I Ching and the I Chuan; In ancient books, only the names of "Lianshan" and "Guizang" (whether or not they actually exist) are not discussed.

When Qin Shi Huang burned books and pit Confucianism, Li Si secretly included the Book of Changes in the book of medical divination and was spared.

Regarding its author, the "Historical Records" contains "King Wen detained and performed Zhou Yi", so the ancients mostly agreed that the "Book of Changes" was written by King Wen of Zhou according to Sima Qian's theory, but people today have different views. Due to the early writing of the book and the evolution of the meaning of the text with the times, the content of the Book of Changes was not easy to read during the Spring and Autumn Period and the Warring States Period. What we call "Zhou Yi" today usually refers to the combination of the I Ching and the I Chuan.

It has been argued that the nature of the book of divination does not obscure the value of the I Ching as a great work. Divination originated from man's desire to explain the world, and the germ of philosophy arose from primitive religions, as exemplified by the I Ching. The basic theory of the unity of opposites in Chinese philosophy is rooted in the Book of Changes.

Later generations developed a complex philosophical system from the Book of Changes, and the doctrines of Confucianism and Taoism were clearly influenced by the Book of Changes. Today's people interpret the research value of philosophy, politics, history, military, folklore and many other aspects from the Book of Changes.

According to the records of the "Zhou Li", divination has the "Three Changes", and the Book of Changes is only one of them, and the other two "Lianshan" and "Guizang" have been lost.

It should be Wang Shouzhi's History of Design in the Modern World, History of Architecture in the Modern World, History of Industrial Design in the Modern World, History of Graphic Design in the Modern World, and the first book was published in 1999.

The three most representative designers in ancient China are Li Bing, Li Chun, and Kuaixiang, whose works are Dujiangyan, Zhaozhou Bridge, and the Forbidden City (Forbidden City).

The Dujiangyan designed by Li Bing is a very ingenious water conservancy project, making the Sichuan Basin a land of abundance that guarantees income from drought and flood, and the project has been completed for more than 2,000 years and is still playing an effect, and its value and historical significance are immeasurable.

More than 1400 years ago, Li Chun designed the Zhaozhou Bridge, in the long years, although after countless floods, wind and rain, ice and snow erosion and 8 times of the test, but unharmed, standing majestically on the Qingshui River, can still be used, its structure shows the mechanical principles are still worthy of architectural designers to study, in that era without reinforced concrete actually designed and built such a strong and durable bridge, Unlike a few years ago, a bridge in Fenghuang County, Hunan, designed by modern people, collapsed before it was delivered, and bridges in Hangzhou and Harbin that collapsed within a few years.

Almost 600 years ago, Kuaixiang, known as a skilled carpenter, designed and led the construction of the Beijing Palace Complex, which is still the most magnificent and excellent palace complex in the world. In particular, the careful consideration of ancient Chinese traditional culture and classical philosophy in the whole complex has not been surpassed by later generations. Its historical significance and practical value are also immeasurable.