When was the landscape idyll of the Tang Dynasty created by whom?

There are many poetry schools in the Tang Dynasty, and the landscape idyllic poets have produced a lot since Tao Yuanming in the Eastern Jin Dynasty, and there are many in the Tang Dynasty, the most famous of which are Wang Meng Weiliu, Wang Wei, Meng Haoran, Wei Yingwu, and Liu Zongyuan. Therefore, the landscape idyllic poets of the Tang Dynasty should be these four people.

First of all, there is no such thing as a Tang Dynasty poetry school. Among the poets of the Tang Dynasty, the representative of the landscape idyllic school are Wang Wei and Meng Haoran.

The representative figures of pastoral landscape poetry in the Tang Dynasty were Wang Wei and Meng Haoran.

Wang Wei 701-761. Clever at an early age, good at poetry, work in painting, and have a very high ** talent, 18-year-old champion and flute, because of the Lingren Yellow Lion Dance and degraded to Jeju.

Si Lun joined the army and later passed through Zhang Jiuling.

Wang Wei was promoted to the right to pick up the remains, and later moved to the middle of the scholar to end the book of the right Cheng, Su Dongpo.

Zeng Zan Wang Wei said: "The poems of the taste of Maha, there are paintings in the poems; It is not an exaggeration to say that Wang Wei's poetry is picturesque, whether a landscape painting is good or not, lies in whether the painter can grasp the nature, characteristics, and details of the scenery well, and express it, in the same way, whether a landscape poem is good or not, lies in whether the poet can describe the nature, characteristics, and details of the scenery in a limited number of verses. From the perspective of a painter, Wang Wei composed and laid out the layout, forming a unique artistic style.

Wang Wei's poems are multifaceted, whether it is the side stopper, the landscape, or the quatrain of the rhythmic poem, there are good passages that have been passed down for a long time.

Meng Haoran 689-740 years, the famous landscape pastoral poet, he did not enter the office, also called Mengshan people, he had a difficult career, Zhang Jiuling was hired as the shogunate, and soon, still returned to his former residence. Meng Haoran is a natural hermit.

When he was a teenager, he lived a reclusive life in Lumen Mountain, on the one hand, because of his personality, and on the other hand, it was also related to the current situation, first Wu Zetian.

Called the emperor, there was Empress Wei.

Gaining power, partisan disputes in the court, "Analects".

Yun: "There is no way to be rich, rich and noble, and shameful", Meng Haoran does not want to be an official for his own selfish interests, at this time he has a noble character.

During the Tang Dynasty, a poetry school represented by Wang Wei and Meng Haoran was formed, also known as the Pastoral Poetry School, and later generations also called the Wang Meng Poetry School in order to highlight the prominent role of the two in the Pastoral Poetry School. Meng Haoran's poems got rid of the realm of the Tang Dynasty, expressed more personal ambitions, brought new breath to the Kaiyuan poetry circle, and won the admiration of the people of the time, Meng Haoran was the first poet to create landscape poems in the Tang Dynasty, and was the forerunner of Wang Wei.

Wang Wei and Meng Haoran, these two people are pastoral poets, and their works are very good, with many famous poems.

Meng Haoran and Wang Wei, the poems of these two people are very good, and the descriptions of the scenery of these two people are very comprehensive.

Meng Haoran and Wang Wei are the representatives of pastoral landscape poetry in the Tang Dynasty. These two people wrote a lot of poems praising the Tang Dynasty, and their styles were very elegant.

1, Meng Haoran.

Meng Haoran (689-740), known as Hao, the word Haoran, the name Mengshan, Xiangzhou Xiangyang (now Xiangyang, Hubei) 62616964757a686964616fe4b893e5b19e31333433643131, a famous landscape and pastoral poet in the Tang Dynasty, known as "Meng Xiangyang". Because he has never entered the office, he is also called "Monsanite".

Meng Haoran was born in the Tang Dynasty, and in his early years, he had ambitions to use the world, and after the difficulties in his career and the pain and disappointment, he was still able to respect himself, not kitsch, and retreated to seclusion for life. He once lived in seclusion in Lumen Mountain. At the age of 40, he traveled to Chang'an, and he was not ranked in the Jinshi.

He once wrote poems in Taixue, and his name moved the minister, and he was convinced, and he put down his pen for it. In the twenty-fifth year of Kaiyuan (737), Zhang Jiuling was recruited by the shogunate, and then lived in seclusion. Most of Meng's poems are five-character short stories, mostly writing about landscapes and pastorals, the pleasure of seclusion, and the mood of detention and service.

2, Wang Wei. Wang Wei (701 761 years, one says 699 761 years), the word Maha, the name Mahaju. He is a native of Puzhou, Hedong (now Yuncheng, Shanxi), and his ancestral home is Qi County, Shanxi. Tang Dynasty poet and painter.

Wang Wei's landscape idylls not only depict the natural beauty, but also reveal the leisure and sloppiness of idle life. Wang Wei became increasingly depressed from middle age onwards, seeking sustenance in Buddhism and landscapes. This sentiment is fully reflected in his poetry.

In the past, many people admired Wang Wei's poems, not only because of their high artistic skills, but also because they resonated with the leisure and negative thoughts embodied in them.

Tao Yuan, Ming, Sui and Tang dynasties.

There are more and more poets who like Tao Yuanming's poems, and their evaluation of Tao Yuanming is getting higher and higher. Wang Ji of the early Tang Dynasty was an idyllic poet, who, like Tao Yuanming, retired to the countryside many times and entertained himself with gin and wine.

Meng Haoran's worship.

Meng Haoran, a landscape and pastoral poet of the Tang Dynasty, admired Tao Yuanming very much, and he wrote in "Midsummer Return to Hannan to Send Jingyi Old Tour":

Appreciating the "Biography of Gao Shi", the best Tao Zhengjun, his eyes are idyllic, and he calls himself a Xihuang person.

Li Bai's admiration.

Li Bai admired Tao Yuanming's character and poems. wrote in "Drama for Zheng Liyang":

Tao Ling is drunk day by day, and he doesn't know Wuliuchun.

The plain piano has no strings, and the kudzu scarf is used for drinking.

Under the north window of the breeze, he calls himself the Xihuang people.

When to Lili, I saw my relatives.

Li Bai's idea of "An Neng destroys his eyebrows and bends his waist to deal with the powerful" and Tao Yuanming's spirit of "not bending his waist for five buckets of rice" are in the same line.

Du Fu's appreciation.

After the Anshi Rebellion, Du Fu lived a life of exile and regarded Tao Yuanming as a confidant, he wrote in "Feng Ji Henan Wei Yin Zhangren":

Relief should be wine, and poetry is not greater.

This meaning is subtly understood, and I will be born after you.

Bai Juyi's admiration.

Bai Juyi, a poet in the Tang Dynasty, admired Tao Yuanming very much. In the tenth year of Tang Yuanhe (815), Bai Juyi was demoted to Sima of Jiangzhou, which was very close to Tao Yuanming's hometown of Xunyang. He once visited Tao Yuanming's former residence and wrote the poem "Visiting Tao Gong's Old Residence".

In the poem, "dust does not stain jade, and the spirit phoenix does not peck fish" is used to praise Tao Yuanming's noble personality, and finally wrote:

The ancient village of Chaisang, the old mountains and rivers of Lili.

There is no chrysanthemum under the fence, and there is smoke in the empty ruins.

Although the descendants have not heard of it, the clan has not moved.

Every time someone surnamed Tao is there, my heart is still there.

Bai Juyi wrote in "Sixteen Songs of Imitation Pottery Latent":

Mr. has been with me for a long time, and there are posthumous words on paper and ink.

I was persuaded to drink one after another, but there was nothing else.

I came from the eldest and admired him as a man.

Others are unreachable, and the effect is drunk and drowsy.

The literati of ancient China had a common habit of alcoholism, which was inseparable from the influence of Tao Yuanming. Bai Juyi's poem says it very clearly: "Others are unattainable, and they are drunk and drowsy." ”

Tao Yuanming was the first poet of the pastoral landscape school in ancient China, while Meng Haoran and Wang Wei were the poets of the pastoral landscape school in the Tang Dynasty.

Tang Dynasty Bai poetry genre.

It is du inherited the landscape pastoral school of Tao Yuanming of the Eastern Jin Dynasty.

zhi, on behalf of people.

There are Wang Banwei, Meng Haoran, Quanchu Guangxi, Chang Jian, etc. in the Tang Dynasty, and Wei Yingwu and Liu Zongyuan in the Tang Dynasty. It mainly reflects the pastoral life and depicts the landscape and scenery.

Among them, Wang Wei's achievements are high, he is a poet, and a painter, can use painting to understand poetry, poetry in painting, painting in poetry, in addition to Li Du, set up a sect, which has a great influence on later generations.

Hope it helps.

Meng Haoran, Wang Wei, Tao Yuanming, Xie Lingyun.

1, Meng Haoran.

Meng Haoran (689-740), known as Hao, the word Haoran, the name Mengshan, Xiangyang, Xiangzhou (now Xiangyang, Hubei), a famous landscape and pastoral poet in the Tang Dynasty, known as "Meng Xiangyang". Because he has never entered the office, he is also called "Monsanite".

Meng Haoran's poems have gotten rid of the narrow realm of the early Tang Dynasty, and expressed more personal embrace, bringing fresh breath to the Kaiyuan poetry circle and winning the admiration of the people of the time. Meng Haoran was the first poet to write landscape poems in the Tang Dynasty and the forerunner of Wang Wei. His travel poems are realistic, and "Looking at Dongting Lake as a Gift to Prime Minister Zhang" is written with majestic momentum and style.

2, Wang Wei. Wang Wei (701 761, one says 699-761), the word Maha, the name Maha. He is a native of Puzhou, Hedong (now Yuncheng, Shanxi), and his ancestral home is Qi County, Shanxi. A famous poet and painter of the Tang Dynasty.

With a fresh and distant, natural and refined style, Wang Wei has created an artistic conception of "painting in poetry, poetry in painting" and "Zen in poetry", and has set up an unfailing banner in the poetry world.