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Generally speaking, a wide-angle lens means that compared to a standard lens standing in the same shooting point and shooting direction, the wide-angle lens captures a larger range of scenes, but at the same time, sometimes unwanted scenery is also photographed. To avoid this situation, one is to try to express the theme idea and the subject of the shot when composing, that is, when framing, the subject of the shot should occupy the center position and make the target as big as possible! Second, in post-processing, cut the unwanted parts as much as possible, and be willing to give up!
Make the subject more prominent.
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My personal suggestion is that the ultra-wide-angle lens doesn't convey a majestic momentum. My own experience is completely inexpressible. Therefore, the act of using an ultra-wide-angle lens should be cautious in itself.
Especially after the cultivation of photography has reached a certain level, you should be cautious. Personally, I suggest that it is better to put it aside for the time being, and challenge the more difficult 50mm and 35mm, to understand the feeling that it is not easy to attack and difficult to defend when retreating. When you are more proficient, you can learn to use the ultra-wide-angle lens in turn.
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The wide-angle lens can create a special sense of space, which will make the framing very cluttered, and you can gather a point in the space and place the people on the converging point to shoot, which can effectively avoid the clutter.
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With the ultra-wide-angle perspective effect, the near and far are small, and the distant cluttered background is made smaller through the lens perspective, so that it will not look cluttered.
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I have a wide-angle lens on my phone, and before framing, you can take a general look at the surrounding scenery, see what you like over there, and then take a look at it there, manually find the direction, and look at the backlight and backlight, even if you don't look at the background, you can retouch it in post.
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Due to the wide-angle characteristics of the wide-angle lens, it can absorb more elements and create a very cluttered impression, so it is important to minimize the elements in the picture and choose one or two subjects in the frame.
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This question is actually a question of the subject of the shooting. There can only be one theme in a painting, otherwise it will definitely fail Many people are guilty of this problem.
Take Figure 1 as an example, the picture is about the sky above the city level, so the tower on the left and the tower on the right don't really participate in the composition, so it would be much better to remove them.
Figure 2, the same problem, the photographer doesn't know what to say.
Figure 3 is still okay, only if your topic is clear, then the above problems will not appear.
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When you are able to use a 50mm lens to go from subtractive photography with deleted image elements to additive photography where you can skillfully use many image elements in one image, it is time to reuse the ultra-wide-angle lens.
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The composition is clear and secondary, highlighting the protagonist and weakening other scenes. You can try to use guide lines to compose the picture, frame composition.
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No matter what the lens, it has its advantages and disadvantages. Therefore, you should take advantage of the lens and pay more attention to the composition when shooting. Good composition** is half the battle.
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I think you need to use a tripod because it's only stability that gets the shot.
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The wide angle lens has a large depth of field with a short focal length, and with a small aperture to achieve non-focused superfocal photography, it is the fastest way to shoot.
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This is what I learned from my personal experience, the way to get a wide angle lens framing without clutter is to pay attention to the distribution of the scenery and make the scenery symmetrical.
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You should choose the composition of many scenes in the wide-angle lens, if you don't choose to choose a good composition, these things will look very messy, and the result will not be very good.
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These are all experiences accumulated in continuous learning and practice. It is recommended that you go to some photo galleries to see other people's works, study more, think more, and shoot blockbusters with every shot.
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A lens has an advantage and disadvantages, and the rational use of its strengths, the use of its strengths and avoid weaknesses, and give full play to its advantages are the issues that photographers should consider when buying a lens.
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If there is a wide angle, how to set it:Start by tapping on the camera icon on your phone's desktop. Then will be Wei Song's[1x] above the shooting buttonSwipe to [Wide-angle mode].
A wide-angle lens is a photographic lens with a shorter focal length than a standard lens, a larger angle of view than a standard lens, a focal length longer than a fisheye lens, and a smaller angle of view than a fisheye lens. Wide-angle lenses are divided into two types: ordinary wide-angle lenses and ultra-wide-angle lenses.
The focal length of an ordinary wide-angle lens is generally 38 24 mm finger scatter, and the angle of view is 60 84 degrees; The ultra-wide-angle lens has a cherry difference focal length of 20 13 mm and a viewing angle of 94-118 degrees.
Due to the short focal length and large angle of view of the wide-angle lens, it is possible to capture a large area of scenery in a short shooting distance. The lens of a wide-angle digital camera has a short focal length, a wide angle of view, and a deep depth of field, which is more suitable for shooting larger scenes, such as architecture, landscapes and other subjects.
Encyclopedia – Wide-angle lens.
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In the age of film, when zoom lenses weren't so reliable, 50mm was standard on almost every camera, and if you wanted to experience a wide angle, you had to buy another lens. Modern interchangeable-lens cameras basically start from 28mm, and the more classic sleeves are 18-55mm in APS-C format (the equivalent varies slightly from house to house)) or 14-42mm (28-84mm equivalent) in M43 format or 28 (24)-70mm lens in full frame.
It can be said that the modern zoom headgear covers a large number of focal lengths that we can use conventionally in terms of focal length, and it is also a good choice for beginners.
Most modern phones use a focal length equivalent to 28mm, which makes us more familiar with the wide-angle angle of view of 28mm.
Shooting with a wide angle is more likely to cover a wide range of scenes such as architectural photography or landscape photography, and it may also be used to capture the model's whole body as much as possible when shooting portraits in small spaces. In addition to these, what are the advantages of a wide-angle lens?
1. Deeper depth of field.
Unlike portrait photography, which pursues a wide aperture to separate the background, in architectural photography, landscape photography, and even still life photography, as well as environmental portrait photography, we often need a wider depth of field to make the background clearer, so that the subject can be set off through the background.
Under the same conditions (aperture, distance), a wider focal length can bring a deeper depth of field than a telephoto lens, so that a large amount of content in the range is in focus, and it is less likely to shoot bokeh.
2. Add foreground to the landscape.
There is no rule that you must use a wide-angle lens to shoot landscapes or buildings, and some photographers prefer to use a telephoto lens to shoot landscapes. However, one of the benefits of shooting landscapes from a wide angle allows the foreground to be included in the frame.
Students who take pictures with telephoto will understand that when it is too close to the foreground, there is no way for the telephoto lens to include the foreground in the frame, otherwise either the foreground will occupy most of the content in the frame, or the distance will be too close and the background will be blurred. The wide-angle lens can be used to substitute the foreground well, and the foreground can be used to set off the scenery in the background of the picture.
If you're not taking a portrait, but want to put a portrait into the background to highlight some of the subject, the best way to do this is to use a wide angle. The advantage of a medium telephoto is to separate the background or reduce the background space to accentuate the subject, while a wide-angle lens stretches the width of the frame to include more background content in the frame to compliment the subject.
4. Distortion. Wide-angle lenses may have some distortion, which I said in a previous article, sometimes, distortion we should try to avoid, sometimes, we can use distortion to shoot some creative works, such as trapezoidal distortion under the tilt angle, such as the barrel distortion of fisheye lenses, such as space stretching, etc.
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Wide-angle lenses are easier to use than standard lenses and telephoto lenses, mainly because of the short focal length and low safety shutter.
The most common problem when using a wide-angle lens is composition, because the angle of view is very large, and there are often a lot of things in the **, giving a sense of disorganization. Composition can't be explained clearly in three words, you need to see more excellent works and experience more. I recommend Bresson's work, his composition is better than that of some painters.
The wide-angle lens can shoot a strong sense of perspective, which is a relatively simple technique, such as shooting a row of trees, shooting from the oblique side, you can shoot a strong sense of depth where the trees near are particularly large and the trees in the distance are particularly small. Taking advantage of this, when shooting people, you can shoot slender thighs when looking up, and you can shoot melon seed faces when looking down.
Oh yes, and when the sun is shining, be careful to wear a hood.
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Generally, the wide-angle lens is used to shoot landscapes, but it is also possible to shoot people, and you should pay attention to the deformation factor. In general, you can shoot some more exaggerated expressions, which is very useful. It's mainly a matter of distance, depending on what you want to shoot for.
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A wide-angle lens is a photographic lens with a focal length shorter than a standard lens, a viewing angle larger than that of a standard Mengyan Zheng Zhun lens, a longer distance than a fisheye lens, and a smaller angle of view than a fisheye lens. Here's my wide-angle shooting tips, let's take a look.
1.Find the puncture point
The wide-angle lens restricts the photographer from having a wide framing, because there are too many scenes in the frame, and the photographer has to find the puncture point to make the ** more prominent. The puncture point is a concept proposed by the literary critic Roland Barthes, which simply means to provide a small detail, a small thought, in the image, and inadvertently prick the viewer's senses, and this is the key to making people fall in love with a work.
2.Look at the image from a macro perspective
Because there are too many people and things in the picture, don't just focus on the details when shooting, you can look at the whole picture from a macro perspective. Duong mentions The Law of Pragnanz, who imagines reducing things in a picture to simple shapes and lines, so that these shapes can be combined into interesting, unique compositions.
3.Guide the sight
It is difficult to obtain bokeh when using a wide-angle lens, and there are too many objects in the lens, so to highlight the subject, it is necessary to rely on the lines and composition of the picture to guide the viewer's gaze, so that the viewer can pay more attention to the subject that the photographer wants to show.
4.Come closer
This is especially useful for shooting portraits. If you want to capture the look of the portrait and capture the current demeanor of the mantra, you need to get closer. This also allows players who are used to using long lenses to get out of their comfort zone and try to have more communication with their subjects.
5.Take pictures with the thinking of landscape photography
When shooting landscape photos such as mountain and sea scenes, the scenery is wide because of the long shot, and the position of the scenery and the arrangement of lines are very particular when framing. Use this mindset when shooting with a wide-angle lens, even if you are shooting in the streets and alleys, pay attention to the lines of the streets, as well as the direction of pedestrians and vehicles, and wait patiently for the best composition'A moment before the shutter was pressed.
6.Dare to shoot exaggerated wide-angle effects
When using a wide-angle lens, the distance between the front and back scenes will be exaggerated, resulting in perspective distortion.
7.Make good use of space
8.There are boxes within boxes
Since the wide-angle picture is too wide, let's reset the frame yourself! Using shadows, the appearance of buildings, etc., as the background of the subject, can guide the viewer's gaze and highlight the subject.
9.Experiment with different shooting angles
If you want to make something different, you might as well try something new. Shooting from angles that are rarely used may be a surprise!
10.Make good use of light
The hardest part of using a wide-angle lens is to keep the viewer's eye focused on the subject. Making good use of light to guide the viewer is also a great way to highlight the subject.
A wide-angle lens is a type of photographic lens. A wide-angle lens has a shorter focal length than a standard lens and a wider angle of view than the human eye. In general, a 35mm camera has a wide-angle lens focal length of 28 mm to 35 mm and a field of view between 76 and 64 degrees. >>>More
Lenses with a particularly wide range of angles.
Wide-angle lens. It is a lens with a focal length shorter than a standard lens, a viewing angle greater than a standard lens, and a distance longer than a fisheye lens. >>>More
The focal length of 50-55mm is the field of view of a standard lens, and it is called a standard lens because it is close to the angle of view of the human eye. >>>More
If the landlord only wants a wide angle, then enter a 10-20 head, Sigma is good. >>>More
The size of the difference between the full frame and the c amplitude in the imaging area··· To compare the gap between the two, you can fix some parameters to compare... For example, fixed shooting distance, lens, **, etc., then the C picture is equal to the middle part of the full picture, in short, the C angle of view becomes smaller... If you use a telephoto lens, then the C frame shoots something bigger, that is, the so-called earned focal length, in fact, this is completely fooling people, I use the full frame, the later part of the middle part is not cut out, of course, in the case of the full pixel density is equal to the C frame, but now the full pixel is generally greater than the C frame... Then the full-frame CMOS area is larger, assuming that the final picture is the same, then the full-frame is not equivalent to recording the same thing with a larger area, so that the picture quality is naturally better... And then there's the so-called full-width bokeh ability is better... In fact, it is still a truth, under the same focal length, the full-frame angle of view is larger, for example, if you want to take a close-up, use the same focal length and aperture with the C frame, the full frame can just be shot, according to the previous introduction, the C frame is the cropping in the middle of the whole frame, then when the C frame shoots, you have to step back a certain distance to fit what you want to shoot, we know that one of the elements that determine the depth of field is the distance between the camera and the subject, the closer the distance, the smaller the depth of field, the more obvious the bokeh effect, now the C frame uses the same focal length, but it takes a longer distance to shoot, So from the actual effect, the bokeh effect of the whole frame is better than that of the C frame... If you use the same shooting distance and different focal lengths of the lens, then the focal length used in the C frame must be smaller than that of the full frame (so that the angle of view can be larger), and according to the law that the longer the focal length, the smaller the depth of field, the better the bokeh effect of the full frame is obtained than the C frame. >>>More