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Cifu Sinology, that is, "the study of Chinese dictionaries", is a modern discipline system for the study of Chinese dictionaries. Including lexical studies, dictionary creation, lexical rejuvenation, and so on. "Cifu Sinology is a theoretical bridge for Chinese Cifu to go to the world (Jiang Hongyan)".
The important academic group of Sinology is the "International Association of Sinology", the founder of Fenghua Caizi. The research object of Cifu Sinology is the information of Cifu in all fields, such as Cifu creation, Cifu culture, Cifu theory, and Cifu form. Cifu Sinology, Asana Framework:
1. Core Theory: A Series of Concepts in Introduction to Cifu Literature 2. Revival Theory: World Heritage Application, Innovation, and Student Assistance 3
4. Fujia Community: 5. Resignation Boundary: 6. Resignation and Originality Situation:
Wang Zesheng, a native of Suihua, Heilongjiang, was born in the 70s of the 20th century, and his ancestral home is Caozhou, Shandong. Wang Zesheng, formerly known as Wang Jiansheng, the word Runzhi, known as "Kanto Ghost Talent" and "Lanhe Sanren", called himself - Kanto Maniac. Academic Pen Names:
The sun never sets, the saint warrior of the literary world. It is also called the master of the wind and snow, and the master of the flower moon and the master of the peach blossom are called the "three masters of Kanto". He is a contemporary poet, scholar, dictionalist, encyclopedia entry expert, cifu theorist, cifu critic, and online cifu cultural activist, the pioneer of the contemporary online cifu movement, the main initiator of the Chinese new cifu movement, the originator of the Chinese fu school (the reform school of cifu), and the chief designer of the reform of the cifu language.
There are more than 100 words, thousands of ancient styles, thousands of couplets, modern essays and essays, and tens of millions of words. The collection of his essays is called "Wang Zesheng's Selected Works".
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This is Wang Zesheng's boasting, and people from all over the world call Mr. Wang [Fu Hao], and he opposes other people's styles. tampered with the entries of the encyclopedia and was expelled by many professional words.
This article knows that the question is also asked by Mr. Wang himself, and then he uses a vest to sell himself.
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Han Fu is a new literary style that emerged after the Book of Poetry and Chu Ci.
Han Fu is a kind of rhyming prose that emerged in the Han Dynasty, which is the most representative of the Han Dynasty and a new literary style that can best highlight the spirit of the times. The Western Han Dynasty was dominated by the Sao Ti Fu, and formed a situation in which the Han Dynasty Fu and the Sao Ti Fu complemented each other, coupled with the Eastern Han Dynasty's lyrical small Fu and Shu Xing Fu, constituted a bright star in the history of ancient Chinese literature, forever radiating a golden light, with the role of inheriting the past and opening up the future, the Han Fu not only inherited many literary styles of the previous generations, but also had a great impact on the development of literature in later generations.
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Summary. Hello, it is my pleasure to answer your questions, discuss the process of the development of the literature of the two Han Fu genres, and list the representative writers and works The answer to your question is: The first period of the development of the Han Fu is from the early years of Gaozu to the early years of Emperor Wu.
At that time, the society was "the beginning of the Han Dynasty, and the day was not timeless". The feudal rulers were not strictly imprisoned in terms of ideology and culture, and Confucianism did not yet occupy a dominant position. Judging from the situation of the kings and books at that time, the cultural thought in the early years of the Western Han Dynasty was still relatively active.
During this period, the dictionaries mainly followed the tradition of Chu Ci, and the content was mostly works that expressed the author's political opinions and life experience, and compared with Chu Ci in form, there was a initial change, but it was not large. At this time, the more accomplished writers were Jia Yi, Huainan Xiaoshan, and Mei Cheng. Jia Yi has "Hanging Qu Yuan Fu" and "Peng Niao Fu".
Huainan Xiaoshan has "Recruiting Hermits", and there are "Seven Hairs".
This paper discusses the process of the development of Fu style literature in the two Han Dynasty, and lists representative writers and works.
Hello, it is my pleasure to answer your questions, discuss the process of the development of the literature of the two Han Fu genres, and list the representative writers and works The answer to your question is: The first period of the development of the Han Fu is from the early years of Gaozu to the early years of Emperor Wu. At that time, the society was "the beginning of the Han Dynasty, and the day was not timeless".
The feudal rulers were not strictly imprisoned in terms of ideology and culture, and Confucianism did not yet occupy a dominant position. Judging from the situation of the kings and books at that time, the cultural thought in the early years of the Western Han Dynasty was still relatively active. During this period, the dictionaries mainly followed the tradition of Chu Ci, and the content was mostly works that expressed the author's political opinions and life experience, and compared with Chu Ci in form, there was a initial change, but it was not large.
At this time, the more accomplished writers were Jia Yi, Huainan Xiaoshan, and Mei Cheng. Jia Yi has "Hanging Qu Yuan Fu" and "Peng Niao Fu". Huainan Xiaoshan has "Recruiting Hermits", and there are "Seven Hairs".
The second stage of the development of Han Fu was from the early years of Emperor Wu of the Western Han Dynasty to the middle of the Eastern Han Dynasty, about 200 years. This period has the most works by writers, especially in the era of Emperor Wu and Emperor Xuan, and the Han Fu reached its peak. Most of the works of this period describe the power of the four states of the Han Empire, the prosperity of the new capital, the abundance of land and water products, the richness of the palace gardens, and the spectacular scenes of the royal family and nobles hunting, singing and dancing, etc.
On the one hand, boasting of the national power and the prosperity of cultural relics for a while, full of pride; On the one hand, it also expressed some dissatisfaction with the ruler's profligacy of pleasures, and carried out euphemistic exhortations and sarcasm. The main representative writers are Sima Xiangru, Yang Xiong, Ban Gu, Zhang Heng, etc. Sima Xiangru's representative works are "Zi Fu Xu" and "Shanglin Fu"; Yangxiong has "Ganquan Fu", "Feather Hunting Fu", "Changyang Fu", "Hedong Fu" and so on; The class is inherent in "Two Dufu"; Zhang Heng has "Erjing Fu".
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