What do you know about Chinese ink painting?

First of all, Chinese landscape painting is a special term for "landscape painting", that is to say, Chinese landscape painting has its own aesthetic tradition of landscape painting, which is a painting subject that depicts all things such as mountains, water, trees, stones, clouds, fog, cars, boats, houses, houses, people, birds, animals, etc. This subject basically matured during the late Tang Dynasty and the Five Dynasties, and the Song and Yuan dynasties reached a peak. Shanshui, as the name suggests, is the main body of depiction.

The trees are cloudy and misty, and the characters in the houses are decorated, which is small and big, and tens of millions of elephants. Chinese landscape painting is not a Western "landscape painting". Because the West is traditionally based on life drawing, landscape painting is a faithful depiction of wild landscapes, and the development of this painting style is no different from the development of Chinese landscape painting, which is later than the development of figure painting.

Western landscape painting did not develop until the eighteenth century, about a thousand years later than the maturity of Chinese landscapes. Chinese landscape painting, traditionally believed to be the Tang Dynasty Wang Wei founded, in fact, than Wang Wei earlier than Wang Wei in the Sui Dynasty already had landscape paintings, but, whether the Sui Dynasty or the Tang Dynasty Wang Wei, this period of landscape painting, is still in a very immature period, although Du Fu's poems recorded, Tang Xuanzong period has been a landscape painting Zhang buying, and there are also landscape paintings hanging in the public court, but in the late Tang Dynasty, the Five Dynasties period, Chinese landscape painting has basically matured, especially in the Northern Song Dynasty, landscape painting has developed greatly, There was a great landscape painter like Fan Kuan.

By the Yuan Dynasty, Chinese landscape painting had reached its peak, and Huang Gongwang's Fuchun Mountain Residence was a jewel in the crown of ancient Chinese landscape painting. Chinese landscape painting is not a landscape sketch, Chinese painting comes from sketching, and at the same time it is not a reproduction of natural scenery, but a spiritual "landscape" that highly unifies people's thoughts and artistic aesthetic principles according to the basic laws of nature, which is the unity of ideal beauty and natural beauty that cannot be achieved by Western painting, and Chinese painting can do it, which is a perfect unity of traditional aesthetics and artistic thought.

Chinese painting is a local Chinese painting art, with a history dating back thousands of years, and is a treasure of traditional Chinese art. Oil painting is a Western painting art, which began to flow into China in the Qing Dynasty. The brush used in Chinese painting is conical, soft and hard.

Sheep hair, and both belong to the soft pen, wolf hair is relatively hard. The drawing paper is specially made rice paper. Pigments are water-soluble minerals, mainly painted with ink, and the ink is divided into five colors.

Splendid Greater China, because of the exquisite craftsmanship, very early on silk, silk, silk such fine fiber material as the canvas, so the corresponding use of water, ink, color with strong penetration, laid the foundation of later generations of Chinese painting with line as the main means of modeling. Mainly using the changes of lines and ink colors, with hook and dot dyeing, shade dry and wet, yin and yang to the back, virtual and real sparse and blank space and other expressions, the field of vision is wide, not limited to the focus of perspective.

Chinese painting is very peculiar, the perspective in the landscape is uncertain, a landscape painting has a top-down view, there is also a heads-up view, all in the painter's ingenious layout, so this is the painter's mind hidden in the landscape, pay attention to the realm of charm, to replace the real with the virtual, do not pay much attention to light and shadow, pay attention to the "color with the class", pay attention to the inherent color of the object. The difference in the amount of water and the length and size of the strokes caused by the ever-changing and light and dark techniques of the pen and ink are caused. <>

The figures, on the other hand, are generally outlined with ink lines and the body form is concealed by the folds of clothes, the purpose is only to show the posture characteristics of the characters, but not to talk about the size and proportion of the characters. Don't seek to resemble the form, but seek the resemblance of the god. Chinese painting is of the same origin as poetry and painting, and it pays more attention to people's understanding, and expresses more philosophical thinking on the unity of heaven and heaven in the painting.

The influence of Chinese painting is Confucianism, Taoism and Buddhism, and the national spirit formed by the Chinese concept of "the unity of heaven and man" focuses on peace, comfort, introversion, the pursuit of harmony and unity, and attaches importance to the self-expression of what is felt and understood. In order to achieve the realm of seepage of objects and self, the integration of scenes, and the integration of nature in the painting.

Chinese painting should be expressed in traditional Chinese calligraphy, and the painting should be at the highest level with calligraphy.

Ink painting is a unique art in the world. It is a reflection of the meaning of Chinese visual art, a spiritual reflection of transcendent figurative art, and a ...... of the painter's perception of the soul and philosophical understanding of expression

The representative works of Chinese ink painting are as follows:

1. "Xiaoxiang Picture" shows the southern landscape, depicting a lake and mountains, the mountains are gentle and continuous, the mountains are mostly covered with linen, and the vegetation on the mountains is rendered with ink dots, and the combination of Pingyuan's composition and the large water area in the close-up scene gives the picture a strong sense of space, and also presents the misty landscape of the south of the Yangtze River. In the middle of the landscape, there are characters and fishing boats, which are colorful and interesting, adding infinite vitality to the quiet and deep mountain forest.

2. "Spring Tour" is a painting work created by the Sui Dynasty painter Zhan Ziqian, on silk, blue and green color, and there are six words on the painting of "Zhan Ziqian Spring Tour" inscribed by Song Huizong, which is now preserved in the painting hall of the Palace Museum in Beijing. The picture shows the situation of the water and the sky connecting each other, there are green mountains stacked on top of each other, the lake is melting, there are also scholars riding horses on the mountain trail or stopping at the lake, and there are beautiful ladies boating on the water, the wind is warm, the water surface is sparkling, the peach and apricot bloom on the shore, and the green grass is like grass.

3. "A Thousand Miles of Rivers and Mountains" is a silk ink and color painting created by Wang Ximeng of the Northern Song Dynasty, which is now collected in the Palace Museum in Beijing. The work is in the form of a long scroll, based on tradition, the picture is meticulous, the vast rivers and the undulating mountains constitute a wonderful landscape map of the south of the Yangtze River, fishing villages and wild markets, water pavilions, thatched hermitage grass houses, water mill long bridges, etc. The static scene is interspersed with fishing, sailing, playing, catching up with the market and other dynamic scenes, and the combination of movement and static is just right.

4. "Fuchun Mountain Residence" is an ink painting on paper created by the Yuan Dynasty painter Huang Gongwang in 1350, and is one of the top ten famous paintings in China. Huang Gongwang was painted by his younger brother Zheng Yu (useless teacher), changed hands several times, and was killed in two sections for "burning paintings and being buried". The first half of the volume:

The leftover mountain is now in the collection of the Zhejiang Provincial Museum; The second half of the volume: the useless master scroll, now in the National Palace Museum, Taipei.

Be. Chinese ink painting refers to paintings made purely with ink, also known as Chinese painting, which is a traditional Chinese painting. The painting tool of Chinese ink painting is "pen, ink, paper, inkstone", and its creation pays attention to "vivid charm" and "writing the spirit with form".

Ink painting: It is a form of painting, and more often, ink painting is regarded as a representative of traditional Chinese painting, that is, Chinese painting. The basic ink paintings are only water and ink, black and white, but the advanced ink paintings also have fine brush paintings of flowers and birds, which are colorful.

The latter is also sometimes referred to as color ink painting.

Basic introduction. A type of Chinese painting. Refers to a painting made entirely with ink.

There are three basic elements: simplicity, symbolism, and naturalness. The "ink painting" composed of Chinese special smoke and ink has become a unique type of Chinese painting.

Cracked ink can be divided into five types of ink, light ink, thick ink, very light ink and coke ink, that is, five levels of coke ink (original ink), one thick ink, one heavy ink, one light ink and one clear ink.

Ink painting: In Chinese painting, one of the unique materials of Chinese painting, ink is used as the main raw material, and the amount of clear water is used to draw different shades (black, white, gray), etc., to draw different shades (black, white, gray). It has a unique charm called "ink rhyme".

It forms a form of painting based on ink painting.

Pay attention to "vividness", not confined to the appearance of the object, but emphasize the subjective taste of the artist. Chinese painting emphasizes "writing God in form", and pursues a feeling of "wonder between the similar and the unlike" Pay attention to the charm of brush and ink, and the brushwork requirements: flat, round, stay, heavy and change.

The ink method requires that the ink be divided into five colors, thick, light, broken, splashed, stained, burnt, and stayed. Pay attention to the "bone method with a pen", do not pay attention to the focus of the perspective bend, do not emphasize the influence of the environment on the light and color changes of the object, pay attention to the layout of the blank space and the "momentum" of the object.

Characteristics of ink painting 1 Ink painting began in the Tang Dynasty, was completed in the Five Dynasties, flourished in the Song and Yuan dynasties, and continued to develop in the Ming and Qing dynasties and modern times. The basic elements of ink painting are simplicity, symbolism, and naturalness. Dominated by brushwork, give full play to the function of ink.

Ink is color", referring to the change of the shade of ink is the change of the level of color, and "ink is colorful", which means that the color can be replaced by multi-level ink chromaticity. The "ink painting" composed of Chinese special smoke and ink has become a unique type of Chinese painting. Ink can be divided into five types of ink, light ink, thick ink, very light ink and burnt ink, that is, five levels of burnt ink (original ink), one thick ink, one heavy ink, one light ink and one clear ink.

Ink is a cold color, and a painting composed of five inks should have a sense of coldness, and its tone should be gray. However, good painting is good at using white ground (blank) to contrast and reconcile with the cold color of black, so that people have a sense of warmth between cold and heat. Moreover, good smoke ink is not dark ink.

All those who are smooth and light and shoot strong are called bright things, and the black luster of good ink is like lacquer, which is called bright black, so it will not make people feel gray. The second characteristic of ink painting is that the brush emphasizes changes such as thickness, speed, frustration, state chain, turn, and square circle, so as to express the texture of the object. Generally speaking, the pen should be used hard to start and stop the pen, the wrist should be straight, the middle qi can not be broken, and the pen can not be lightly picked.

When using the pen, the force is light and floating, the force is heavy, the speed is slippery, the Xu Yun is sluggish, the partial use is thin, and the positive use is the board. To do the curved line like a bow, straight like a ruler, this is the meaning of the pen. For the use of ink, it is emphasized that the interaction of rubbing, rubbing, dotting and dyeing is used, and the dry, wet, thick and light are reasonably deployed to shape the type.

Ink painting and Chinese painting, one is free, the other is pure. The freedom of ink painting refers to its inclusiveness, and both ancient and modern, Chinese and foreign countries can freely gallop in this artistic world; The purity of Chinese painting refers to its strict aesthetic requirements, and only creations that identify with the spirit of Chinese painting can be included in the title of Chinese painting.

Therefore, we can also understand why the "International Ink Painting Biennale" held in Shenzhen is not the "International Chinese Painting Biennale", why the Chinese Painting Research Institute cannot be renamed the Chinese Ink Painting Research Institute, or why Li Xiaoshan's "Chinese Painting is at the End of the Road" is not "Ink Painting at the End of the Road".

Liu Xiaochun will curate this year's "Chinese Ink Painting Documentaries (1976-2006)" instead of "1976-2006 Chinese Painting Documents". In addition, Wu Guanzhong's "brush and ink are equal to zero" and Zhang Ding's "brush and ink are the bottom line of Chinese painting", which are actually talking about two things: ink painting and Chinese painting.

Ink painting is a form of expression of Chinese painting, which is a painting made of Chinese painting pigments on paper or silk, and the expression techniques mainly include fine brushwork and ink freehand. Therefore, ink painting is a kind of Chinese painting.

Ink painting is a kind of Chinese painting, but Chinese painting not only includes ink painting but also gongbi painting, among which ink painting is also divided into traditional ink painting and modern experimental ink painting, the difference between the two can also be searched on the Internet. You'll be clear :)

Contains relationships. Ink painting is only one type of Chinese painting, and Chinese painting also includes gongbi painting, flower and bird painting, etc., each with its own expressive characteristics. Comparatively speaking, ink painting has a more important position.

Ink painting is a kind of Chinese painting, which is mainly based on ink and supplemented by pigments. Ink painting uses only ink and no paint.

Ink painting belongs to the Chinese painting, which is just a Chinese painting based on ink and plain color! In terms of painting method, ink painting is a kind of Chinese painting work completed with water and ink in freehand!

A little shallow view!

Your question is a bit funny, ink painting is Chinese painting, it is a kind of Chinese painting. Chinese painting is a unique painting technique in China, so it is called Chinese painting. Ink is one of them.

Ink painting is a representative of Chinese painting, that is, "Chinese painting" in a narrow sense. The basic ink paintings are only water and ink, black and white, but the advanced ink paintings also have colorful flower and bird paintings, which are sometimes called color ink paintings.

In a broad sense, ink painting is a kind of Chinese painting. In a narrow sense, ink painting and Chinese painting are the same. In China, there is a certain controversy over the definition of ink painting and Chinese painting, especially in recent years, many people advocate changing Chinese painting back to ink painting.

It seems that the concept of defining Chinese painting in our country was after the founding of the People's Republic of China. Everyone says that an art form should not be named after a politically charged name, such as "China", and that Chinese painting itself is based on ink painting, so it is more appropriate to call it ink painting. I don't know if you're satisfied.

Chinese painting is a traditional art in China, and the materials are exquisite. The expressive techniques are mostly depiction, dyeing, and dyeing. The form of expression is mainly based on taking the spirit, not paying attention to the change of light and shadow, and the perspective is mostly scattered, which is the same as calligraphy.

Ink painting is a kind of Chinese painting, emphasizing the change of ink rhyme.

In fact, they are all the same, but the only raw materials used in ink painting are water and ink, and other raw materials will be used in Chinese painting. Such as: garcinia cambogia, cyanine, etc.

Chinese painting is copied.

China's traditional arts, the use of materials.

Investigate. The expression techniques are mostly depiction, scrubbing, and dyeing. The form of expression du is mainly to take the gods, and does not pay attention to the changes of light and shadow, and the perspective of dao is mostly scattered, which is the same as calligraphy.

Ink painting is a kind of Chinese painting, emphasizing the change of ink rhyme.

Watercolor and oil painting are from the West, emphasizing light and shadow and volume, and have their strict compositional proportions.

Of course, this is only a distinction from the phenomenon, but I think it is the difference between the cultural backgrounds of the East and the West, which has resulted in different expression techniques and forms of expression. Picasso and Monet tried to express themselves with new theories and were recognized.