Some people think that the boundless and inexhaustible in the jaw couplet of Ascending are red

Some people think that the "boundless" and "inexhaustible" in the jaw couplet of "Ascending" are redundant. Combined with the artistic conception of this poem, my opinion is that this statement is unreasonable. "Boundless" and "endless" are not only redundant, but also make "Xiao Xiao" and "rolling" more vivid.

The jaw joint concentrates on the typical characteristics of autumn in Kuizhou. The poet looked up at the boundless and bleak wooden leaves, looked down at the rushing and rolling river, and expressed his feelings deeply while writing the scene. Through the gloomy and sad couplets, it shows the power of the supernatural pen, and it does have the majestic momentum of "building a mountain and walking away" and "Baichuan East Note".

It is reasonable for the predecessors to praise it as a "unique step in ancient and modern times".

The couplet focuses on rendering the whole autumn atmosphere, just like the painter's freehand, which should only convey the mind and let the reader supplement it with imagination. It reminds people of the sound of falling trees and the turbulent state of the Yangtze River, and also invisibly conveys the feeling that Shaoguang is fleeting and ambition is difficult to pay.

I don't think I'm qualified to question Lao Du's poem, after all, we can't write like this. With the fire of "Celebrating More Than Years", this first ascending has also been recited by more people, the first four sentences of the scenery are magnificent, and the last four sentences are bound to travel sorrow and loneliness, just like the fallen leaves and the river, the push and row are endless, the drive is endless, and the love and scenery are blended harmoniously. So far, the poem has added the general meaning of homesickness to the guest, added the content of long-term loneliness, added the sadness and bitterness of the autumn, and added the sigh of being away from home and people in the twilight years, and the poetry is even deeper.

Du Fu's poem "Ascending" uses imagery: the strong wind, the high sky, the mourning ape, the clear Zhu, the white sand, the returning bird, the falling wood, the Yangtze River; It creates an artistic conception: gloomy and desolate (bleak and desolate), majestic and open.

Full text: The wind is urgent, the sky is high, the ape is howling, and the white bird flies back. Boundless falling trees and Xiao Xiao, endless Yangtze River rolling. He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years. Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

Translation: The sky is high and the wind is urgent, and the apes are sad and sad, and the gulls are frolicking and circling in the clear water. Endless leaves are falling, and the Yangtze River is rolling and rushing.

Sad to the autumn color sigh drifting outside, in the twilight of the sick I climbed the platform alone. I deeply regret that my sideburns are getting grayer, and I am sad that I stopped drinking after I fell ill.

The first couplet, "The wind is urgent, the sky is high, the ape is howling, and the white bird flies back", which describes what the poet saw and heard when he climbed high and pitched, integrating the poet's complex and deep feelings. The poet chooses six images, including the bleak autumn wind, the empty sky, the mournful ape voice, and the bleak river, the white sandy beach, and the flock of birds whirling and flying, to paint a sad picture of "cold, desolate, miserable and miserable relatives" for us. In particular, the two details of "The Ape Howling" and "The Bird Flying Back" seem to be the poet's inexhaustible complex emotions of old age, illness and loneliness, and as if they are the true and vivid portrayal of thousands of long-term wandering and displaced people, including the poet.

The jaw couplet "boundless falling trees and Xiao Xiaoxiao, endless Yangtze River rolling", concentrates on the typical characteristics of the late autumn season. The falling trees are boundless and bleak, which is what the poet looks up to; The river is rushing endlessly, rolling away, it is the poet who looks down and sees, there is the sound of "Xiao Xiao", there is also the trend of "rolling", which makes people feel that the whole picture is full of weather, desolate and tragic, majestic and magnificent, and the realm is grand and far-reaching. More importantly, we seem to feel the poet's sigh of the fleeting and short life in the face of the river of the deceased, and the unrewarding ambition and helpless pain expressed in the face of the fallen trees that are dry and prosperous!

The somber and sad couplet writes the poet's "difficult and bitter" life situation vividly and vividly, with precise language and magnificent momentum, and the predecessors praised it as "the only step in the ancient and modern times" "The environment in the sentence", which is really not an exaggeration. In the last four sentences, he expresses his feelings about ascending to the heights, and expresses his difficult situation of many diseases and his depressed and sad mood. The poet has been wandering all year round, and has been in exile for a long time, and now he is old and frail, riddled with diseases.

Even if there are thousands of bitter hatreds, I have to borrow alcohol to eliminate my sorrows, but unfortunately I quit drinking due to illness, and I have no choice but to have a cup. At this moment, the poet's sad heart can be imagined. The neck couplet "Thousands of miles of sad autumn is often a guest, and a hundred years of illness is on the stage alone", which further clarifies the feelings contained in the above two couplets, and expresses the poet's melancholy when he is sad from the two aspects of time and space with a rich layered and three-dimensional sense

a sad wandering and haggard, thousands of miles away from home; The second sorrow is bleak in late autumn, desolate and magnificent; Three sorrows: Life is short and moody; The four sorrows are detained in a foreign land, and they are guests in other places; Five sorrows in the twilight years of climbing, powerless; Liubei is frail and sickly, and is in a difficult situation; Seven sorrows, loneliness, and suffering, sorrow and suffering, ......The neat and rigorous couplets not only contain the poet's inexhaustible sorrow like falling leaves, but also the poet's inexhaustible loneliness and hatred like a river, and the rich connotation makes us deeply feel the pulse of Du Fu's heavy beating feelings and the strong voice of the times! The tail couplet "Hardship and bitterness and hatred of frost and sideburns, pouring down the new turbid wine glass", the poet is prepared for the hardships and hardships, and the national disaster and family sorrow have made the poet gray hair day by day, miserable, and he wants to use wine to relieve sorrow, but due to illness, sorrow is more difficult to dispel, which adds a layer of deep melancholy and helpless sigh to the poet for no reason. Here the poet attributes the downfall to the difficulties of the times, and his sentiments when he is sad about the country are vividly expressed.

The first two couplets form a sad autumn scenery with the autumn wind, the mournful ape sound, the quietly falling autumn leaves, and the low-flying hovering gulls. In the midst of desolation, through the rolling eastward water of the Yellow River, it is emphasized that the sad autumn will pass, and the right path in the world is the vicissitudes of life.

The wind is urgent, the sky is high, the ape is howling, and the white bird flies back.

Boundless falling trees and Xiao Xiao, not all the Yangtze River Gong Gong comes.

He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

The couplet of "Ascending" depicts the picture of the clear sky like the sea in late autumn, the sound of ape roaring in the empty valley, the wind and frost are noble, and the water is falling out, and the majestic and sad emotional tone is rendered through an infinite picture of fallen leaves and endless Yangtze River.

"Ascending" is a poem composed by the Tang Dynasty poet Du Fu in the autumn of the second year of the Great Calendar (767) in Kuizhou. The first four sentences describe the scenery, describing the sights and stories of ascending, closely following the seasonal characteristics of autumn, and depicting the empty and lonely scenery by the riverside. The first joint is a local close-up view, and the jaw joint is an overall distant view.

The last four sentences are lyrical, writing about the feelings of ascending, focusing on the author's own life experience, expressing the sadness of poverty, old age and illness, and living in a foreign land.

The neck couplet self-injures his life experience, revealing the metaphor, symbolism, and hint contained in the first four sentences; The tail couplet makes another statement, ending with a self-image of decay and illness. The language of this poem is concise, the whole poem is dual, and there is still a sentence in one or two sentences, which fully shows that Du Fu's grasp and use of poetic language and rhythm in his later years has reached the realm of roundness.

About the Author. Du Fu (712-770), the word is beautiful, and he calls himself Shaoling Ye Lao. Jujin Shi is not the first, once served as a member of the inspection school engineering department, so the world is called the Du Gong Department.

He was the greatest realist poet of the Tang Dynasty, and was revered as the "poet saint" after the Song Dynasty, and was called "Li Du" along with Li Bai. His poems boldly expose the social contradictions of the time, and express deep sympathy for the poor people, and the content is profound.

Mountain climbing. Du Fu Tang Dynasty

The wind is urgent, the sky is high, the ape is howling, and the white bird flies back.

Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

The first couplet and the jaw couplet of Denggao use metaphor and anthropomorphic rhetorical techniques to describe the autumn when the sky is high and cloudy, the cold wind is getting stronger and stronger, and the apes are crying and sad in the mountains, like crying and complaining; A flock of gulls frolicking and circling by the waterside of the Qingqing River, shuttling back and forth; The sight of leaves falling like snow in the reckless woods.

Refine. Translations and annotations.

Translations. The wind is strong, the ape is crying, and the birds are hovering on the river island.

The boundless trees fall their leaves, and the endless Yangtze River water rolls and rushes.

Sadness to the autumn scenery sighed thousands of miles of wandering all year round as a guest, a lifetime of illness riddled with hail buried on the high platform today.

After all the hardships and hatreds, the white hair is full of temples, and the wine glass of decay and heart is full of deviations, and the sorrow is suspended.

Exegesis. The poem "Nine Days of Ascending" is a work titled "Nine Days of Ascending". On the ninth day of the ninth month of the ancient lunar calendar, there was a custom of ascending. Excerpt from "Detailed Notes on Du Poems". It was made in the autumn of the second year of the Tang Dynasty (767).

Ape Wailing: The mournful cry of an ape. "Water Jing Note: River Water" quotes the folk song cloud: "The Three Gorges of Badong is long, and the ape screams three times with tears. ”