Who proposed the Four Tang Sayings and the Five Tang Sayings?

Sitang said that it was completed by Gao Qi in the Ming Dynasty. The Five Tang Dynasty said that it first began with Yan Yu in the Song Dynasty.

The Four Tang Dynasty and the Five Tang Dynasty are the periodization of Tang poetry by the ancients.

The Four Tang Dynasty Theory was completed by Gao Qi in the Ming Dynasty, and the periodization method of the "Four Tang Dynasty Theory" originated from Yan Yu's "Canglang Poems" in the Southern Song Dynasty

After the elaboration of Fang Hui in the Yuan Dynasty, it was laid in Yang Shihong's "Tang Yin" in the Yuan Dynasty and completed in the "Tang Poetry Collection" by Gao Di in the Ming Dynasty

It refers to the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty, and the late Tang Dynasty.

The Five Tang Dynasty began in the Song Dynasty Yan Yu, who said in "Canglang Poetry and Poetry", "In terms of poetry, there are the early Tang Dynasty, the Prosperous Tang Dynasty, the Great Calendar, the Yuan and the Late Tang Dynasty."

Nowadays, most people adopt the Four Tang Theory.

The so-called "Four Tang Dynasty" refers to the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty, and the late Tang Dynasty, which is a popular theory about the development and periodization of Tang poetry in the process of Tang poetry research. At present, the academic community generally believes that the periodization of Tang poetry began with Yan Yu of the Song Dynasty and took shape from the high kneading of the Ming Dynasty, which is basically true, but not comprehensive. Because, the generation of the "Four Tang" theory is a collection of wisdom of all people has experienced a germination, to.

Fourth, Tang said: "It sprouted in the critical atmosphere of the era of commenting on poetry and tasting poetry at the end of the Tang Dynasty." Influenced by this cultural atmosphere, Yan Yu put forward the theory of "Five Tang Dynasty" in the process of discussing poetry, completing the general periodization of the development of Tang poetry. Fang Hui and Yang Shihong applied it to the specific operation process of selecting and commenting on poems, expanding its influence.

It was only in Gao Feng that the theory of the "Four Tang Dynasty" was perfected and finalized, and became a periodization theory that had a profound influence on the study of Tang poetry.

Ming Gaoqi's "Tang Poetry Collection" General Description":"As for the sound rhythm and imagery, the words are reasonable, and each has a difference in character, and in a nutshell, there is a difference between the early Tang Dynasty, the prosperous Tang Dynasty, the middle Tang Dynasty, and the late Tang Dynasty. "

The Five Tang Dynasty said that it first began with Yan Yu in the Song Dynasty. He said in "Canglang Poetry and Poetry", "In terms of poetry, there are the early Tang style, the prosperous Tang style, the Great Calendar style, the Yuan He style, and the late Tang style".

The "three families of the early Tang Dynasty" areOuyang Xun, Yu Shinan,Chu SuiliangThree,They were famous calligraphers in the early Tang Dynasty, enjoyed a high reputation, and also had a lot of research in calligraphy, which is a rare treasure of talents in our history. In addition to these three, there is also a Xue Ji.

Together with these three people, they are called the "Four Masters of the Early Tang Dynasty". The calligraphy of these calligraphers had a well-known peculiarity at that time, that is, their style of writing in regular script was mainly "delicate and thin". <>

1. Everyone in calligraphy, and the works are fragrant

In the "Three Masters of the Early Tang Dynasty", Ouyang Xun's calligraphy is the most outstanding, and in the writing of regular script, Ouyang Xun's regular script is the most prominent, and he has also contributed the most in this regard. Later, Ouyang Xun also worked with Yan Zhenqing.

Zhao Mengfu and Liu Gongquan are known as the "Four Masters of Regular Script" by the world. Ouyang Xun's regular script work "Jiucheng Palace".

It is the existence of those who later studied regular script as a model, which is really powerful. Ouyang Xun himself was also deeply won by the emperor of the Tang Dynasty, Li Shimin.

and is deeply valued and appreciated by him. <>

Yu Shinan's study of calligraphy is no less than his knowledge of literature and poetry, and the world praises his works for being clear and beautiful, revealing robustness, compared to his calligraphy works, his "Cicada".

Relatively more popular good poems.

Because Chu Suiliang was proficient in calligraphy, he was even more Wei Zheng.

Introduced to Li Shimin, and won Li Shimin's appreciation, but unfortunately the officialdom was disappointed and did not have a good ending, but fortunately, the calligraphy works have been famous for centuries.

2. Be tempting, forbearing, and concentrated

Although Ouyang Xun, Yu Shinan, and Chu Suiliang were all accomplished in calligraphy, because these three were deeply involved in officialdom, their final outcome was not very good. Therefore, I believe that specializing in a technology should be treated wholeheartedly, rather than linking it to the interests of society, so that you can neither reach the pinnacle of art nor be guaranteed the benefits of society. <>

"The three families of the early Tang Dynasty are rare for us, because their spirit of excellence has allowed us to obtain a lot of treasures in calligraphy.

They are Li Bai, Du Fu, and Li Qingzhao. Among them, I like Li Bai the poet the most, and his poems are very meaningful.

refers to Ouyang Xun, Yu Shinan, and Chu Suiliang in the early Tang Dynasty. And called "the three families of the early Tang Dynasty". There is a common feature, that is, the style of regular script is "delicate and thin", among which Ouyang Xun Kaishu is more prominent, and the contribution is the greatest, and later Yan Zhenqing, Liu Gongquan, Zhao Mengfu and called "the four masters of regular script", his "Jiucheng Palace", has always been regarded as a model for learning regular script.

Yu Shinan, Ouyang Xiu, Chu Suiliang, these three people are the three masters of the early Tang Dynasty calligraphy industry, the font is a faction, strong and powerful, with their own obvious characteristics.

Ouyang Xun (557 AD - 641 AD) was a calligrapher in the early Tang Dynasty. The letter book, a native of Linxiang in Tanzhou, entered the Tang Dynasty from Chen and Sui, and won Li Shimin's appreciation and respect. Yu Shinan (558 A.D. - 638 A.D.), a poet of the Tang Dynasty, a native of Yuyao, Zhejiang, a native of Emperor Yang of the Sui Dynasty, a secretary and supervisor in the Tang Dynasty, and a bachelor of Hongwen Pavilion.

Chu Suiliang (596 A.D. – 658 A.D.)

Calligrapher of the early Tang Dynasty. The word Dengshan, a native of Qiantang, in the last years of Zhenguan, and the eldest grandson Wuji were ordered by Tang Taizong to assist the government, and Gaozong was named the prince of Henan County, known as "Chu Henan". Xue Ji (649 A.D. - A.D.

713) was a calligrapher and painter in the early Tang Dynasty. The word is passed, and he is a native of Fenyin, Puzhou.

The four major suspects in the early Tang Dynasty refer to Wang Bo, Yang Jiong, Lu Zhaolin and Luo Bin Wang. They were all literary scholars in the early Tang Dynasty, and were known as "Kaiyuan literati" or "four masters of the early Tang Dynasty". These four writers had a profound influence on the literary world at that time and had an important impact on the poetry creation of later generations.

Among them, Wang Bo is famous for "Preface to the Pavilion of King Teng"; Yang Jiong is good at writing scenes and expressing his feelings; Lu Zhaolin is good at depicting historical events and social features; Luo Bingwang takes the theme of poetry and landscape pastoral, and shows a strong local flavor in his poems.

The fourth family of the Tang Dynasty refers to Luo Bingwang, Wang Bo, Yang Jiong and Lu Zhaolin. They were all outstanding figures in the literary world of the early Tang Dynasty and had a profound influence on the development of literature at that time.

The representative works of his socks are:

Luo Bing Wang: "Will Enter the Wine", "Yonghuai Monuments" and so on.

Wang Bo: "Preface to the Pavilion of King Teng", "The Righteousness of Boyi Yanyuan", etc.

Yang Jiong: Bo Zhengzao's "Title Yuling Beiyi", "Dengyouzhou Taiwan Song", etc.

Lu Zhaolin: "Yongshi", "Farewell to the Ancient Grass", etc.

Among the works of the four masters, Wang Bo's "Preface to the Pavilion of King Teng" and Luo Binwang's "Will Enter the Wine" are the most famous, which are known as classics of Tang Dynasty literature.

The four masters of the early Tang Dynasty: Ouyang Xun, Yu Shinan, Chu Suiliang, and Xue Ji are all famous calligraphers and painters.

The four great masters of the early Tang Dynasty refer to the four great literati in the early years of the Tang Dynasty - Xue Ji, Chu Suiliang, Ouyang Xun, and Yu Shinan. These four people are all famous calligraphers and painters, and they uphold the artistic essence of their ancestors and integrate them into their personal characteristics, injecting fresh vitality into the literary world in the early Tang Dynasty.

The explanation of the words of the Four Tang Dynasty is: refers to the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty, and the Tang Dynasty. It was originally a periodization of Tang poetry in the old days.

Ming Gao "General Narrative":"As for the sound rhythm and imagery, the words are reasonable, and each has a difference in character, and in a nutshell, there is a difference between the early Tang Dynasty, the prosperous Tang Dynasty, and the middle Tang Dynasty. "See"Santang"。

The explanation of the words of the Four Tang Dynasty is: refers to the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty, and the Tang Dynasty. It was originally a periodization of Tang poetry in the old days.

Ming Gao "General Narrative":"As for the sound rhythm and imagery, the words are reasonable, and each has a difference in character, and in a nutshell, there is a difference between the early Tang Dynasty, the prosperous Tang Dynasty, and the middle Tang Dynasty. "See"Santang"。

The phonetic pronunciation is: Pinyin is: sìtáng.

The structure is: four (monolithic structure) Tang (semi-enclosed structure).

What is the specific explanation of the four Tangs, we will introduce it to you through the following aspects:

1. Citations and explanations [click here to view the details of the plan].

It refers to the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty, and the late Tang Dynasty. It was originally a periodization of Tang poetry in the old days. See "Three Tangs".

Quoting Ming Gao's "General Description of Tang Poetry": "As for the sound rhythm and imagery, the words are reasonable, and each has a different character, in other words, there are differences between the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty, and the late Tang Dynasty. ”

2. Chinese dictionary.

The poetry style of the Tang Dynasty was the most prosperous, Yuan Yang Shihong wrote "Tang Yin", commented on Tang poetry, divided into the early Tang Dynasty (Gaozu Wude early to Fengqiao Xuanzong Kaiyuan early Yuan), the Tang Dynasty (to the beginning of the Great Calendar of Daizong), the Middle Tang Dynasty (to the ninth year of Wenzong Taihe), and the late Tang Dynasty (to Zhaoxuan Emperor Tian) four periods, called the Four Tang Dynasty.

Three silver tie-ins, network explanation.

The four Tang Dynasty refers to the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty, and the Tang Dynasty. It was originally a periodization of Tang poetry in the old days. Ming Gao's "Tang Poetry Collection" General Description":"As for the sound rhythm and imagery, the words are reasonable, and each has a difference in character, and in a nutshell, there is a difference between the early Tang Dynasty, the prosperous Tang Dynasty, and the middle Tang Dynasty. "

Verses about the Four Tangs.

Twenty-four Don Juan still has to ask.

Idioms about the Four Tangs.

The rule of Tang Yu depicts Tang Tu, Tang Linjin, Feng Tang has been begging for horses, Tang is wanton, Tang Tuxizi, Tang Zai, the emperor is absurd, and Feng Tang is white.

Words about the Four Tangs.

Tang Tuxizi is absurd, Feng Tang Baishou Feng Tang is old and absurd, Tang Yu's rule is absurd, Feng Tang is easy to beg Ma Tang, Tang is wanton and scattered, Gao Tang.

The interpretation of the Four Tang Dynasty refers to the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty, and the Late Tang Dynasty. It was originally a periodization of Tang poetry in the old days. Ming Gaoqi's "Tang Poetry Collection" General Description":

As for the sound rhythm and the rational words, each has its own difference in character, and in terms of the early Tang Dynasty, the prosperous Tang Dynasty, the middle Tang Dynasty, and the late Tang Dynasty. See "Three Tangs".

Word decomposition Explanation of four ì several names, three plus one (often capitalized on banknotes and documents): four squares. Quadrilateral.

Four prefaces (i.e., "four seasons"). Quadruple Body (a refers to the limbs of a person; b refers to Kai, grass, Li, seal four fonts). Siku (the name of the four parts of the ancient scriptures, history, children, and collection of chaos.

Also known as the "Four Parts"). 4 Jun collapsed with the sail Tang Tang's explanation Tang á exaggerated, exaggerated: absurd.

Tang Da has no test. Empty, in vain : the effort is not in vain (the effort is not in vain).

The legendary Chinese dynasty name, built by Yao. Dynasty name: Tang Dynasty.

Tang poetry. Tang. Don people.

Tang. Post-Tang. The main road in front of the ancient court hall or inside the gate of the temple.

In ancient times, it was the same as "hail", referring to cicadas.