How to draw different effects of sketching, how to draw sketches to achieve the best results?

1 What are the skills of a person who paints ** smooth and white? If you rub it too much, it won't get tired? If the face is drawn very white, if you don't add any lines, you can't get out of the volume relationship?

Skill is all about gaining experience. Wipe with toilet paper, not too gray (trick: only rub the dark side, overdo it to the bright side).

The volume relationship is just a deepening of the dark side, it's OK! As long as you wipe it with toilet paper, the volume will come out immediately, and after the toilet paper is wiped, you have to use a pencil to modify it again and deepen it.

2 Some masters or some of the works that draw the sketches of those Korean stars, they can't see the traces of the lines on the surface, and many of them feel that they are composed of a lot of small dots, which is very realistic, why, how to draw them? Is it because of the different tools they use or the way they draw?

You have to practice the lines, tighten the lines, don't care how others draw them, you have to have your own style, and it has nothing to do with the tools

If you draw a woman, the facial lines should be drawn less, the face is painted a little deeper, reflecting the sense of hierarchy, the best time to draw is divided into black, gray and white, these three levels, and now draw a sketch, the best combination of the face line, so that the exam will get a high score, I take the exam sketch test 140 points, good! Go for it!

Try not to rub it with your hands or wipe it with a paper towel, it will not only make the picture, but also get tired, and it will be difficult to do if you are tired.

Look at some of the structure books of the head, pay attention to the sense of volume when arranging the lines, and insist on finishing the painting before you find that the painting is not as bad as you imagined, really!

To draw women and children, the lines need to be very thin and light, the lines are not messy, and the lines need to be strengthened, and the lines are pointed at both ends, and the overall thickness is consistent.

Rub it in moderation, too much will be greasy.

Rice has a small dot like this way of painting, watercolor is there, dot color, I saw one in the college entrance examination, I finished painting, she only dotted more than half, but it is good to look at it from a distance, look closely, dazzled.

I'm also a scholar who has been getting started for 2 years.

1。First of all, paint ** smooth and white people, if you want to paint delicate, then rub it with your hands, since it is delicate, then you must be patient, sharpen the pen, arrange the dense points, women's facial muscles are not as obvious as men and the elderly, so it is necessary to use the relationship between light and dark to express.

The face is mainly represented by chiaroscuro.

2。The works of those masters are usually painted with toner, carbon strips, etc., plus the processing of the shooting effect, so we should wait until the foundation is good in the future before pursuing.

Remember to give points.

If you want to paint ** smooth, it is best to draw less light and shade on the face, but should focus on showing the facial features.

Of course, the sense of volume will be weakened in this way, but it can also be reflected by emphasizing the relationship between light and shadow, such as the deepening of the lower eyelids and the deepening of the nose.

When you draw well, you will understand that the line is just a way, and the most important thing is to give it a tone, black, white and gray, so you can draw without the line at all.

You say that the material is also possible, and many masters like to paint with pastel, which will be more delicate.

If you want to draw smooth **, it is recommended that you read more of Ingres's sketches and copy them more.

1. The composition should be accurate (this is the most important).

2. Proficiency in line arrangement (the thickness and length of the lines are very important) 3. Proficiency (often drawn; Take control of the weight of your pen).

4. Contrast (the painting is smooth and white, and the contrast will highlight the desired effect if you grasp it well) This is a personal suggestion; Knowledge needs to be absorbed by oneself and practiced a lot 、、、

I think that in addition to talent, painting is mostly accumulating, and I can't rush it. How do you draw to get the best results? My advice is to draw more, even if it's copying.

Of course, copying here is not copying, but also starting as a whole and completing it step by step. Don't underestimate the role of copying. If you are a motivated person who always feels that it is far worse than the painting you copied, you can copy a similar work by copying it yourself with the steps you took when you painted.

Until you are satisfied with the copying, then you will know the most suitable painting steps for your own technique. If you follow this step when you paint again, you will make a lot of progress.

In addition to drawing more, it is important to observe more objects, not only when drawing, but also in the details of things, and remember that the ability to observe is crucial. When painting, don't rush to start the brush, first observe the relationship between the whole still life combination,,, I believe your teacher has also talked about it, if you are painting a still life combination, in addition to observing the shape, proportion, front and back size and other relationships, but also all the still life that can be seen in order of color shade, so that the final effect can be better. Having said all this, back to the original topic, it is 1 to practice more, observe more, and improve your modeling ability.

2. After quickly forming the shape, use soft lead to lay a major key to draw the boundary between light and dark, and projection. 3. If necessary, you can wipe the picture with a soft cloth and use an eraser to make a bright surface. After the 4 major relationships come out, they will gradually deepen according to the color shade.

From deep to shallow, spread the finer and thinner tones over and over again, 5, pull the picture away to see the overall effect, and depict it in depth. Well, that's what I've learned from sketching for a few years.,,I hope you succeed.。。

First of all, the most important thing is to be accurate, followed by the relationship between black, white and gray, especially to pay attention to the grasp of gray tones, only the level of gray tones enriches the sketch to look like there will be content, gray tones include from the light and dark junction to the reflective part and the light and dark junction to the highlight part, don't be too smooth, otherwise there will be a sense of craftsmanship, try to arrange the lines in groups, you must remember the truth that rather than round, rather dirty, not clean, too clean and smooth picture will give people a feeling frivolous and no content, lack of hierarchy, no sketch taste, Pay attention to the unity of light, the change of virtual and real, and the texture of the shaped. Good sketches come from diligent practice of hands and thinking brains, support you, keep up the good work!

Well, if you want the effect, subjectively, the foundation is definitely wanted, and sketching is not overnight, you have to copy a few paintings every week, look at some famous works, in order to improve the quality of painting. Objectively, in my personal opinion, it is best to draw still life with a 2B pen, which will be very textured, and when painting plaster, use 4b to draw outlines, 5b, 6b, 7b, 8b, 9b large light and shade, and when drawing real people, it is best to use charcoal to draw, the effect is better than pencil.

Pay attention to the careful observation of the body structure, the overall body structure you can understand and can be profoundly expressed, highlight a "quasi", plus the relationship between black, white and gray and the relationship between virtual and real are handled well, the sketch work can be large to the best effect.

Master the shaded parts and line thickness. Look at the textbooks specifically.