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This depends on the individual's pen strength.
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Step 1: Draw the shape first, add a little tone on both sides, and highlight the highlight in the middle of the hair.
Step 2: Use a pencil to accentuate the tone on both sides, follow the texture of the hair, and leave the highlights.
Step 3: Use a 6b pencil to deepen the tone on both sides, pay attention to the relationship between black, white and gray, and the pen should not be too heavy, and the relationship between virtual and real is in place.
Step 4: Use an 8B pencil to continue to shape the heavy places on both sides, and add some tone to the highlight part, and the gloss will be reflected immediately.
It is not uncommon for the head of the school character to encounter problems in the hair, no need to worry, my drawing method is: two kinds of 1Beginner portraits don't know where to compare when drawing hair, you can follow the direction of the hair to compare, in the relationship between light and dark before and after, to adjust them 2
You can also divide the hair into several parts to draw, that is, divide the hair into several large pieces and draw them separately, and finally unify them, here you should pay attention to the direction of the hair (draw it with a pencil tip) I hope the above will help you.
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Key points of drawing: 1. Before drawing hair, it is necessary to analyze the partition and trend of hair, so that the complex problem can be simplified, and the hair can be drawn in an orderly manner.
2. Pay special attention to the use of lines when drawing hair, and there are two requirements for lines: one is to keep the lines smooth, draw the hair one stroke at a time, and avoid drawing back and forth, and the phenomenon of inverted lines at the end of the line; The second is to combine the painting with a long **, which is conducive to retaining the natural highlights.
Drawing of line art.
1. Draw the upper and lower lines with a pencil, and then draw a line in the middle to determine the basic proportional relationship.
2. Pay attention to the lines contained in each equal portion, and draw the basic outline of the hair and the figure.
3. On the basis of the previous step, refine the hair details, add the main partition lines, and complete the drawing of the structure diagram.
4. Soften the lines on the basis of the structural drawing. Pay attention to keep the line drawing clean and tidy, and erase the previous sketch as you draw.
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Here's how to sketch your hair:
1. Observe the general shape of the hair first, and use the pencil line to simply indicate the shape of the hair.
2. Then deepen the tone of the hair, grasp a shade change in the hair, and pay attention to the line according to the direction of the hair.
3. Rub the hair in the picture, clean up the shape of the hair, and tidy up the picture by adding rubbing and then arranging the lines.
4. Finally, in-depth depiction to shape the texture of the hair, for example, you can erase a few reflective hairs to complete the adjustment of details.
Summary: The difficulty of sketching hair painting lies in the texture of the hair, you can use the method of adding rubbing and then arranging the lines when painting, and spend more time carefully and patiently painting performance. Pay attention to how your hair and face are connected.
The sideburns part is a transitional form, and the hairline part has a certain thickness, which creates a projection on the forehead.
Hair should reflect the main physical features of the head. Regardless of the subject's hairstyle, pay attention to its spherical features. It is a whole with the structure of the face, with the same light and dark junctions, reflections and highlights.
Because of the smooth surface of a person's hair, there are highlights, which are made up of bent hairs. When expressing, it should be noted that it is different from the general highlight form, and if it is not drawn well, it will look like a "white spot" or a gray head.
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Whether it is painting hair, nose or eyes, we not only require the shape to be accurate and vivid, but also the volume. If you want to draw the volume of the hair, you have to have: junction lines, reflections, projections. These three elements are essential.
First of all, we should summarize the size of the head and make the volume clear (in a straight line). After summarizing 8b or above into a major key, the junction line is expressed.
Second, divide the hair into several large groups, not too much. (Be flexible when grouping, don't make the components the same size or the same direction, and make a slight difference).
Finally, in small groups in large groups, (the same requirements as in large groups) you can stand and draw the direction of the hair in the group according to the direction of the hair. When you're done, use the eraser to erase the highlights by volume. Note:
The highlights should not be too bright, the hair is black, and the highlights are heavier than the tone of the face.
There can be some vivid shuffles of hair around the head, and there will be some shadows on the forehead.
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If you want to draw three-dimensional hair on the forehead, first draw a thin line with soft lead (thick first and then thin), leave a little space on one side, then apply gray around, and finally use HB to draw a projection of the hair.
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I think that slightly longer and long hair go structure, along the painting, combined with toilet paper wipe, you can make the hair shine smoother better, remember that the highlights and highlights have to be set aside at the beginning, for the later in-depth refinement to lay a good foundation, remember to draw the projection of the hair, make it more three-dimensional, but can not be painted to death, to be thorough, in fact, it is not difficult to practice more, come on.
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The painting of hair should be divided into several parts, and at the same time pay attention to the overall light and shadow relationship of hair, people say three thousand troubles, you can't really draw three thousand, really painted is also ugly, just like when you paint a still life, there is a pattern and word on the altar, when you paint is to start with the overall relationship to draw, rather than to buckle the pattern and word, the principle is the same, of course, the line of hair is very different from other objects, the line should be loose, the line should be flexible, pay attention to the thickness of the hair above the scalp, can not stick to the scalp, It is also necessary to combine different hairstyles, and the highlights on the hair can not be ignored, in the world of light and shadow, three sides, five tones, and seven levels are everywhere, all the skills are not as good as one thing, that is, more paintings, more paintings can naturally make progress, just say that it is never good to draw without practice, unless it is a genius,
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To draw the relationship, as long as you grasp the relationship between the space of the hair, the turn of the hair, the turn of light and shade, the hair on the skull, you look at the book basically in the form of a face, only the hair at the tip of the hair protrudes, so that the hair is very dense. Hope it helps.
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There are thousands of strands of hair, but you don't need to draw them one by one in the sketching technique.
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If you upload your drawing, you can know what the problem is. The main attention is to find out the five tones and do a good job in the relationship between the virtual and the real. Upstairs is the right solution.
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It depends on the light and dark tones. To practice. If you don't practice. It's not going to be that good.
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First, divide the hair into several large pieces, and then, the hair should be solid, and some of them should be erased with an eraser in the center of the vision, and some should be drawn with a pencil.
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Grasping the relationship as a whole and drawing hair strands is the next step.
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First, we must grasp the whole focus of the head.
Hair is the branch of the head, and no matter how you change it, it needs to be changed around the head. Therefore, in the process of depicting the head, it is advisable to achieve a certain morphological effect by changing the light and shade and the warmth and coldness of the human skull. Secondly, from the overall point of view, the hair of the character has a certain gloss, so it needs to be expressed with highlights, in the sketch of the character, often use the form of a collection of bent hair to express, but pay attention to its expression, to avoid walking into the gray head of the strange circle.
Second, it is necessary to focus on the key parts of the hair, and it is not necessary to depict each hair so meticulously, that is, to show a sense of reality of the hair through the combination of virtual and real, so as not to make people feel messy and raunchy. The hairline of the head is mainly to facilitate the expression of the shadow caused by the forehead on the face of the human body, while the sideburns in the hair mainly play a transitional role.
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1. Explanation of hair blocks.
When expressing hair, it is important to first establish a sense of the body in the mind, and it is important that the hair is attached to the skull. Also, according to the analysis in the figure below, you can first analyze the general light and shadow of the hair when drawing the hair, and then combine the analyzed light and shadow relationship to adjust the tone of the hair. When drawing a girl's long hair, you should also pay attention to the relationship between the head, neck and shoulders.
Second, the performance of hair skills.
a. Virtual-real processing.
When painting the hair, first lay out the color blocks, the outer contour of the hair is not drawn very casually, but the undulations, squareness, tightness and strength of the hair around the hair should be expressed. Then, in order to show the texture of the hair one by one, it is patiently drawn layer by layer, so that the hair is more abundant, and there is no main position of the gun.
b. Turning point processing.
The twist of the hair can use the reflection to make the head shape go around, increase the space of the back of the head, and further consolidate the complete shape of the head, and the outline of the back of the head can be used to express the broken and finished shape with blurred edges or loose hair strands, so that it will naturally retreat.
3. Explanation of hair steps.
a. The first step in drawing hair is naturally to beat the shape of the hair, but the most accurate thing is to show the relationship between light and dark hair. When drawing, the lines should be arranged according to the structure of the head, as shown in the following figure. The drawing is very relaxed, the result is very clear, and the relationship between light and dark is also very clear.
b. On the basis of the previous step, deepen the tone. Don't overwrite the relationships you drew in the previous step. Arrange the line to deepen according to the pace of the previous step.
Use the pen and paper tool to smooth out the lines. Notice that hair also has shadows. Pay attention to the shadow treatment of the forehead at the junction with the hair.
As shown in the figure below. c. To draw this step, you only need to adjust the relationship between the hairs and the expression of loose hair at the edge of the hair. Makes the hair more breathable.
Fourth, the different manifestations of hair.
Different hairstyles have a certain impact on the outer contour. Simple hairstyles have simple changes to the outer contour, and vice versa is complicated. Since the hue of the hair is important, the changes in the outer contour are mainly dealt with by the virtual and real means of sketching.
There are many variations of hairstyles, and no matter what kind of hairstyle, it is important to pay attention to the sheer condensation of the structure, intersperse, and structure of the hair. At the same time, it is also important to pay attention to its primary and secondary relationships throughout the head.
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The first type should be accurate, and the light and shade should be divided into blocks according to the three sides of light, gray and dark, and the overall comparison should determine the light and shade compared with the skin decoration and skin color of the characters. Also pay attention to the structure of the skull. The dark side can be wiped off with a pen (napkin or hand) first, and then layered on the dark side to make it different from the gray side.
The shiny side of the hair can be left at the beginning, and then slowly sculpted, or it can be erased with a hard eraser, which will make the hair appear straight, smooth and shiny, and the more you rub, the better the effect. For curly hair, it is necessary to compare carefully, and the most important thing is to pay attention to the relationship between the block surface, and the curly hair is drawn according to the block surface, and the effect will be good.
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3HB2HBHB1B depicts details such as the uplift of hair. 2b3b composition or pattern direction. 4b5b upward tone, light gray and heavy gray (gray) 6b7b8b near the junction of light and dark. It can express artistic effects and the softness of the hair.
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Painting hair pays attention to the texture of the hair, the outline can not be too solid to have a sense of space, the junction line should be positioned according to the head structure, be sure to use soft lead, it is recommended to use eraser and plasticine to patiently deal with the edge line, but don't the edge is too clear, you can erase the eraser black and then use the eraser to outline the fluffy feeling of the hair, and finally outline the direction of the hair and the highlight, you must pay attention to the overall sense and the inherent color of the hair itself, the highlight is also because of the contrast, do not leave blank, I hope it will help you!
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Probably the base,,Use a dark color to color in several layers, and finally use a dark point such as six b, eight b, and draw heavily along the hair,,In this way,The hair is very smooth and effortless,There can be no gaps,Because the whole front is primed This is not a theory,It's easy to practice in person.。
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First, think of the hair as a whole and draw three major sides. Then, according to the specific hair direction, it is divided into some sections to create a body feeling. Finally, the details are depicted, the hair strands are headed, the brushstrokes, and the eraser enhances the light.
Now to grasp the big relationship, start from the composition, separate the front, middle, and back, and then draw small things, add your own subjective meaning, and make appropriate adjustments. Then the color is on, now draw a large color block, and at the same time pay attention to the distant things to paint gray, near things to be brighter, the color difference is pulled apart, the middle color should be connected with the front and ,,。 It's pretty much the same,Pay attention to yourself to extract the beautiful scenery,,Cut out the bad scenery It's important to pay attention to the environmental color when painting outside,,Make the color richer,,The color is more beautiful
First of all, the problem of perspective, the accuracy of the outer contour and the inner contour (when starting the draft, draw the outer and inner contour with a straight line, rather square than round), the transition of black, white and gray, reflective projection, the mutual response of the environment near the object (the original color of the object is darker, and the nearby environment should pay attention to the light painting, so as to set off the subject), and the picture should be rather dirty than clean.
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