The human face does not know where to go to translate the whole poem, and the human face does not kn

From the Tang Dynasty Cui Hu's "Title Capital City Nanzhuang". Original poem:

Last year, in this door today, the peach blossoms on the faces of the people were red.

The face of the person does not know where to go, and the peach blossoms are still smiling in the spring breeze.

The paraphrase of this poem into the vernacular is: last winter, in this door, the girl's face was as bright as peach blossoms, and when she came here today, the girl did not know where to go, only the peach blossoms were still, smiling and angry in the spring breeze.

The whole poem has four lines, and these four lines of the poem contain two scenes in the front and one in the back, which are the same and reflect each other.

The first two lines of the poem are remembrance. "Last year and today, in this door", pointing out the time and place, it is written very specifically, which shows how deep and unforgettable the memory of this time and place has left in the poet's heart. The second sentence is to write about people, the poet pulls out an image that people still know - peach blossoms, everyone knows how gorgeous the peach blossoms in the spring breeze are, and the "human face" can be "reflected" so that the peach blossoms are extraordinarily red, then the beauty of the "human face" can be imagined; Moreover, the already beautiful "human face" must be more youthful and beautiful under the reflection of the red and gorgeous peach blossoms, and the charm will hit people.

A dazzling "red" character strongly renders this kind of contrasting scene and atmosphere. In the face of this picture of peach blossoms with a bright color, youthful glow, and two beauties, it goes without saying that the girl's radiant beauty is as it is at present, that is, her mood, the poet's heart, and the love and excitement hidden in each other's hearts can also be "thought of".

The next film is still the season of spring and flowers, or the door of flowers and trees, and peach trees, however, the "human face" that adds luster to all this is gone, and only a peach tree in front of the door is still smiling in the spring breeze. The association of peach blossoms smiling in the spring breeze comes from "the peach blossoms on the human face reflect red". Last year today, the girl who stood under the peach tree met unexpectedly must have been smiling and affectionate; Now, the peach blossoms that are still smiling can only evoke good memories of the past and feelings of bad times.

The word "still" contains infinite melancholy.

In fact, the whole poem uses "human face" and "peach blossom" as a continuous thread, and through the reflection and contrast of "last year" and "today" in the same place and the same scene, and "people are different", the poet's feelings arising from these two different encounters are expressed in a looping and twisted and turned. Contrasts play an extremely important role in this poem. Because it is written in the memories of the beautiful things that have been lost, the memories are particularly precious, beautiful, and full of feelings, which is the expressive depiction of "the peach blossoms on the human face are red"; It is precisely because of such a beautiful memory that I especially feel the melancholy of losing beautiful things, so I have the feeling of "people don't know where to go, and the peach blossoms are still smiling in the spring breeze".

Judging from the storyline, this is an improvised poem, and it seems to give people just two simple pictures - the face of the peach blossoms reflecting each other, and the peach blossoms after the face of the person is gone. However, because the activities of the characters run through the process, because of the contrast and contrast between the picture and the picture, the picture (peach blossom) and the picture outside the picture (the poet), it skillfully shows the occurrence, development and ups and downs of the characters' feelings, such as the pulse of the first encounter, the lovesickness after parting, the affectionate revisit, the disappointment of the unencountered, etc., are all expressed implicitly or explicitly. The whole poem is naturally formed, like a clear spring gushing out from the bottom of the heart, clear and mellow, and it is endlessly evocative.

"Looking for Spring and Encountering Beauty" and "Re-seeking Beauty" can be written as narrative poems. The author did not write like this, which shows that the Tang people are more accustomed to feeling the affairs of life with the eyes and feelings of lyric poets.

Summary. Hello dear, the implication of people not knowing where to go is that things are not people. The face of the person does not know where to go from the Tang Dynasty poet Cui Hu's "Title Capital City Nanzhuang", which means that when you come here again today, the girl does not know where to go.

Describe the situation when a man and a woman meet and fall in love, and then separate, and the man reminisces about the old things. The whole poem actually uses "human face" and "peach blossom" as a thread. Through the reflection and comparison of "last year" and "today" in the same place and scene at the same time, but "people are different", the poet's feelings arising from these two different encounters are presented.

The loops and twists and turns are fully expressed. Contrasts play an extremely important role in this poem. Because it is a memory to write about the beautiful things that have been lost, the memories are particularly precious and beautiful.

Hello dear, the implication of people not knowing where to go is that things are not people. The face of the person does not know where to go from the Tang Dynasty poet Cui Hu's "Title Capital City Nanzhuang", which means that when you come here again today, the girl does not know where to go. Describe the situation when a man and a woman meet and fall in love, and then separate, and the man reminisces about the old things.

The whole poem actually uses "human face" and "peach blossom" as a thread. Through the reflection and comparison of "last year" and "today" in the same place and scene at the same time, but "people are different", the poet's feelings arising from these two different encounters are presented. The loops and twists and turns are fully expressed.

Contrasts play an extremely important role in this poem. Because it is a memory to write about the beautiful things that have been lost, the memories are particularly precious and beautiful.

People don't know where to go allusions: In the Tang Dynasty, there was a young man named Cui Hu in Boling (referring to Anping County, Hebei Province), who was handsome, outstanding in literature, and lonely in temperament. Due to the long distance from home, he looked for a place near the capital and prepared to take the exam again next year.

During the Qingming Dynasty, he went on an outing outside the south gate of the capital by himself and encountered a manor, which covered an area of about one acre, and the garden was full of flowers and trees. Cui Hu stepped forward and knocked on the door, and after a while, a woman looked at him through the crack in the door and asked, "Who?"

Cui Hu told his name and said, "I went out of the city for a spring outing alone, and I was thirsty after drinking, so I came to ask for some water to drink." The woman went in and brought a glass of water, opened the door, and told him to sit down.

She stood there alone against the small peach tree, and had a very deep affection for the guests. She is gorgeous, charming, and charming. Cui Hu teased her with words, but she was just silent.

The two looked at each other for a long time, and Cui Hu got up to say goodbye. After being delivered to the door, she seemed to be overwhelmed, and returned to the house silently, Cui Hu couldn't stop looking forward to it, and then returned abruptly. After that, Cui Hu did not see her again.

In the second year's Qingming Festival, I suddenly missed her, and my longing was uncontrollable, so I went straight to the south of the city to find her. When I got there, I saw that the manor was the same as before, but the gate was locked.

After the author went to Chang'an to participate in the Jinshi exam, he met a beautiful girl in the southern suburbs of Chang'an, and revisited this woman on the Qingming Festival the following year.

From: "The Title Capital City Nanzhuang".

Cui Hu Tang Dynasty

Last year, in this door today, the peach blossoms on the faces of the people were red.

The face of the person does not know where to go, and the peach blossoms are still smiling in the spring breeze.

Translation: Last spring, in this family's house, I saw that the beautiful face and the peach blossoms set off each other, and it looked very ruddy. When I came here again today, the girl didn't know where to go, only the peach blossoms were still there, smiling and blooming in the spring breeze.

"Don't know" means don't know, and "human face" refers to the face.

Is it your face in general?

The human face does not know where to go" means "the woman I met last time no longer knows where to go", this poem is from the "title capital city Nanzhuang", is the work of the Tang Dynasty poet Cui Hu, contained in the "Quantang Poems" volume 368. "Human face" means "girl's face", which here refers to the girl; "Know" means "to know"; "still" means "still rotten as before"; "Laugh" means to describe "the appearance of peach blossom friends in full bloom". Translation:

Last spring, in this door, the girl's face reflected the bright peach blossoms. When I come here again today, the girl doesn't know where to go, only the peach blossoms are still there, smiling in the spring breeze. The first scene:

Looking for spring and meeting beauty - "Last year, in this door today, the peach blossoms on the human face were red. The poet captured the most beautiful and moving scene in the whole process of "Seeking Spring and Beauty". "The peach blossoms on the human face reflect each other", not only sets a beautiful background for the gorgeous "human face" like a peach blossom, sets off the radiant face of the girl, but also implicitly shows the poet's gaze and emotion, and the scene of the two sides with affection and no words.

It is the love that ends before it begins, expressing the emotion of things and people.

The face of the person does not know where to go, and the peach blossoms are still smiling in the spring breeze. Excerpt from Tang Cui Hu's "Title Capital City Nanzhuang". The meaning of these two lines of poetry is that the scholar once again came to the eaves of the first meeting, looking for the girl who made him unable to forget, but received the news that he had been separated from each other.

It is a kind of love that ends before it begins, and expresses the meaning of the emotion of things and people.

The presence of people in the scene caused unspeakable melancholy, loss and even sadness in the poet's heart. But Peach Blossom didn't notice it, and still smiled at the spring breeze, a somewhat inappropriate smile. It is this jubilant laughter that creates a cheerful atmosphere in audio-visual synaesthesia, and pushes the emotional conflict of the scene gap and cracks to the peak.

The word "laugh" is enough to make this poem famous through the ages.

The face of the human face does not know where to go, it is a sentence from the famous sentence of the Tang Dynasty poet Li Qingzhao's "Slow Voice, Seeking and Seeking". In this poem, Li Qingzhao skillfully combines his anxious mood with the vagaries of the world, expressing his feelings for the past people and things, as well as his confusion and helplessness for the future.

This sentence contains profound philosophical reflections, implying the contradiction between life and existence and deep reflection on life. It expresses the lament of the passage of time and the helplessness of life, suggesting the transience and fleeting reality of life. Whether it is the prosperous banks of the Nile River or the barren Gobi Desert, they cannot escape the ruthlessness of time and the shortness of life.

The passage of time and life makes people feel irresistible.

However, the "human face" can also be understood as the image and culture of human beings, representing the existence and development of human nature and human civilization. As all this fades with the passage of time, and the face of the face is nowhere to go, Tsai Yu expresses his concern about culture and humanity. It reflects people's protection and cherishing of individual and group cultural wealth, as well as people's yearning and pursuit of the prosperity of human civilization.

In short, the phrase "the face of man does not know where to go" is not only a sigh for the passing time and the confused future, but also a profound reflection and reflection on human nature, culture, history and the times. It carries philosophical connotations and humanistic feelings, and inspires us to cherish life, cherish judgment, love culture, and cherish time. <>

【Title: Capital City Nanzhuang】

Last year, in this door today, the peach blossoms on the faces of the people were red.

People don't know where to go out, and the peach blossoms are still smiling in the spring breeze.

Title: Capital City South Zhuang Cui Hu.

Last year, in this door today, the peach blossoms on the faces of the people were red.

Where is the human face going, and the peach blossoms are still smiling in the spring breeze.

Cui Hu, a native of Boling in the Tang Dynasty (the county is in Dingxian County, Hebei Province), the word Yin Gong, Zhenyuan Jinshi, and the envoy of the Guanling Lingnan Festival.

Cui Hu's seven-character quatrain, the text is simple, the language is really natural, clear and fluent, for hundreds of years for future generations to recite, enduring, and "human face peach blossom" has been widely cited as allusions and idioms. Speaking of this little poem, there is also a rather legendary ability, which is recorded in "Tang Poetry Chronicle" and "Poem of Ability". "Tang Poetry Chronicle" contains this poem

Guarding the Jinshi is not the first, Qingming travels alone in the south of the capital, has to live in the village, and the flowers and trees are thick. After a long time of buttoning the door, a woman asked from the door. Yes:

Looking for spring alone, wine thirsty for drink. 'The woman opened the customs and reached with the water. Leaning on the small peach obliquely, it stands alone, and the meaning is very generous.

Cui resigned, sent to the door, and entered as if he was overwhelmed. It never returns. And the coming year is clear, go to find it, the door is the same, and it has been locked.

Because of the title 'Last year, today, this door is in the middle of the poem' on its left side".

【Title: Capital City Nanzhuang】

Last year, in this door today, the peach blossoms on the faces of the people were red.

The face of the person does not know where to go, and the peach blossoms are still smiling in the spring breeze.

It is the work of the Tang Dynasty poet Cui Hu.

Cui Hu, a poet of the Tang Dynasty. The word Yin Gong was a native of Boling (now Dingzhou City, Hebei) in the Tang Dynasty. In 796 A.D. (the twelfth year of Zhenyuan), he ascended to the first (Jinshi and the first).

In 829 A.D. (the third year of Yamato), he was Jing Zhaoyin, and in the same year, he was the imperial historian and the Lingnan festival envoy. The end of the Lingnan Festival is envoy. His poetry style is concise and graceful, and his language is very fresh.

There are six poems in the whole Tang Dynasty poems, all of which are masterpieces, especially the "Theme Capital City Nanzhuang" is the most widely circulated, popular among the people, and appreciated by all. The poem uses a seemingly simple life experience of "peach blossoms on the human face, things are human and wrong" to express the common life experience that thousands of people seem to have had, and has won the poet an immortal poem title.