What is the central idea of Wu Song and Qiu Song in the middle of the night

The whole poem writes about the wife of the husband in the autumn night, thinking about the beloved of the expedition to the frontier, hoping to end the war as soon as possible and save her husband from leaving home to go on the expedition. Although love is not written directly, the words are permeated with sincere affection; Although he did not talk about the current situation, he did not leave the current situation. The sentiment is not detached from the side poems.

The charm. The moonlight of the capital is like silver, and it is calm on the surface, but the sound of pounding clothes contains the pain of thousands of families; The autumn breeze is endless, and it also carries the deep affection for the border pass. It's heart-pounding to read. The epilogue is the expectation of the girl, and it is also the voice of the recruit.

Broadly speaking, the poet's technique is to speak first and then to love, and the scene is always blended. "A Piece of Moon in Chang'an" is a scene, and at the same time, it is closely related to the topic, writing the seasonal characteristics of "Autumn Moon Shines". And seeing the moon is a classical poem.

The traditional method of expression, coupled with the fact that autumn is the season to make clothes, so writing about the moon also has the meaning of interest. In addition, the moonlight is as bright as day, just pounding clothes, and the moonlight that "can't be rolled up in the jade curtain, and the clothes are brushed back on the anvil", is also easy to arouse the lovesickness of the woman. The cloth of the garment must be placed on the anvil first, and the pestle is used to pound it flat and soft, which is called "pounding clothes".

This bright moonlit night, Chang'an City.

is immersed in the sound of anvils and pestles one after another, and this special "autumn sound" is an unbearable provocation for women. "One piece" and "ten thousand households", writing light and sound, seem to be right and wrong, and the wording is naturally aria. The autumn wind is also sultry, "the autumn wind enters the window, and the tent flutters", which is the third provocation of the woman.

The moon is clear and the wind is clear, the wind sends the anvil, and the sound is the deep affection of the people who miss Yuguan Zheng. With the word "always", the sentiment is profound. Here, the autumn moon and autumn sound and the autumn wind weave into a mixed realm, and no one is seen in the realm, but the characters seem to be really there, and the "jade guanqing" is also very strong.

Wang Fuzhi. commented: "The first four sentences are good sentences generated in the world, and they were picked up by Taibai." (Tang Poetry Selection.)

This love is so strong that it cannot be stopped, so there are the last two sentences that directly express the voice of the woman: "He Riping Hulu, the beloved man will go on an expedition?" Some people in later generations prefer "subtlety", such as Tian Tongzhi once said

Yu plagiarism is to delete the last two sentences as quatrains, and it feels endless. In fact, this is not necessarily the case. "I don't know the beauty of the ballad, but the momentum is out of the heart" ("Big Midnight Song", generous and natural, is the true color of folk songs, and there is no need to deliberately use that kind of language.

In terms of content, as Shen Deqian pointed out, "the love of the girl and the sudden resignation" ("Speaking of Poetry and Words"), the ideological content of the poem is greatly deepened, and it has more social significance, showing the good wishes of the ancient working people who want to live a peaceful life. The whole poem is like a movie, with pictures and "voice-overs". The moon shines on Chang'an Wanhu, the sound of the wind sending the anvil, and the cold moonscape outside the Yumen Pass, interlude:

He Riping Hulu, the beloved man went on an expedition. ”…This is a very meaningful poetic environment, and the reader should know that this kind of "interlude" like a female chorus is by no means superfluous, it is an organic part of the picture, and it is reverberating and exciting outside the painting. Therefore, "Autumn Song" is written from the front to the feelings, and there are endless feelings. ▲

The moonlight of the capital is like silver, and it is calm on the surface, but the sound of pounding clothes contains the pain of thousands of families; The autumn breeze is endless, and it also carries the deep affection for the border pass. It's heart-pounding to read. The epilogue is the expectation of the girl, and it is also the voice of the recruit.

The author of the Midnight Wu Song and Qiu Ge is from the Tang Dynasty. "Midnight Wu Song and Autumn Song" is Li Bai of the Tang Dynasty.

wrote a poem, in this poem, the poet used "a month in Chang'an, the sound of ten thousand households pounding clothes" two shallow molds to destroy and excavate, and the entire Chang'an City.

It's written in turmoil.

In this poem, the poet uses "a month in Chang'an, the sound of thousands of households pounding clothes" to write the entire Chang'an City in turmoil. Under the moon in Chang'an, you can make a bottle of wine to a plum tree, but the woman in the poem bows her head alone with tears in her eyes, making clothes for her lover who is far away in Yumen Pass.

The opening four sentences of "Midnight Wu Song and Autumn Song" are blended with scenes, becoming natural, cool autumn night, and moonlight.

Sprinkles, anvil sounds, cold winds, it is really a wonderful picture full of autumn. The first three sentences are written in autumn moons.

The sound of autumn and the autumn wind, from sight to hearing, to touch, are all paving the way for the "love" of the fourth sock sentence: moonlight is the medium that triggers lovesickness; The sound of pounding clothes shows that the women are preparing to make clothes for their relatives on the border, which itself contains deep concern and longing; The autumn breeze is the easiest to arouse people's feelings and sorrows.

Li bai. <>

1, "Midnight Wu Song, Autumn Song" Tang Li Bai.

Chang'an is a month, and thousands of households pound clothes.

The autumn wind blows endlessly, and it is always a jade relationship.

He Riping Hulu, the beloved man went on an expedition.

2. The gist of the poem:

Chang'an City was under moonlight, and the sound of pounding clothes came from thousands of households.

The autumn wind blows inexhaustibly, and I always miss the love of Yumen Pass.

When will the Hulu be swept away, and the relatives can stop the expedition.

3, Li Bai (701 762), the word Taibai, the name Qinglian Jushi, also known as the "Xianren", is a great romantic poet of the Tang Dynasty, known as the "poet immortal" by later generations, and Du Fu and called "Li Du", in order to distinguish from the other two poets Li Shangyin and Du Mu, that is, "Little Li Du", Du Fu and Li Bai are also called "Big Li Du". He is hearty and generous, loves to drink and write poetry, and likes to make friends. Li Bai was deeply influenced by Huang Lao Liezhuang's thoughts, and his representative works include "Wanglu Mountain Waterfall", "Difficult to Travel", "Shu Road Difficult", "Will Enter the Wine", "Liang Fuyin", "Early White Emperor City" and many other songs.

Li Bai's lyrics have been bigraphed by the Song people (such as Wen Ying's "Xiangshan Yelu" volume), and in terms of its pioneering significance and artistic achievements, "Li Baici" enjoys a very high status.

Painted picture of a four-screen beauty in spring, summer, autumn and winter.

"Four Songs of Wu at Midnight" is a group of poems written by the poet Li Bai in the Tang Dynasty, and is also titled "Four Songs of Midnight Four Hours", "Midnight Wu Songs", and "Four Songs of Midnight". These four poems are divided into four moments and four events.

The first poem writes about the spring scene, which is the story of Qin Luofu picking mulberry in the Han Le Mansion; The second poem is written about the summer scene, which is the story of the Spring and Autumn Yue Kingdom; The third poem writes about the autumn scene, which is about the weaving and pounding of clothes for the soldiers; The fourth poem writes about the winter scene, which is about the sewing of cotton clothes for the husband of the soldier. The work is cleverly conceived, well-layered, and rigorously structured.

The background of the creation is quiet.

In the "Qing Shang Song, Wu Sheng Song" of the Six Dynasties Yuefu, there is "Song and Dust Cha at Four O'clock in the Midnight", and Li Bai's group of poems is a new word created following the old title of Paiqing Yuefu, and the specific time of its creation is difficult to verify.

Li Bai's "Four Songs at Midnight", each with six sentences, is divided into four seasons: Wing Spring, Summer, Autumn and Winter. Six dynasties Yuefu has "Midnight Four O'clock Song", which is inherited by Li Bai, this body is made of four sentences, and the content is written more about the grievances of women missing their lovers, and the six sentences are Li Bai's creation, which is particularly innovative.

The above content reference: Encyclopedia - Four songs at four o'clock in the middle of the night.

The author of Midnight Wu Ge and Qiu Ge is Li Bai.

Li bai. Expansion:

Midnight Wu Song Autumn Song is an ancient poem composed by the great poet Li Bai of the Tang Dynasty by borrowing the old title of Yuefu. This poem expresses the longing feelings of the wife of the family for her husband on the expedition. The whole poem is written about the moonlight like silver in the capital, which is calm on the surface, but the sound of pounding clothes contains the pain of thousands of families; The autumn breeze is endless, and it also carries the deep affection for the border pass.

The epilogue is the expectation of the girl, and it is also the voice of the recruit. In the poem, the moonlight for thousands of miles, the sound of thousands of households, the majestic and beautiful scenery and the long-term thoughts, the hope of the strike, the combination of the two, constitute a touching and profound artistic conception.

Exegesis. Midnight Wu Song: Also composed "Midnight Four Hour Song", a total of four songs, written in spring, summer, autumn and winter, "Autumn Song" is the third of them. The "Qing Shang Song, Wu Sheng Song" of the Six Dynasties Yuefu has "Midnight Four O'clock Song", which is also called "Midnight Wu Song" because it belongs to Wu Sheng Song.

A piece of moonlight: A piece of moonlight.

Pounding clothes: pounding silk, pounding clothes. In ancient times, silk fabrics were beaten to make them soft and ready to be cut.

Also refers to whimshackling laundry. Xie Huilian "Pounding Clothes":"The long pestle mourned.

Slightly fragrant two sleeves. Light sweat dyeing double title. The vegetarian has been established.

The gentleman has not returned. Cut with a knife. Sewn for thousands of miles of clothing.

Blowing can't be done: Blowing can't be blown away.

Yuguan: that is, Yumen Pass, the site is in the northwest of Dunhuang County, Gansu Province, where it refers to the place where the beloved man guarded the border.

Pinghulu: Pacify the enemies who intrude on the border.

Lover: Husband. "The Book of Poetry, National Style, Tang Style, Silk":"Tonight, what night, see this beloved. "Justice:"A wife is a husband who is a beloved. "Strike: The end.

"Midnight Wu Song and Autumn Song" is the work of Li Bai, a great poet of the Tang Dynasty.

This poem expresses the longing feelings of the wife of the family for her husband on the expedition. The whole poem is written about the moonlight like silver in the capital, which is calm on the surface, but the sound of pounding clothes contains the pain of thousands of families; The autumn breeze is endless, and it also carries the deep affection for the border pass.

The epilogue is the expectation of the girl, and it is also the voice of the recruit. In the poem, the moonlight for thousands of miles, the sound of thousands of households, the majestic and beautiful scenery and the long-term thoughts and the hope of the strike, the combination of the two constitute a touching artistic conception of reforming the evils.

Introduction to "Midnight Wu Song and Autumn Song".

In this poem, the poet writes the entire Chang'an City in turmoil with two shallow strokes of a month in Chang'an and the sound of thousands of households of the Heqin tribe pounding clothes. Under the dust of the moon in Chang'an, you can have a plum tree and a bottle of wine, but the woman in the poem bows her head alone and tears to make clothes for her lover who is far away in Yumen Pass.

The opening four sentences of "Midnight Wu Song and Autumn Song" are blended with the scenes, becoming natural, the cool night of autumn, the moon is shining, the sound of anvils is bursting, and the cold wind is blowing, which is really a wonderful picture full of autumn.

The first three sentences are written about the autumn moon, autumn sound and autumn wind, from the visual to the auditory, and then to the touch, all of which are paving the way for the love of the fourth sentence: moonlight is the medium that triggers lovesickness. The sound of pounding clothes shows that the women are preparing to make clothes for their relatives on the border, which itself contains deep concern and longing;

The autumn breeze is the easiest to arouse people's feelings and sorrows.

Summary. Hello, dear. It was written by Li Bai, Midnight Wu Ge, Autumn Song Tang · Li Bai Chang'an for a month, and the sound of thousands of households pounding clothes. The autumn wind blows endlessly, and it is always a jade relationship. He Riping Hulu, the beloved man went on an expedition.

Hello, dear. It was written by Li Bai, Midnight Wu Ge, Autumn Song Tang · Li Bai Chang'an for a month, and the sound of thousands of households pounding clothes. The autumn wind blows endlessly, and it is always a jade relationship. He Riping Hulu, the beloved man went on an expedition.

Li Bai (February 28, 701 - December 762), the word Taibai, the name of Qinglian Jushi, also known as the "Immortal", the great romantic poet of the Tang Dynasty, was praised as the "poet immortal" by later generations, and Du Fu was called "Li Du", in order to distinguish from the other two poets Li Shangyin and Du Mu, that is, "Little Li Du", Du Fu and Li Bai are also called "Big Li Du". The Book of the Old Tang Dynasty records that Li Bai was a native of Shandong; According to the Book of the New Tang Dynasty, Li Bai was the ninth grandson of the Xingsheng Emperor Li Wei, and was the same ancestor as the kings of Li and Tang. He is hearty and generous, loves to drink and write poetry, and likes to make friends.