Camel Xiangzi analysis and comments, what is your evaluation of Camel Xiangzi ?

Celebrities have the following to say about Camel Shoko:

1. The language in "Camel Xiangzi" is simple and simple, and there is no large number of gorgeous rhetoric and descriptions, which is convenient for readers to read, which is also one of the reasons why "Camel Xiangzi" is widely circulated. - Fan Jun.

2. The image of Shoko is highlighted in the picture of life in the dark society of that time, in his complex relationship with various social forces. His tragedy is primarily a product of the society in which he lived. - Long Yingzong.

3, "Camel Xiangzi" is an excellent realistic **. - Fan Jun.

4. There are no rare words in the book, and the language habits of modern vernacular are paid attention to, which is convenient for readers to read, which is also one of the reasons why "Camel Xiangzi" is widely circulated. - Fan Jun.

5. It represents Lao She's contribution to improving the level of works that reflect the life of the urban poor, and it reflects the limitations of his long-standing weaknesses in his creation. - Fan Jun.

<>1. The language is simple and easy, concise and powerful; **The clues are clear, and the plot is concentrated and compact; The characters are vivid and vivid; The description of the scenery sets off the atmosphere and drives the plot.

2. "Camel Xiangzi" is the representative work of Lao She, a famous modern Chinese writer of Moxin, which was originally published in the magazine "Cosmic Wind" in 1936. "Camel Xiangzi" depicts the poignant story of a rickshaw driver in old Beijing in the 20s. This ** uses a large number of Beijing colloquial language, dialect, and some descriptions of the customs and customs of old Beijing, which is a classic work of modern vernacular literature.

It profoundly exposes the darkness of old China, indicts the exploitation and oppression of the working people by the ruling class, expresses the author's deep sympathy for the working people, and shows people the picture of the poor citizens of Beijing living in the abyss of misery under the chaos of warlords and the rule of darkness.

1 The wind bent the trees by the roadside, tore up the storemen's banners, uncovered the newspapers on the walls, darkened the sun, and sang, and screamed, and roared, and echoed; Suddenly, he straightened up, like a frightened elf, pulling the sky and the earth and speeding away; Suddenly panicked, rolling in all directions, like a demon who somehow decided to ram around; Suddenly it swept and attacked everything on the ground unprepared, twisting the branches, blowing off the roof tiles, and breaking the wires; However, Shoko was there watching; He had just come out of the wind, and the wind had not done anything to him! 2 Go, even if you can't sell your camel for a while, it doesn't seem to matter. He longed to see the city again, although there were no parents and relatives, and there was no property, but it was his home after all, and the whole city was his home, and once he got there, he had a way. 3 He would not go any further, nor look any more, nor be with her any more; He really wanted to jump down, head down, smash through the ice, sink, freeze in the ice like a dead fish.

4 But one day Miss Fang told him to put in ten dollars, and he looked carefully at the little fold, and there were words on it, and there were small red marks; Tonggong, hum, it's as heavy as a small handpiece of paper. 5 Mr. Xia's hand is very tight, and he refuses to let go of a small amount of money easily; When he came out and went in, he didn't look away, as if there was no one and nothing on the street. 6 Several times, Xiangzi wanted to stop the car with a cold hand, and the boy fell back, but he didn't dare, and the person who pulled the car was enduring.

7 Then his heart was full of hope; Now, my stomach is full of worries. 8 And embarrassment turned to shame, and his fire arose; They glared at him, and he glared at them. 9 She swallowed and foamed, seemed to suppress her complicated aura and emotions, took out some outward strength obtained by Liu Siye, half annoyed and half laughed, and pretended not to care Haha.

Shoko - a first-class coachman who used to be so strong, but in the end he still didn't struggle out of his tragic fate. Life didn't give him anything more because he was strong, the soldier, the camel, the Cao house, Inspector Sun, the tiger girl, the little Fuzi ......All of this did not seem to allow him to escape the ultimate fate of the coachman. He used to not believe in fate, but what was the use, his efforts, his first car, his savings to buy a car, he didn't recruit anyone and didn't mess with anyone, isn't it just gone?

Who can blame this, only fate is to blame. So Shoko eventually became like the other coachmen, no longer strong, and developed cigarettes and alcohol and other things that he never wanted to contaminate in the past, which made people feel forgivable, and all the vices no longer seemed to be as unforgivable as they used to be. But what a strong person Shoko was in the past!

In order to buy a car, he deducted every penny from his life, he gave up his son and the inferior coachman to make a strong seat, pulled the cart lifelessly, and did not even want to drink a good sip of tea - although it was common for a high-class coachman like him to drink some good tea, he regarded himself as an iron beater, and desperately saved money ......But things often don't go as expected, all.

"Camel Xiangzi" is Lao She's masterpiece, taking the whereabouts of a rickshaw driver Xiangzi in Beiping (now Beijing) as a clue, taking the life of Beijing citizens in the late twenties as the background, and taking the bumpy and tragic life of the rickshaw driver Xiangzi as the main plot, profoundly exposing the darkness of old China, accusing the ruling class of exploitation and oppression of laborers, expressing the author's deep sympathy for the working people, and showing people the picture of the poor citizens at the bottom of Beijing living in the abyss of pain under the chaos of warlords and the rule of darkness. There are also movies, television, dramas, etc. of the same name.

It mainly tells the poignant story of the old Beijing rickshaw driver. This article denounces the unvirtuous people who oppress the people, exposes the exploitation and oppression of the simple and kind laborers in the dark old society, indicts the evil of the old society that "transforms" people into ghosts, expresses the author's deep sympathy for the working people, criticizes selfish and narrow individualism, and also reveals that individual struggle is not the theme of the working people to get rid of poverty and change their circumstances. It also reflects that human beings are animals that change with the change of the environment, which can be said to be the most vulnerable.

The ugliness of human nature is laid bare here. Lao She ruthlessly criticized this society - it does not allow good people to have a way out.

Camel Xiangzi Lao She depicts a tragedy with sympathetic brushstrokes: in Beijing in the twenties, a hard-working and sturdy little person from the bottom of the society had a beautiful dream of making a fortune and struggling, but was finally swallowed up by a dark storm. It reveals the slave psychology of the "little people" of the time and the eventual disillusionment of hope.

With the suicide of Shoko's beloved woman, Xiaofuzi, Shoko extinguishes the last spark of personal struggle. This was one of the fates of the poor citizens of old Beijing in old China. The book "Camel Xiangzi" uses a large number of Beijing colloquial language, dialects, and some descriptions of the customs and customs of old Beijing, which is friendly and natural to read, catchy, and is a classic work of modern vernacular literature.

Camel Xiangzi was originally published in the magazine "Cosmic Wind" in 1936, and in January 1955, the People's Literature Publishing House published a new single edition, and Lao She had made deletions, deleting the second half of the old version of chapter 23 and the whole of chapter 24. The People's Literature Publishing House, published in the 80s, restored the original version of the old edition in 1982. There is a sentence in "Camel Xiangzi": "Money will lead people into a bad society, put aside noble ideals, and willingly go to hell."

It not only vividly writes that the lower class of society, after endless grief, transfers their resentment for social injustice to money. In fact, it is not money that is sinful, but an unhealthy mind. It is this distorted cynicism that portrays the sorrow of society, the sorrow of human nature, and constitutes a social tragedy!