What should I do if I can t understand the description of the environment in the dream of Red Mansio

Eh, I came into contact with Dream of Red Mansions in the fifth grade of primary school, and at that time I read a book that my mother saved in high school, which is relatively old, with illustrations, and I feel that the 87 version of the TV series mission is quite similar to the illustrations in the book, you or, I can shoot ** and send you.

In fact, reading is only in the artistic conception, you can let go of your thinking to imagine, the moire buckle, will it be a buckle like an auspicious cloud pattern, as for what eight treasures to save beads and the like, it is nothing more than some hair accessories like a step, just to highlight the dignity of the character's identity, and the focus of this book is not only here, here is just to make a foreshadowing for the later "building collapse".

This suggestion is to watch the TV series.,Don't watch the new version if you watch the 87 version.,The 87 version is very, very strict with respect for the original work.,The costumes and everything are very in line with the description of the original book.,Take a look at it and you'll have an intuitive understanding.。

It's too hard, isn't it?

As soon as Wang Xifeng appeared, he wore a golden silk eight treasures and beaded buns, Chaoyang five phoenixes hung beads and hairpins, and Doulu Palace Silk Pisces Flounder roses ***** these are a lot.

Yellow flowers are all over the ground, and white willows are on a cross slope. The small bridge leads to the stream of Ruoye, and the winding path leads to the rooftop road. The clear stream in the stone is turbulent, and the fence is fragrant; The red leaves of the trees are turning, and the sparse forest is picturesque.

The west wind is tight, and the warbler cries at the beginning; The warm day is a celebration, and the words are added. Looking at the southeast in the distance, build a few pavilions by the mountains; Throughout the northwest, there are three waterfront pavilions. Ears are full of springs.

Don't have a ghost; Luo Qi wears through the forest, adding charm. Lin Daiyu held her mother-in-law's hand and entered the weeping flower door, on both sides of which were the verandahs, among which was the hall, and there was a large interstitial screen of red sandalwood shelf marble. Turn the interstitial, a small three-room hall, and behind the hall is the main courtyard at the back.

There are five upper rooms on the front, all of which are carved beams and painted buildings. On both sides, the wings of the verandah through the mountains are hung with various parrots, thrushes and other birds. On the top of the platform, there are a few girls dressed in red and green.

The scarlet poppy on the big kang near the window, the front is set up with a big red money python backrest, a stone blue money python pillow, and an autumn fragrant money python large mattress. On both sides, there is a pair of plum blossom lacquer small tables. On the left are Wang Ding, spoons, and incense boxes; On the right, there are several beautiful people in Ru kiln, and there are fresh flowers inserted in the goblet, and tea bowls, phlegm boxes and other things.

On the four chairs in the west of the ground, there are silver and red flowered chairs, and four pairs of foot pedals underneath. On both sides of the chair, there is also a pair of high tables, and several tea bowls and vases are available.