A fragment of the Dream of the Red Chamber, which depicts the actions of the characters5

In the sixth time, as soon as Grandma Liu entered the Rongguo Mansion, the detailed description of a series of actions vividly portrayed the image of Grandma Liu: at the end of the next day, Grandma Liu got up to freshen up, and taught Ban'er a few lessons, and Grandma Liu took him into the city and found Ningrong Street. When she came to the stone lion at the gate of Rongfu, she saw a cluster of sedan chairs and horses, and Grandma Liu didn't dare to go over, and dusted off her clothes, taught a few words, and then rubbed in front of the corner gate.

I saw a few people with their chests and stomachs pointing fingers, sitting on the big bench, talking about the east and the west. Grandma Liu had no choice but to come forward and ask. Through this detailed description, we can see that Grandma Liu was both excited and scared before entering the Rongguo Mansion.

In order to calm her mood, she "dusted off her clothes", and "taught Ban'er a few words", and even used two "rubbing" words to outline the situation of Grandma Liu's walking, a series of actions showed Grandma Liu's nervous and hesitant and cautious psychological state at this time, creating an image of a rural old woman who has never been in the world. grasp the detailed descriptions that are in line with the identity and status of the characters, and there are many more that can be found in "Dream of Red Mansions".

For example, the plot of Baoyu being beaten, through Jia Zheng's three tears, gave Jia Zheng, a feudal parent, more connotation. The first time he shed tears, he sat up straight in his chair panting, expressing the sadness and anger of a parent who was full of hope that his son would become a talent. The second time he shed tears, when he saw Madame Wang rushing to hear the news, he picked up the rope and wanted to strangle Baoyu, and then sighed and sat down in a chair.

This subtle action vividly expresses his sadness of feeling without "support" and "despair". The third tear was written: "The teardrop rolled down like a watermelon." The rhetoric of metaphor is used to truly reproduce Jia Zheng's sadness at that time because of the disillusionment of his hopes.

Through the description of tears, the two sides of the characters' souls are ruthlessly revealed. Angry and mournful, weak and majestic. The contradiction and logical unity of these two sides should be attributed to the depiction of details.

Personalized actions shape the character's character.

Wang Xifeng's detailed description of the punishment of the late domestic servant when he assisted Ning Guofu is to grasp several coherent movements of Sister Feng, thus vividly portraying the image of Sister Feng.

The first thing the author grabbed was Sister Feng's laughter, Sister Feng's laughter was a sneer, and this smile also laughed out of Sister Feng's sinister face; secondly, he grabbed Sister Feng and said that Sister Feng's two sides and three knives were said; The third action is to drink life, and this drink also drinks the essence of Sister Feng's sour face and vicious methods; The fourth action is to throw a card, and this throw will also throw the whole image of Sister Feng in front of the reader, not only making the servants of Ningfu scared, but also after the reader reads it, he can't help but speed up his heartbeat, and Sister Feng's thunder and lightning jump out of the paper. Capture common details to portray a character's character.

Jia Mu complained and cried too. Who knew that this word reached the ears of Baoyu and Daiyu, and the two of them had never heard the saying "not that enemies don't get together", and now they suddenly got this sentence, as if they were participating in Zen, they all lowered their heads and chewed the taste of this sentence, and unconsciously burst into tears. Although they have never met, one shed tears in the wind in Xiaoxiang Pavilion, and the other shouted to the moon in Yihong Courtyard.

The experience of the action of the action description.

I saw that although this girl painted the ground with a golden hairpin, she was not digging the soil to bury flowers, but drawing words on the soil. Baoyu took the eyes with the hairpin.

The ups and downs of the child, all the way to the end, a painting, a point, a hook to look at, counting, eighteen strokes. I have it in my hand again.

I wrote with my finger in my heart according to the rules he had just written, guessing what it was. When I think about it, it turns out to be a Qiang.

The word "Qiang" of Weihua. ......While thinking about it, I looked at it again, and I saw that the girl was still painting there. Painting and drawing, it is still a "Qiang" character; Look at it again, it's still a "Qiang" word. The original inside has long been stupid, and after painting a "Qiang", another ...... was drawn

Grandma Liu ......When I arrived at the stone lion in front of the gate of Rongfu, I saw a sedan chair full of horses at the door. Grandma Liu didn't dare to go over, dusted off her clothes, taught Ban'er a few words, and then slipped to the corner gate, only to see a few people sitting on the gate with their chests folded and pointing fingers, talking about things and things. Grandma Liu had to rub it up and ask:

Ladies and gentlemen. (Excerpt from "Dream of the Red Chamber").

When I came in, I saw that it was a young man: wearing a purple and gold crown with a bundle of hair on his head, a two-color gold butterfly wearing a red arrow sleeve, a colorful silk knot with a long spike palace silk, covered with a stone blue flower eight groups of satin tassel gowns, and a small court boot with a blue satin foundation. The face is like the moon of the Mid-Autumn Festival, the color is like the flower of spring dawn, the temples are like a knife, the eyebrows are like ink paintings, the nose is like a hanging gall, and the eyes are like autumn waves. There is a golden tassel on the neck, and there is a five-colored silk silk, tied with a piece of beautiful jade.

Daiyu was taken aback when she saw it, and thought to herself: "It's so strange, it's like I've seen it there, how familiar!" I saw that this Baoyu asked Jia's mother for peace, and Jia's mother ordered:

Go see your mother. Then he turned and went. When I came again, I had changed the crown belt, and the short hair around the head was braided, and the red silk ended, and the hair was accumulated to the top of the fetus, and the chief editor made a big braid, black and bright as lacquer, from the top to the tip, a string of four large beads, and the feet were dropped with gold eight treasures.

He was wearing a silver and red half-worn coat with flowers, still carrying collars, treasures, name locks, amulets and other things, and half-exposed pine green sprinkled silk pants underneath, brocade elastic ink socks, and thick-soled red shoes. The more it looks like Fu powder, the lips are like grease, the more you look forward to being amorous, and the language is like a smile. A natural charm, all at the tip of the eyebrows; There are thousands of feelings in life, and they are all in the corners of their eyes.

Look at its appearance is the best, but it is difficult to know its details, and later generations have the word "Xijiangyue", which is extremely accurate. The words say: looking for sorrow and hatred for no reason, sometimes it seems stupid and crazy.

Even if he was born with a good skin, he was reckless in his abdomen. I can't get through the general affairs, and I'm stupid and afraid to read articles. Behavior is remote and perverse, and the world is slandered.

He also said: Wealth does not know happiness, and poverty is unbearable and desolate. Pity lives up to the good times, and there is no hope for the country and home. The world's incompetence is the first, and the ancient and modern are unparalleled. Messages and ointments: don't follow the shape here!

Baoyu screamed, jumped three or four feet above the ground, and shouted nonsense.

See Baoyu Others.

His face was purple, so he gritted his teeth, poked his forehead with his fingers, "hummed", and said

You-" As soon as he said three words, he sighed again, and still picked up the silk to wipe his tears.

The first skin is slightly plump, the body is in shape, the cheeks are condensed with new li, the nose is greasy and goose fat, gentle and silent, and the view is amiable. The second has shaved shoulders and a thin waist, a long figure, a goose egg face, handsome eyes and eyebrows, looking forward to Shenfei, the essence of literature, and forgetting the vulgar. The third is not enough and is still small.

There are many wonderful details in the chapter when Daiyu enters Jiafu.