A question about Xifeng, Wang Xifeng s ending

Carry. Excuse me.

Sent to. Wipe away tears.

Turn sadness into joy. Busy.

The mind is twisted, and he is good at throwing what people like.

Profile depiction. Provocative.

Self-confidence, elderness.

Action depictions. Wang Xifeng's song is welcome.

Daiyu's innocence and kindness.

Wang Xifeng's dictatorship.

Lu Xun, Yu Boya, Zhong Zi, Beethoven Shotaro's character characteristics.

Red scholars interpret Wang Xifeng's final ending mainly based on "one from two orders and three people", thinking that "Renmu" is "Hugh", and feeling that Sister Feng was Hughed by Jia Lian. In 2017, the "Qixia Ke Commentary on the Stone Record" revealed that "one from two orders and three people" refers to "Sister Feng destroyed the two mansions in a rage". It's a pity that this book has only been published fifteen times, and I don't know if it will be published.

died, wrapped in a mat and buried casually.

In the end, he died in prison, and there was no burial, and he was wrapped in a straw mat.

Wang Xifeng was heartbroken to death due to long-term illness, exhaustion, counterattack by the old enemy, and defeat of the army.

The song and sentence of Dream of Red Mansions have long made it clear that the tragedy of Sister Feng has a great element of self-inflicted misfortune. Jiafu was completely defeated, Sister Feng was ruined, and everything was over. The two are compatible or more appropriate, because Sister Feng is a character who is related to the overall situation, and in "Dream of Red Mansions", there is "suddenly a loud and tumble like a building falling, and a miserable and miserable lamp is about to run out", which is completely a post-apocalyptic scene of the building collapsing and the family falling.

Therefore, Wang Xifeng's song is not only related to himself, but also to his family, so the latter understanding is also okay.

Cao Xueqin not only wrote about the growth and prominence of this important figure Wang Xifeng, but also arranged the elimination process of Wang Xifeng. Just like what is written in the judgment of "Dream of Red Mansions", "One servant, two orders, and three people, crying to Jinling is more sad".

According to Cao Xueqin's original intention, the ending of this Jiamen female bully is very bad. From the fat criticism, we can know that the second half of the manuscript has the following plots: 1. She was convicted and left home, and drowned in the prison temple with Baoyu (waiting for the crime, not a prison), and the reason was nothing more than the revelation of her lack of virtue such as collecting money and killing her life.

For example, in the section of "getting power in the Iron Threshold Temple", forcing an unmarried couple to commit suicide, and enjoying 3,000 taels of silver for themselves, the fat critic pointed out: "How to dissipate, the creator does not know, and he has his own knowledge." "You don't have to write about it in detail later, you can know what he did in life, and it is no wonder that he is miserable when he looks back.

The sixteenth) while away from home, Grandma Liu also met her in the "prison temple" (the forty-second batch of the Jingzang book). In addition, there were also Xiaohong, Qian Xue and others who saw Sister Feng in the Prison God Temple. 2. Sweep the snow with a broom in the Grand View Garden.

This should be what happened after she was convicted and went out, and after some twists and turns, she returned to Jiafu. The fat critic said: In front of the hall gate of Yihong Courtyard, in the future, "it will be the place where Sister Feng sweeps the snow and picks up jade" (the twenty-third chapter).

3. Abandoned by her husband and "cried to Jinling" to her mother's house. Judging from the twenty-first fat batch, she found out that her husband had hidden the hair of many girls (batch: "Wonderful.

If Ping'er collects it, it will not leak again, so it is still snatched back by Jia Lian, and the text is lost before it can be interspersed with the pulse. It was a fuse, and her husband took advantage of this to fall out and abandon him, at that time, Sister Feng was "slightly lucky" and could only endure humiliation, which was very different from the "A Feng heroic" when "Qiao Ping'er saved Jia Lian softly". Therefore, the second half of the review is called "Wang Xifeng's Knowing Destiny and Strong Hero".

Fourth, looking back on the tragedy, he died in a short life. You Shi said to Sister Feng: "Ming'er brought the coffin to the envoy.

Fat criticism: "This statement is true, and the rest of the text will be short-lived." (Chapter 43) In short, Sister Feng's tragic ending is self-inflicted and self-inflicted, not a misfortune in the world.

Wang Xifeng died of illness in the end.

Sister Feng's miscarriage did leave the root of the disease, even she herself said that she was "three days good and two days bad", after eighty times, Sister Feng's condition should not have been cured, but the opposite side became more and more serious. In addition, Jia Lian abandoned her when she lost her housekeeping rights and raided her house, so she "cried to Jinling and mourned more".

Sister Feng worked hard for Jia's mother's funeral and couldn't afford to get sick, this is the plot in Gao E's sequel book. But the original work should not be like this, just look at the verdict. "Renmu" together is the word "Hugh", indicating that Sister Feng has been abandoned by Jia Lian, not died of illness.

At this point, CCTV's 87 version of the Red House handled it very well. Sister Feng was suspended after being imprisoned, and then she couldn't support Souqiao, and she was only wrapped in a straw mat after her death. It is in stark contrast to her prominence during her lifetime.

Introduction to "Dream of Red Mansions".

Dream of Red Mansions is a world-influential work of human feelings, recognized by the world as the pinnacle of Chinese classics, an encyclopedia of Chinese feudal society, and a master of traditional culture. **Based on the rise and fall of the four major families of Jia, Wang, Shi and Xue.

Focusing on the family trivialities and boudoir leisure in Jiafu, and taking the love and marriage stories of Jia Baoyu, Lin Daiyu and Xue Baochai as the main line, it describes the human beauty and tragic beauty of Jinling Shitan and Erchai, praises the rebellious characters who pursue light, and foresees the inevitable demise of feudal society through the tragic fate of the rebels, revealing the crisis of the last days of feudalism.