Bodhisattva Barbarian Wei Zhuang s writing characteristics, Wei Zhuang wrote several Bodhisattva Man

In this poem, the film describes the picturesque scenery of the south of the Yangtze River. The gist is: the south of the Yangtze River is beautiful, the tourists are intoxicated, refuse to leave, and should be old here.

Lying on the painting boat, looking at the spring scene of "spring water is blue in the sky", listening to the sound of rain and falling asleep soundly, it is so pleasant! The next film goes from objects to people, focusing on lyricism. The lyricist used a metaphor to write that the woman in the hotel was white and bright.

Jiangnan is beautiful, people are more beautiful, and people are nostalgic and forgetful. However, the beautiful scenery touched the infinite nostalgia of the poet. He said, "If you don't return to your hometown, you must break your intestines when you return to your hometown."

Because, at this time, his hometown (the Central Plains) is in full flames, and if he sees that kind of broken scene, it will definitely be heartbreaking. The lyricist skillfully portrays the inner activities with personality characteristics in a specific environment, thus highlighting the "homesickness and nostalgia" of the "spring wanderer". This is a poem written by Wei Zhuang when he went to the south to avoid chaos, describing the beautiful scenery and graceful characters of the water towns in the south of the Yangtze River, and expressing the poet's sincere feelings of love for the south of the Yangtze River.

Shang Yun pointed out that "everyone says that Jiangnan is good", thus pointing out the theme of the whole word: Jiangnan is good. Immediately afterwards, "tourists are only suitable for the old in the south of the Yangtze River" to express the poet's personal feelings:

Jiangnan is so good that it can make the wanderers who come from afar not miss their hometown. Willingly old here. The two sentences of "the spring water is blue in the sky, and the boat is painted to listen to the rain" not only writes the characteristic beauty of the south of the Yangtze River, but also expresses the leisure feeling of intoxication.

In the spring, the blue water surface blends with the clear sky, and you can relax and sleep in the gorgeous painted boats, listening to the sound of the rain. How wonderful, how laid-back, no wonder I never want to live in the bitter cold again. The first two sentences of Xia Yan "The people on the edge are like the moon, and the frost and snow on the wrists" are the beauties in the beautiful scenery.

The graceful beauty raised by the mountains and rivers of the south of the Yangtze River. In the hotel, the beauties like Chang'e in the middle of the moon are smiling and welcoming guests, and what is especially striking is their frost-white, crystalline wrists. The last two sentences "Mo is not old and returns to his hometown, and he must break his intestines when he returns to his hometown" once again expresses the poet's obsession and attachment to the scenery and characters in the south of the Yangtze River, and clearly sings:

People who are not old should enjoy this paradise on earth, and never return to their hometown. If you return to your hometown, you will definitely regret it. This poem not only expresses the chest directly, but also expresses the attachment and intoxication to the mountains and rivers of the south of the Yangtze River; It also depicts the landscapes and characters in the south of the Yangtze River, and the two are intertwined and blended with each other, so they are very infectious.

Wei Zhuang's "Bodhisattva Man" has a total of five poems, which are echoing words before and after. This word is the second article, using white drawing techniques to express what the wanderer sees and thinks in spring, just like a spring water map. The first two sentences bluntly said that Jiangnan is beautiful.

Spring water" two sentences are inherited, one writes the beautiful scenery of the water towns in the south of the Yangtze River, and the other writes the beauty of the life of the dwellings in the south of the Yangtze River. The next two sentences of "Bianbian" go one layer to write about the beautiful women with white and delicate skin. Jiangnan not only has the beautiful scenery of "blue in the sky", but also the life of "painting a boat and listening to the rain", as well as the beautiful women with arms as white as snow, which are combined into the affection of "tourists" who should only end their lives in Jiangnan.

However, the last two sentences of the conclusion turned into a deep sigh of "Mo is not old and returns to his hometown". The lyricist to avoid chaos into Shu, suffering from chaos, when the Central Plains is boiling, want to return can't, "return to the hometown must break the bowels" sentence, cleverly portrayed the specific historical environment of the lyricist homesick mentality, can be said to be exhaustive and inexhaustible.

White drawing and writing grief with music.

Wei Zhuang wrote a total of 5 Bodhisattva Man, which are detailed as follows:

1. Introduction:

1. "Five Songs of the Bodhisattva" is a composition of words by Wei Zhuang, a poet of the five pronouns in the late Tang Dynasty. These five poems are a whole, but they can be divided into two levels. The first three songs are one layer, focusing on the recollection of the Jiangnan affairs, and the last two songs are one layer, focusing on the feelings of living in Luoyang.

2. "Five Songs of the Bodhisattva" has two meanings, it can be said that what the lyricist wrote is only the lovesickness and nostalgia for parting with a realistic woman, or it may be a loyal and loving feeling for the homeland of the Tang Dynasty.

2. Original text:

1. One of them: Don't be melancholy at night in the Red Mansion, and the incense lamp is half a tassel tent. When the waning moon goes out, the beauty and tears are gone. The pipa is golden and cuiyu, and the yellow warbler is spoken on the string. persuade me to go home early, the green window is like a flower.

2. Second: everyone says that Jiangnan is good, and tourists only meet Jiangnan Lao. The spring water is blue in the sky, and the boat is painted to listen to the rain. The people on the edge are like the moon, and the wrists are condensed with frost and snow. If you are not old, you must return to your hometown, and you must break your intestines when you return to your hometown.

3. Third: Now I remember Jiangnan Music, when I was young and thin. Riding a horse leaning on the bridge, full of red sleeves. Cuiping Jintan lead bending, drunk into the flowers. This time I saw the flower branches, and I swore that I would not return.

4. Fourth: persuade the monarch to be drunk tonight, and don't talk about the affairs of the Ming Dynasty. Cherish the owner's heart, and the wine is affectionate. You must worry about the short spring leakage, and don't complain that the gold cup is full. When you meet wine and hehe, life can be geometric.

5. Fifth: The spring in Luoyang City is good, and Luoyang is a talented man. Liu Dark Wei Wang Di, at this time the heart turned confused. Peach blossoms in spring, mandarin ducks on the water. Condensation hatred to the remnant of the sun, Yi Junjun does not know.

3. Appreciation of works:

1. These five poems are a whole, which are joint chapters, but they can be divided into two levels. The first three songs are one layer, focusing on the recollection of the Jiangnan affairs, and the last two songs are one layer, focusing on the feelings of living in Luoyang.

2, modern Tang Guizhang "Tang and Song Dynasty Words Concise Interpretation" this first reminiscence of Luoyang's words, in the south of the Yangtze River, return to the hometown to roll the letter can not be annihilated, that is, Luoyang can not go, recall the joy of Luoyang, can't help but be fascinated, two sentences of narrator in other places, recall the good spring in Luoyang, willow dark sentence and said that the scenery in front of people, make people feel compassionate, the last sentence to the scenery of the people, simple and depressed.

The second hometown of Luoyang poets, so he has a deep affection for Luoyang. This word begins with overlapping"Luoyang"The two words, and prominently placed at the beginning of the sentence, is the embodiment of this feeling. "

The five poems "Bodhisattva Man" are a set of words with interrelated meanings, and it is Wei Zhuang's reminiscence of the old travels in his later years. The second part of "Bodhisattva Man" describes that when the Tang Dynasty was about to fall, the Central Plains was in flames, and the author took refuge.

Wandering in the south of the Yangtze River, if returning to the hometown at that time can only be to witness the chaos and sadness, the author has a family to return to his homeland and is sad, so here to praise the beauty of the south of the Yangtze River at the same time to express homesickness, pinning on the hometown of the Central Plains"It's hard to look back"sighs.