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Bodhisattva Barbarian Song] Wei Zhuang.
Don't be melancholy at night in the Red Mansion, and when the incense lamp is half rolled up and the tassel tent goes out in the waning moon, the beauty and tears are gone.
The pipa is golden and cuiyu, and the yellow warbler is spoken on the string.
persuade me to go home early, the green window is like a flower.
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Translation of the Bodhisattva's Answer:
The south of the Yangtze River is beautiful, so that the tourists are intoxicated, refuse to leave, and should be old here. The clear turquoise of the river in spring is better than the blue of the sky, and the woman who sells wine on the side of the Jiangnan wine pot is radiant, and when she sells wine, she pulls her sleeves to hold wine, and her exposed wrist is as white as frost and snow. When you are not old, don't go back to your hometown, returning to your hometown and missing Jiangnan will make people sad.
Wei Zhuang's "Bodhisattva Man": It is a poem written by Wei Zhuang when he went to the south to avoid chaos, describing the beautiful scenery and graceful characters of the water towns buried in the south of the Yangtze River, expressing the poet's sincere feelings of love for the south of the Yangtze River.
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Wei Wu Hu Suizhuang wrote 5 Bodhisattva Man, specifically: "Bodhisattva Man, Red Mansion Don't Be Melancholy at Night", "Bodhisattva Man, Everyone Says Jiangnan is Good", "Bodhisattva Man, Now Remembering Jiangnan Music", "Bodhisattva Man, Persuading Jun to Be Drunk Tonight", "Bodhisattva Man, Luoyang City Spring is Good".
Bodhisattva Man is also known as "Bodhisattva Man", also known as "Midnight Song", "Overlapping Gold", "Flower Meaning", "Plum Blossom Sentence", "Flower Creek Blue", "Evening Cloud Baking Day" and so on. This Tang Dynasty Jiaofang song, later used as a word card, also used as a song card. This tone is a two-tone small order, composed of five or seven words, forty-four characters.
With rhyme two sentences for a change, where the four easy rhyme, flat and forward, in order to do no complicated sound to promote the expression of deep and undulating emotions, there have been many masterpieces.
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Five songs.
Bodhisattva Man【Author】Wei Zhuang【Dynasty】Tang.
Don't be melancholy at night in the Red Mansion, and the incense lamp is half a tassel tent.
When the waning moon goes out, the beauty and tears are gone.
The pipa is golden and cuiyu, and the yellow warbler is spoken on the string.
persuade me to go home early, the green window is like a flower.
Everyone says that Jiangnan is good, and tourists only meet Jiangnan Lao.
The spring water is blue in the sky, and the boat is painted to listen to the rain.
The people on the edge are like the moon, and the frost and snow are condensed on the wrists.
If you are not old, you must return to your hometown, and you must break your intestines when you return to your hometown.
Now I remember Jiang Nanle, when I was young and thin.
Riding a horse leaning on the bridge, full of red sleeves.
Cuiping gold bends, drunk into the flowers.
This time I saw the flower branches, and I swore that I would not return.
Persuade the monarch to be drunk tonight, and don't talk about the affairs of the Ming Dynasty.
Cherish the owner's heart, and the wine is affectionate.
You must worry about the short spring leakage, and don't complain that the gold cup is full.
When you meet wine and hehe, life can be geometric.
The spring in Luoyang City is good, and Luoyang is an old man.
Liu Dark Wei Wang Di, at this time the heart turned confused.
Peach blossoms in spring, mandarin ducks on the water.
Condensation hatred to the remnant of the sun, Yi Junjun does not know.
Summary:
"Five Songs of the Bodhisattva" is a composition of the five pronouns Wei Zhuang in the late Tang Dynasty. These five poems are a whole, but they can be divided into two levels. The first three songs are one layer, focusing on the recollection of the Jiangnan affairs, and the last two songs are one layer, focusing on the feelings of living in Luoyang.
This group of words has two meanings, it can be said that what the lyricist wrote is just a lovesick nostalgia for parting with a realistic woman, or it may be an allusion to a loyal and loving feeling for the homeland of the Tang Dynasty.
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Analysis: The Bodhisattva Man Persuades Jun to Be Drunk Tonight" is a lyric work by Wei Zhuang, a lyricist of the five pronouns of the late Tang Dynasty. This poem uses the host's persuasion to drink, expressing the unspeakable pain in the hearts of the lyricists, and expressing the negative thoughts of Qiaoshan life as a dream and having fun in time.
The whole word is full of grief and indignation, pretending to be a language: this is also a reflection of social reality and the lyricist's own experience.
Persuade the monarch to be drunk tonight, respect the front Mo talk about the affairs of the Ming Dynasty, is the affectionate host's words of persuasion, a tonight, a Ming Dynasty has a painful meaning. This is the host's words of persuasion, if the beauty who thinks of his Red Mansion and the night persuade him to return home early, then his hope at that time should be in the future, tomorrow, tomorrow when he goes back to see his green window like a flower-like beauty, and now the host advises him to respect the Ming Dynasty affairs, there is no hope of going back tomorrow. Even though he still has such affection and nostalgia for the beauty of the Red Mansion Farewell Night, there is no hope of seeing him again.
The second half of the sorrow is short, and the golden cup is full, Ye Jiaying thinks that this is the guest's self-permeability persuasion. Drinking and hehe, hehehe, it's laughter, but it's not really laughter. The two words hehe are just empty laughter, there is no real feeling of laughter in filial piety, what Wei Zhuang wrote is the bitterness of forced laughter.
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Everyone says that Jiangnan is good, and tourists only meet Jiangnan Lao. The spring water is blue in the sky, and the boat is painted to listen to the rain.
The people on the edge are like the moon, and the frost and snow are condensed on the wrists. If you are not old, you must return to your hometown, and you must break your intestines when you return to your hometown.
This poem describes the beauty of the scenery and characters of the water towns in the south of the Yangtze River, expresses the poet's attachment to the water towns in the south of the Yangtze River, and also expresses the poet's sadness of wandering and unable to return. It is written with sincerity and sincerity, and has a strong artistic appeal.
In terms of the layout of the plot, the first two sentences of the first two sentences and the ending of the film are lyrical, and the middle four sentences are written about scenes and people. Pure white description, fresh and bright, real and sensible; Although the four sentences at the beginning and end are straightforward, they are tactful and subtle, and they are full of rhyme.
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Everyone says that Jiangnan is good, and tourists only meet Jiangnan Lao.
The spring water is blue in the sky, and the boat is painted to listen to the rain.
The people on the edge are like the moon, and the frost and snow are condensed on the wrists.
If you are not old, you must return to your hometown, and you must break your intestines when you return to your hometown.
Appreciation] This poem, the last film describes the picturesque scenery of the south of the Yangtze River. The gist is: the south of the Yangtze River is beautiful, the tourists are intoxicated, refuse to leave, and should be old here.
Lying on the painting boat, looking at the spring scene of "spring water is blue in the sky", listening to the sound of rain and falling asleep soundly, it is so pleasant!
The next film goes from objects to people, focusing on lyricism. The lyricist used a metaphor to write that the woman in the hotel was white and bright. Jiangnan is beautiful, people are more beautiful, and people are nostalgic and forgetful.
However, the beautiful scenery touched the infinite nostalgia of the poet. He said, "If you don't return to your hometown, you must break your intestines when you return to your hometown." Because, at this time, his hometown (the Central Plains) is in full flames, and if he sees that kind of broken scene, it will definitely be heartbreaking.
The lyricist skillfully portrays the inner activities with personality characteristics in a specific environment, thus highlighting the "homesickness and nostalgia" of the "spring wanderer".
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It's wrong, it should be posted in imitation of Wei Zhuang's first Bodhisattva, and it can't be deleted.
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